Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
Heading home late one night after a party, Kate falls asleep while waiting for her train. She awakens to find herself trapped in the London underground, with all the doors locked for the evening. While being attacked by a co-worker who has followed her, a mysterious unseen creature drags him away and kills him. This begins a terrifying ordeal, as Kate and a young homeless couple are stalked through the dark tunnels by something dangerous with payback on its mind. Written by
In the scene with Jimmy and Kate on one of the trains, there's a dead guy (the train driver) lying on the floor. If you look closely you see he has a moustache. It was actually added on later using CGI so he wasn't confused with the previously killed security supervisor. See more »
The underground station is meant to be Charing Cross which is a new station and has straight walkways. The old curved passenger tunnel is elsewhere, almost certainly Aldwych. See more »
I don't know what to say. It's like a penis... just smaller.
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After leaving a party one night, Kate heads to a London subway. But being a bit drunk, she nods off and when she finally awakes, she realises she's alone and has been locked in. Now she's panicking, but a train pulls up and to her surprise no one else is on board. After a few seconds the train comes to sudden halt and Kate comes to the realisation that someone or something is lurking down there, which has some nasty surprises waiting for Kate.
When watching "Creep", what entered my mind was that I was seeing the backwoods horror slasher "Wrong Turn (2003)" basically set in a subway, but only more bloodier and incredibly cruel. I get the train to work and back, but I'm just glad that there are no subway systems on my journeys. But there's no doubting public transport can be the pits.
Christopher Smith the writer and director of this slick British Indie subterranean horror flick presents one very tight and atmospherically Gothic feature that benefits highly from its relentless surge of twisted and ragged jolts. It's gruesome, mean-spirited and unflinching terror is mostly delivered in a serious manner, despite the script being sprinkled with quick-witted remarks. The damp, isolated and claustrophobic setting of the poorly lit tunnels makes a huge imprint on the disorientating cloud the audience and main protagonist face. Smith integrates some flashy and rapid techniques. The versatile hand held photography adds a real moody and intimate vibe amongst the very effective sound effects and creaky understated music score. Hitting the mark was the graphic and always on the ball makeup effects. The appearance of the hideously unusual subway dweller just lingers in your mind and when it came to the kills it didn't disappoint.
However, there are things that really do bring the film down. By the third act it starts to wear a bit thin with predictable jumps and wearisome clichés. The story is terribly vague from the get-go. Illogical patterns and stupid circumstances unravel throughout the string-like plot. Originality comes in minor doses, but in all, there's a nice sense of realism and a speeding train-like pace created to keep you mostly involved. Franka Potente gives a strong, flexible and quite capable performance as Kate and the amusing Vas Blackwood gets caught up in the gruel too.
A very nasty and dour slasher that won't blow you away, but it provides the nightmarish thrills and intensity one would hope for.
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