L.A. Law (TV Series)
Fifty Ways to Floss Your Lover (1987)
Full Cast & Crew
Directed by
| Mimi Leder | ||
Writing Credits
| Steven Bochco | ... | (created by) & |
| Terry Louise Fisher | ... | (created by) |
| Jacob Epstein | ... | (teleplay by) & |
| David E. Kelley | ... | (teleplay by) |
| Steven Bochco | ... | (story by) & |
| Terry Louise Fisher | ... | (story by) |
Cast (in credits order)
Produced by
| Steven Bochco | ... | executive producer |
| Robert Breech | ... | associate producer (as Robert M. Breech) |
| Terry Louise Fisher | ... | supervising producer |
| Phillip M. Goldfarb | ... | coordinating producer |
| Scott Goldstein | ... | producer |
| Gregory Hoblit | ... | co-executive producer |
Music by
| Mike Post | ||
Cinematography by
| Robert Seaman | ... | director of photography |
Editing by
| Elodie Keene | ||
Casting By
| Robert Harbin | ... | (as Robert W. Harbin) |
Production Design by
| Jeffrey L. Goldstein | ||
Set Decoration by
| John Told | ... | (as John E. Told) |
Makeup Department
| Jane Aull | ... | makeup artist |
| Candida Conery | ... | hair stylist |
| Leigh Mitchell | ... | makeup artist |
| Allen Payne | ... | hair stylist |
Production Management
| Phillip M. Goldfarb | ... | unit production manager |
| Skip Lusk | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Robert J. Doherty | ... | first assistant director |
| Vince Matsudaira | ... | second second assistant director |
| Gary M. Strangis | ... | second assistant director |
Art Department
| Robert M. Anderson | ... | property master (as Bob Anderson) |
| Brenda Meyers-Ballard | ... | lead person |
| Mark Poll | ... | set designer |
| Dave Shauger | ... | construction supervisor |
Sound Department
| Manuel Carrión | ... | foley artist / foleys |
| Jerelyn J. Harding | ... | sound editor (as Jerelyn Golding) |
| Franklin Jones Jr. | ... | re-recording mixer |
| Gary Krivacek | ... | sound editor |
| David Schneiderman | ... | production sound mixer |
| John B. Schuyler | ... | boom operator |
Special Effects by
| Eric Rylander | ... | special effects coordinator |
Camera and Electrical Department
| Jeff Greene | ... | first assistant camera |
| Jim Marquette | ... | assistant camera |
| William Mayer | ... | dolly grip |
| Julius Metoyer | ... | chief lighting technician (as Julius Metoyer Jr.) / gaffer (as Julius Metoyer Jr.) |
| Lee Nakahara | ... | camera operator (as Leland Nakahara) |
| Randall Robinson | ... | camera operator |
| Joe Staton | ... | second assistant camera (as Joseph Staton) |
| Jeffrey Ray Strong | ... | best boy |
| Bob West | ... | key grip (as Robert West Jr.) |
Casting Department
| Paul Cruz | ... | background casting (as Paul Garnica) |
Costume and Wardrobe Department
| Shelly Levine | ... | costume supervisor: men |
| Loree Parral | ... | costumer: women |
Editorial Department
| Michael M. Robin | ... | post-production coordinator (as Michael Robin) |
Music Department
| Tom Boyd | ... | oboe soloist |
| Mark Green | ... | music editor |
Script and Continuity Department
| H. Bud Otto | ... | script supervisor |
Transportation Department
| James Nordberg | ... | driver |
Additional Crew
| Jacob Epstein | ... | executive story editor |
| Marilyn Fiebelkorn | ... | assistant to producer |
| William M. Finkelstein | ... | story editor |
| Judy Hollingsworth | ... | production coordinator |
| David E. Kelley | ... | story editor |
| Charles B. Rosenberg | ... | technical legal advisor |
| Jill Vance | ... | stand-in (uncredited) |
