Latter-series gem, directed by Ted Post, loaded with a plethora of delightful characters featuring rich comic faces, has John Dehner (last seen in the marvelous TZ episode, The Jungle) riding into a western town notorious for its history of violence (128 dead in the cemetery on the outskirts of town), now called Happiness. He claims he can resurrect the dead, offering to do so for the locals in Happiness, soon realizing (not necessarily to his surprise) that they aren't keen to see their loved ones return. With a steep price tag, Dehner's Garrity can reverse his magic, but will the locals pay?
Only flaw to this episode I could find was the disappearance of a supposed member of the cemetery. Explaining this parlor trick the episode doesn't, but it is a gaping logic hole in an otherwise brilliant storyline development. Charlatanism isn't an unknown component in the western, so the clever results of this episode don't necessarily surprise as much as amuse. But the twist regarding how Garrity "doesn't even realize his own talent" is a real charmer. Top to bottom, the comic casting is impeccable. Not a blight to be found in the cast, with especially fun work from Stanley Adams (the giant carrot in the infamous Lost in Space episode, The Great Vegetable Rebellion), J. Pat O'Malley as the town drunk who goes on and on about his heavy (but not ugly) deceased wife Zelda until it is confirmed she would return to him, Norman Leavitt as the haughty and almighty sheriff who gulps and worries when learning that the notorious gunslinger he supposedly put down in a legit gunfight would be coming back to town, and Percy Helton (who has a way of agreeing with everyone and always complimentary of them, even though he has to sometimes think back to what they actually said!) with that chatty and cheery disposition. The way the town seems so nosy and busybody, and how Garrity knows so much about each member (how they *really* don't want their dearly departed to come back to them) is a hoot. How Garrity uses a dog and accomplice only for the TZ to do what it does best at the very end—seeing it all play out with a wink and a grin—is just a thing of beauty. Why I use reverence for this show: Mr. Garrity and the Graves is such an example.
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