"Combat!" The Glory Among Men (TV Episode 1964) Poster

(TV Series)

(1964)

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10/10
Superb Directing by Vic Morrow
jmarchese10 July 2014
The Glory Among Men is a story about whether or not it's worth risking extra lives to save one. One of the squad's more undesirable men Mason (played by Eddie Ryder,) is wounded and pinned down after the squad is ambushed. To save him is to commit suicide; but in our compassionate way we try anyway.

Vic Morrow directed a superb episode here and I liked his using music from some of the old half hour westerns to denote extreme danger scenes. I even detected some music used in the old Sea Hunt series from the mid 1950's as well. If I did not know it was Vic Morrow, I would have guessed Bernie McEveety directed this. There's a lot of fire fight throughout, the essence of Combat. And the night scenes are terrific lighting up the battleground.

Character development is excellent with Peter Helm, Eddie Ryder, and Bernard Kates as Laslo, Mason, and Hacker respectively. Without their strong performances, the episode would not have been successful.

Laslo puts on a fine performance as a young irrational GI while Mason is excellent as the whining, wounded bait.

Hacker and Bauer (played by Paul Busch) have a great scene denoting why the Americans refer to the Germans as doves sometimes during radio communication.

Saunders, Kirby, Caje, Littlejohn, and Doc put together the game plan based on what they think the Germans are least expecting. And I must admit I would agree with their foregoing logic and plan.

Great episode !!
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9/10
The Price of Honor
claudio_carvalho19 September 2017
The loathed and selfish Private Mason is hated by Saunders' squad except the youngster Laslo that worships him. When Saunders and the squad are assigned for a recon patrol, they are trapped by a German machine gun nest. They seek protection, but Mason is wounded in open field and the Germans let him alive to be used as bait. Saunders tries unsuccessfully to rescue Mason and decides to retreat with the squad. However Laslo conflicts over Saunders command creating a difficult situation to the squad.

"The Glory Among Men" is one of the most dramatic episodes of "Combat!". Directed by Vic Morrow, the show is full of feelings and action and certainly one of the best. The conclusion with no redemption or gratitude is perfect for the story. My vote is nine.

Title (Brazil): "A Glória entre os Homens" ("The Glory among Men")
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10/10
Brotherly... love
denmat502 January 2015
Warning: Spoilers
Finished season 2 of Combat last night. I have to say it was a truly spectacular season (by the way... remember when television seasons were 30 or more episodes long and each episode ran over 50 minutes??? Yeah... thank you, 1960s!!). While many, many episodes of Combat are worthy of praise, this finale ("The Glory Among Men" skillfully directed by Vic Morrow) was really something to behold. White Rook is pinned down by nazi snipers - and between these two factions, utterly exposed, is a severely wounded American soldier (a replacement, Private Mason who is justifiably loathed by his company for being a TOTAL WORLD CLASS JERK). The final hour of season 2 explores our individual struggle to rise above animosity and pettiness and find our capacity for brotherhood. The nazi's find fortune in their laps with the realization that they can lure our boys to certain death in Mason's rescue. Two soldiers, with polar opposite motives, die horribly in their attempts to reach Mason. Tension mounts as the body count rises and our pathetic soldier, looming in the crosshairs, moans with increasing agony, hour after merciless hour. Indeed, he begs for his own men to end his suffering - to shoot him dead. And while the looming option of leaving this situation (ultimately, a strategic "lost cause") was always on the table... something inside their souls wouldn't let any member of White Rook leave this, otherwise despised, "brother-in-arms" to perish. The writers COULD so easily have given us a story of redemption - where, in his hour of need, Mason genuinely begs for and gets our sympathy as his certain death nears. Instead, the story soars with Mason's ridiculously bitter admonitions at his distant rescuer's supposed hatred for him. By the final act, Morrow creates a brilliant conflict within an atmosphere so desperate we (the exhausted audience) can only surrender to Saunders' last-ditch effort to resolve the stalemate. In the 60 hours of Combat I've watched to this point, I've seen many exciting and pivotal risks that Saunders has taken when the odds were... well, 'impossible' (Captain Kirk's "risk" speech suddenly comes to mind // ..."that's why we're ABOARD her.....!!") but this one pretty much tops them all. The assault and rescue is do or die for White Rook... literally, a Hail Mary for each of their lives. The nazi's are obliterated; Kirby, Caje, Doc, and LittleJohn finally reach Mason who has been tangled up and dying in the arms of a lifeless tree. There is no gratitude for his rescue; Mason bites them down HARD for their sluggish rescue and selfishness while he, over the many hours, suffered. The final moments of "The Glory Among Men," however, are absolute greatness with the gel of outstanding writing, acting, direction, and production that are ultimately there to achieve....... a story about good soldiers and great men who've found that TOGETHER; before, during, and after the heat of their battles, are more.. much, much more a band of brothers than they could have ever realized
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10/10
You Won't Believe This One.
lrrap14 January 2020
****THE BEST of the 2nd season: Vic Morrow's "THE GLORY AMONG MEN". Simply unbelievable that a film of this quality was shot in 5 days as part of a weekly, hour-long TV assembly line. Brilliant in every way, and marred only slightly by the somewhat contrived "OK, now everybody smile" business at the very end. But what a show!!

EVERY detail--every camera angle---every action shot--- every line of dialogue---every facial expression, starting with the opening card game,---is SUPERBLY created and captured by director Vic Morrow, who ALSO found time to portray Sgt. Saunders in the show!

The "No Man's Land" set is expressionistic-- stark and threatening, the Nazis unrelenting in their cruelty. Morrow specifically designed and shot the scenes with the detestable yet pitiful Eddie Ryder -- suffering, bleeding, moaning--while tangled and splayed in the dead tree branches-- to recall images of Christ's Crucifixion. Yes, there's subtle layers of true dramatic and visual ART at work here.

LOVE the real-life, fascinating interplay between characters, especially the excellent Bernard Kates as Hacker. CLASSIC exchange when he offers to risk his life for Eddie Ryder--Doc says "I thought you hated him..." to which Hacker casually replies "I do" -- before dashing out into the open.

AMAZING ACCOMPLISHMENT. ONE OF COMBAT's TOP FIVE BEST EPISODES, IMHO: The Farmer,///S.I.W.///Cry in the Ruins///Gift of Hope,///The Glory Among Men. LR
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10/10
Combat Stands Up After All These Years
I watched this episode as a youngster and have never forgotten it. I thought that when I revisited it over 50 years on that it might disappoint. How wrong I was. This episode and all the other episodes of Combat stand up as tough and real as anything made since and that includes films like "Saving Private Ryan". The cinematography and acting are first class. Vic Morrow's Sgt Saunders goes way beyond clichéd war hero fare and his direction of this episode is spot on. The seemingly simple scenario is used as a means of character revelation and development. Men who hate a fellow squad member risk their lives to rescue him. The episode is tight and tense - move and counter move - with the denouement uncertain. Yes, we believe that the squad will rescue a wounded member but how? By the way, the opening credits and theme music still pack a real punch.
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10/10
Deadlock
nickenchuggets5 November 2022
Warning: Spoilers
A few weeks ago, I talked about "The Pillbox", a Combat episode which shows to dazzling effect how great of a director Vic Morrow was. As Sergeant Saunders on the tv program, he is the most important member of his squad, but just because Morrow was directing didn't mean he couldn't put on a great performance as his character simultaneously. The Pillbox doesn't really highlight this, as Saunders only appears for a few seconds in that and the episode is focused solely on Hanley, but this episode has cemented itself as one of the best in the whole series. It's an episode that has multiple layers of irony to it, which is a big reason as to why it's so high quality. The episode starts with a squad member named Mason trying to instigate a fight with the other men over a card game bet they lost. The men accuse Mason of rigging the game, and they hate him for it. Mason is shown to be a deeply despicable and arrogant person, as he taunts the men into trying to shut him up. After Saunders breaks up the argument, the men move out on patrol. Not long into their walk, the squad strolls right into the line of fire of a German machine gun position. One squad member is killed instantly and Mason is injured. The rest of the squad pulls back to get behind something. Mason, too badly injured to crawl to safety, is stuck on a central island with a dead tree on it, located halfway between where Saunders is and the germans. The latter realize that if they keep the dying GI alive, he can be used to bait the others into coming to rescue him. Saunders and the others try to think of a plan in order to save Mason, but nobody can get anywhere near him without getting sprayed by automatic fire. Laslo, another member of the squad, is starting to get really anxious over whether or not Mason can be saved, and doesn't want to see him die. A rifleman named Hacker tries to talk sense into him and says Mason is nothing but a user who preys on and takes advantage of naive kids like Laslo, but the latter will have none of it. After Saunders radios Hanley on instructions on what to do next, Hanley tells Saunders that unfortunately, Mason is going to have to be abandoned. Hanley can't direct artillery onto the germans because they're too close to Mason. Saunders gives the order to leave, but they again come under german fire. Laslo tries a dumb move and attempts to run toward Mason's position by himself, which leads to him getting gunned down. Hacker (who despises Mason) attempts to help him by throwing a padded container of morphine onto his island, but the germans show their lack of humanity by shooting it before he can use it. With time running out quickly, Saunders decides to try and capture a german soldier in order to trade him in exchange for letting Mason live. Some squad members flank a pair of germans, kill one, and take the other hostage. Once he's secure, Hacker attempts to force him out onto the area between the squad and the germans, saying he wants to make a trade. The germans offer absolutely no forgiveness and not only gun down their fellow soldier, but the American standing behind him too. Hacker is dead, all because he wanted to save the life of someone he hated. With night falling, Saunders and the others decide to try and save Mason one last time. Saunders instructs a few of his men to flank the germans from the side, while a few hang back and shoot at the german position. Doc will stay put until Saunders is able to draw the germans' attention with his movement. As the shooting starts, the germans use a flare gun to illuminate the entire area and make Saunders a sitting duck. Barely avoiding gunfire, he manages to proceed by stopping dead in his tracks once the flares light up, confusing the germans. Once he gets close enough, he lobs two grenades into the position and kills them. Doc rushes up to Mason and attempts to save him. Upon regaining consciousness, Mason seems remarkably unappreciative and is still rude, making the others question each other as to why they tried so hard (and got two of their own killed) to save him. Still, they carry him off and the objective is accomplished. Once again, I am simply in awe of Morrow's talent as a director. This is one of very few Combat episodes where pretty much all the dialogue is riveting. There wasn't one moment where I lost interest, and the moral dilemma the squad faces here is all too real. In war, you have to stay by your allies, even if you dislike them as human beings. A powerful exchange occurs between Laslo and Saunders, in which the former questions why they're going to let Mason die out there. Saunders tells him that he doesn't want to leave him behind, but if they rescue him, that's exactly what the enemy wants. The gunfights are as good as they're ever going to get in this episode, and the german MG-42 is used to terrifying effect. The gun was called Hitler's Buzzsaw for a reason. As director, Morrow also made sure to use a lot of memorable and impressive camera angles, such as when he's being illuminated by the flares as he runs, or when the squad is talking behind a log and we see Mason trying to stay alive far in the distance. Because this episode has such great dialogue, riveting gunfights, great cinematography, and a valuable lesson, I believe it's worthy of a perfect score. Morrow really showed how he was actually a good director, and how his success with The Pillbox wasn't just a fluke.
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9/10
Vic Morrow At the Directing Chair!
ShelbyTMItchell10 May 2013
Warning: Spoilers
Had Vic sticked with directing then he would had made one heck of a director with this episode about the King's Company really that do not like one man named Mason.

Mason is arrogant and just rubs everybody the wrong way. And after a fight with Caje to get Mason to shut up. The team must go out on patrol but what should had been a pretty easy ride to say the least. Turns out that Mason is caught between the lines of the enemy aka the Kruats.

As Saunders and the men either have to decide to either leave him there and get help for him later or to wait it out. And to rescue him. As won't give you the ending.

It is hard to try to rescue a jerk like Mason who really needed to get his just desserts. But in the end, being the man Saunders is. They have to overlook that to complete the mission.
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Strong message from Vic
lor_27 July 2023
Vic's troops all hate a new man, Mason, who cheats them at poker and is thoroughly disagreeable. An interesting situation is set up when the squad is pinned down by the Germans, and Mason is trapped out in the open, merely toyed with sadistically by the Germans who could easily just shoot him. Vic and his men are unable to help him, but do they want to?

This stark moral dilemma, the sort of topic Rod Serling would routinely introduce on "he Twilight Zone" is compelling within the realistic staging of "Combat!", Believable twist has Rick by radio giving the order to Vic to leave Mason behind, rather than risk the rest of his troops. One soldier disobeys the order, creating an intense faceoff with Vic.

Morrow directed the show and keeps the screws tightened on the suspense throughout. The extremity of the staging drives home the moral issues involved, with the Germans portrayed hre as truly evil, not getting the usual "equal time" dimensionality. Vic's possible solution to the problem is well-done, with high-quality twists.
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