The adventures in time and space of the Doctor, a Time Lord who changes appearance and personality by regenerating when near death, and is joined by companions in battles against aliens and other megalomaniacs.
Gharman tries to convince the Kaleds to vote against the Dalek project but Davros has a trick up his sleeve, while the Doctor works to destroy the tape recording of Dalek victory and the Thals plan ...
Traveling across time and space, the immortal time-lord known as 'The Doctor' travels across the universe with his many companions and his loyal shape-shifting space-ship: The TARDIS. The Doctor faces many threats across many generations: from The Daleks, The Cybermen and his time-lord adversary The Master to the sinister Davros, creator of The Daleks.Written by
Bessie, who appeared on several occasions in the early 1970s, with the licence plate "WHO 1". This private plate had already been purchased by another party and so the BBC were unable to acquire it for the series. Instead they used a fake "WHO 1" plate on private roads, and the car's actual plate "MTR 5" was used only in long-shots. See more »
[after being shoved by Hermann the butler]
I say, what a wonderful butler, he's so violent.
See more »
For most of the Hartnell era, the episode title appeared superimposed over the first scene (after the title sequence had completed). Later, and continuing on occasion during the Troughton era, the episode title and writer credit would be presented in a unique format (i.e. in the form of a computer print-out for "The War Machine", for example). When the opening credits were redesigned during the Troughton era (and now incorporated an image of the Doctor's face), the episode title and writer credit were usually included during this sequence. See more »
Early Jon Pertwee-era episodes from the early 1970s exist in several formats: B&W, a combination of B&W and color (for US syndication), and colorized. This is due to the fact full-color prints of some Pertwee episodes were lost. See more »
`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.
When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.
The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.
This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.
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