Photos and Videos
Complete, Cast awaiting verification
Vas Blackwood | ... |
George
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Ken Campbell | ... |
Arthur
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Kathryn Gilfeather | ... |
Girl
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Franka Potente | ... |
Kate
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Grant Ibbs | ... |
Man
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Joe Anderson | ... |
Male Model
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Jeremy Sheffield | ... |
Guy
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Sean De Vrind | ... |
Friend
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Ian Duncan | ... |
Friend
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Debora Weston | ... |
Mya
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Emily Gilchrist | ... |
Karen
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Craig Fackrell | ... |
Homeless Guy
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Elizabeth McKechnie | ... |
Woman
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Kelly Scott | ... |
Mandy
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Strapper | ... |
'Ray' The Dog
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Jonathan Taylor | ... |
Dead Driver #1
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Paul Rattray | ... |
Jimmy
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Morgan Jones | ... |
Night Watchman
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Daniel Joseph Scott | ... |
Dead Driver #2
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Sean Harris | ... |
Craig
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Rest of cast listed alphabetically: | |||
Spencer Hawken | ... |
Man on Train Platform (uncredited)
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Directed by
Christopher Smith |
Written by
Christopher Smith | ... | (written by) |
Produced by
Julie Baines | ... | producer |
Alexandra Derbyshire | ... | line producer (as Alexandra Ferguson) |
Martin Hagemann | ... | co-producer |
Barry Hanson | ... | co-producer |
Robert Jones | ... | executive producer |
Kai Künnemann | ... | co-producer |
Jason Newmark | ... | producer |
Music by
The Insects |
Cinematography by
Danny Cohen |
Editing by
Kate Evans |
Editorial Department
Lee Clappison | ... | on-line film editor |
Stuart Fyvie | ... | digital colorist |
Matt Gauci | ... | avid technical support |
Andrew Melhuish | ... | first assistant editor |
Patty Papageorgiou | ... | post-production coordinator |
Kevin Phelan | ... | head of post-production: LipSync Post (uncredited) |
Casting By
Emma Style |
Production Design by
John Frankish |
Art Direction by
Matt Gray | ... | supervising art director (as Matthew Gray) |
Ellen Latz | ||
Ashley Winter |
Set Decoration by
Emma Field-Rayner |
Costume Design by
Phoebe De Gaye |
Makeup Department
Nicola Frost | ... | makeup artist |
Uli Nunn | ... | hair stylist: Franka Potente (as Uli de la Lama) |
Jan Sewell | ... | hair designer / makeup designer |
Production Management
Marc Grewe | ... | production manager |
Richard Lloyd | ... | post-production supervisor |
Tim Wellspring | ... | unit manager |
Second Unit Director or Assistant Director
Matthew Baker | ... | additional first assistant director / key second assistant director |
Simon Clegg | ... | third assistant director |
Alexandra Derbyshire | ... | additional assistant director (as Alexandra Ferguson) |
Barry Derbyshire | ... | additional assistant director |
Max Keene | ... | first assistant director |
Andrew McEwan | ... | second assistant director: re-shoots |
Elke Sasserath | ... | assistant director: second unit |
Art Department
Reinhold 'Ringer' Broil | ... | set builder |
Kai Finnigan | ... | set builder |
Gordon Fitzgerald | ... | property master |
Ulrike Gojowczyk | ... | props |
Nadine Hasenbein | ... | assistant property master |
Lee Hedges | ... | dressing prop daily |
Mark Hedges | ... | dressing propman |
Dan Maslen | ... | storyboard artist |
Jim McCallum | ... | stand-by props |
Anke Pagels | ... | property master: outdoor |
Daniel Painter | ... | storyboard artist |
Thorsten Sabel | ... | set dresser: Germany |
Maren Schal | ... | trainee props |
Martin Scheferhoff | ... | prop builder |
Keith Stevenson | ... | set dresser |
Nic Stubbings | ... | stand-by props |
Sound Department
Julie Ankerson | ... | foley artist |
Nick Baldock | ... | sound editor |
Peter Baldock | ... | supervising sound editor |
Michael Carter | ... | adr mixer (as Michael A. Carter) / re-recording mixer (as Michael A. Carter) |
Gary Dodkin | ... | boom operator |
Richard Dunford | ... | adr editor (as Rick Dunford) / dialogue editor (as Rick Dunford) |
Alex Ellerington | ... | additional foley |
Martin Jensen | ... | foley artist |
Spencer Michael | ... | sound recordist |
Thom Paisley | ... | second sound re-recording mixer (as Thomas Paisley) |
James Seddon | ... | dolby consultant |
Special Effects by
Mike H.G. Bates | ... | prosthetic makeup artist: Hybrid Enterprises / special makeup effects supervisor: Hybrid Enterprises |
Suzanne Bates | ... | prosthetic makeup artist: Hybrid Enterprises |
Nicola Pandel | ... | prosthetic makeup artist |
Mike Stringer | ... | prosthetic makeup artist: Hybrid Enterprises / prosthetic makeup design: Hybrid Enterprises |
Visual Effects by
Phil Attfield | ... | visual effects supervisor |
Robin Beard | ... | digital effects artist |
Kimberley Broughton | ... | effects artist: Hybrid Enterprises |
Lee Clappison | ... | online film editor |
William Foxwell | ... | scanning and recording operator: Lip Sync Post |
Simon Frame | ... | visual effects supervisor |
Scott Goulding | ... | scanning & recording |
Tom Hocking | ... | digital compositor |
Katja Hollmann | ... | digital lab supervisor: Lipsync Post |
Rhodri James | ... | system engineer |
Mark Kilburn | ... | effects artist: Hybrid Enterprises |
Katy Lemon | ... | scanning and recording operator: Lip Sync Post |
Alasdair MacCuish | ... | senior producer: Lipsync Post |
Victoria McDowell | ... | visual effects line producer: Men From Mars |
Peter Minister | ... | effects artist: Hybrid Enterprises |
Gruff Owen | ... | digital compositor |
John Parnham | ... | effects artist: Hybrid Enterprises |
Jenny Rose-Barber | ... | effects artist: Hybrid Enterprises |
Dawn Whitehead-Binns | ... | effects artist: Hybrid Enterprises |
Andy Brown | ... | digital compositor (uncredited) |
Stunts
Katja Bernet | ... | stunt double: Franka Potente (as Katja Jerabek) |
Nrinder Dhudwar | ... | stunt coordinator |
Camera and Electrical Department
Lewis Buchan | ... | camera operator |
Mark Clayton | ... | gaffer |
Kenneth Cornils | ... | key grip: Germany |
Simon De Glanville | ... | camera trainee |
Paul Duffy | ... | electrician |
John Evans | ... | second assistant camera |
Dean Foard | ... | best boy |
Paul Hymns | ... | key grip |
Thomas Korda | ... | steadicam operator |
Tim Liehr | ... | assistant grip |
Nathan Mann | ... | focus puller |
Martin Menke | ... | still photographer |
Ed Miller | ... | additional stills photographer |
Tony C. Miller | ... | gaffer: Main unit UK pick-ups |
Jem Morton | ... | additional grip |
Georg Nonnenmacher | ... | gaffer |
Oliver Poole | ... | electrician |
Stefan Pott | ... | video operator |
Lars Richter | ... | additional first assistant camera |
Kim Seber | ... | focus puller |
Bernd Spauke | ... | still photographer |
Roger Tooley | ... | steadicam operator |
David Cozens | ... | first assistant camera (uncredited) |
Casting Department
Vanessa Baker | ... | adr voice casting |
Brendan Donnison | ... | adr voice casting |
Costume and Wardrobe Department
Shane Kingdon | ... | costume assistant |
Ramona Petersen | ... | wardrobe |
Rachel Vallance | ... | costume assistant |
Elena Wegner | ... | wardrobe |
Location Management
Algernon Sloane | ... | location manager |
Music Department
John Baggott | ... | additional musician: piano |
Matt Biffa | ... | music clearance / music consultant |
Peter Brandt | ... | additional musician: double bass (as Pete Brandt) |
Stuart Gordon | ... | additional musician: violin |
Juliette McCarthy | ... | additional musician: cello |
Richard Todman | ... | music editor |
Alison Wright | ... | music supervisor |
Script and Continuity Department
Elizabeth Tremblay | ... | script supervisor |
Transportation Department
Martin Hartmann | ... | production driver |
René Saldjughian | ... | production driver |
Additional Crew
Ritchie Beacham-Paterson | ... | producer: Lipsync Post |
Pauline Burt | ... | risk manager |
Geraldine East | ... | legal services |
Tina Falcone | ... | assistant accountant |
Hollie Foster | ... | assistant coordinator |
Matthew Hobbs | ... | production coordinator |
Walter Josten | ... | Bridge Lending |
Mark Lo | ... | misc crew |
Ben Luxford | ... | floor runner |
Richard Morrison | ... | title designer |
Keeley Naylor | ... | unit publicist |
William Prouty | ... | assistant to producer |
Maxine Stanley | ... | post-production accountant |
Trevor Stanley | ... | production accountant |
Jonathan Taylor | ... | assistant: Julie Baines |
Niall Trask | ... | runner |
Katie Kubert | ... | production intern (uncredited) |
Thanks
Erol Arguden | ... | thanks |
Lee Beasley | ... | the producers wish to thank |
Matt Biffa | ... | the producers wish to thank |
Pauline Burt | ... | the producers wish to thank |
Angela Carbonetti | ... | the producers wish to thank |
Natasha Galloway | ... | the producers wish to thank |
Jeff Geoffray | ... | the producers wish to thank |
Russel Hier | ... | the producers wish to thank |
Walter Josten | ... | the producers wish to thank |
Wendy Leavesley | ... | the producers wish to thank |
Mark Lo | ... | the producers wish to thank |
Michael Schmid-Ospach | ... | thanks (as Michael Schmidt-Ospach) |
Production Companies
Distributors
- Alfa Films (2005) (Argentina) (theatrical)
- Filmax (2004) (Spain) (theatrical)
- Gaga (2005) (Japan) (theatrical) (as GAGA Communications)
- Golden Village Pictures (2005) (Singapore) (theatrical)
- Independent Films (2005) (Netherlands) (theatrical)
- Italian International Film (2005) (Italy) (theatrical)
- Pathé Distribution (2005) (United Kingdom) (theatrical)
- X Verleih AG (2005) (Germany) (theatrical)
- 20th Century Fox Home Entertainment (2005) (United Kingdom) (DVD)
- AXN (2007) (Japan) (tv)
- Aventi (2005) (France) (DVD)
- Filmax Home Video (2005) (Spain) (DVD)
- Imagem Filmes (2005) (Brazil)
- Kam & Ronson Enterprise Co (2006) (Hong Kong) (DVD)
- Lions Gate Films Home Entertainment (2005) (United States) (DVD)
- Maple Pictures (2005) (Canada) (DVD)
- Nordisk Film (2005) (Denmark) (DVD)
- Nordisk Film (2005) (Finland) (DVD)
- Paramount Home Entertainment (2005) (Australia) (DVD)
- RTL Entertainment (2008) (Netherlands) (tv) (RTL8)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (DVD)
- Transeuropa Video Entertainment (TVE) (2006) (Argentina) (VHS)
- Tubi TV (United States) (video) (streaming)
- Universal Pictures Video (2006) (Netherlands) (DVD)
- Warner Home Video (2005) (Germany) (DVD)
- Warner Home Video (2005) (Switzerland) (DVD)
Special Effects
Other Companies
- Blue Rider Pictures (bridge financing)
- ARRI Lighting Rental (lighting)
- ARRI Media (camera equipment provided by)
- Art4noise (sound post-production)
- Audiolink Radio Communications (walkie talkies)
- Film Finances (completion guarantor)
- Kodak (motion picture film supplied by)
- LipSync Post (digital grading)
- LipSync Post (sound re-recording)
- One Post (titles post-production)
- Sapex Scripts (post-production script services)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
Heading home late one night after a party, Kate falls asleep while waiting for her train. She awakens to find herself trapped in the London underground, with all the doors locked for the evening. While being attacked by a co-worker who has followed her, a mysterious unseen creature drags him away and kills him. This begins a terrifying ordeal, as Kate and a young homeless couple are stalked through the dark tunnels by something dangerous with payback on its mind. Written by Mr_John_Barrymore |
Plot Keywords | |
Taglines | Evil Dwells Underground. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Runtime |
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Sound Mix | |
Filming Locations |
Box Office
Budget | GBP5,000,000 (estimated) |
Opening Weekend United Kingdom | GBP477,687, 30 Jan 2005 |
Did You Know?
Trivia | Sean Harris is a method actor and didn't socialize with anyone throughout the shoot. See more » |
Goofs | All tube stations in London have release mechanisms on the inside of the metal gates, to ensure people can get out in case of this exact circumstance. See more » |
Movie Connections | Featured in Creep: Making of Creep (2005). See more » |
Soundtracks | Soundsplatt See more » |
Quotes |
Kate:
I don't know what to say. It's like a penis... just smaller. See more » |