A photographer, Leon's obsessive pursuit of dark subject matter leads him into the path of a serial killer, Mahogany, the subway murderer who stalks late night commuters, ultimately butchering them in the most gruesome ways imaginable.
In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
Paul Andrew Williams
Angus Lynch, a psycho, escapes from prison and hooks up with his stripper sister named Kascha. Some death ensues eventually leading Angus to cross paths with a police captain named David ... See full summary »
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
Heading home late one night after a party, Kate falls asleep while waiting for her train. She awakens to find herself trapped in the London underground, with all the doors locked for the evening. While being attacked by a co-worker who has followed her, a mysterious unseen creature drags him away and kills him. This begins a terrifying ordeal, as Kate and a young homeless couple are stalked through the dark tunnels by something dangerous with payback on its mind. Written by
In the scene with Jimmy and Kate on one of the trains, there's a dead guy (the train driver) lying on the floor. If you look closely you see he has a moustache. It was actually added on later using CGI so he wasn't confused with the previously killed security supervisor. See more »
Near the end of the movie, Kate's hair is wet and she has a bloody nose. When she finds the platform again her hair is a lot dryer is and her nose is not bleeding. See more »
So what are you, French?
No, I'm German.
German? I support Germany when they're playing against England at football. Come to think of it I support anyone who's playing against England at football.
See more »
This is good little shocker; not perfect by any stretch of the imagination, but tight, competent and disturbing. An excellent example of a simple idea developed into a compelling 90 minute script.
The set up requires no bells and whistles, no lengthy exposition or wordy back story; Kate (Franka Pontente), a young German business woman living in London, drifts off whilst waiting for the last tube train. She awakens to find the place deserted, but quickly comes to realise that she is far from alone. Someone, or something, is down there with her and it's intentions are wholly malicious.
In fact she encounters several other characters in her quest to survive, including a lecherous work colleague, a homeless couple and a caged sewage worker, all of whom add pace and substance to the plot. There is a slightly awkward gear change somewhere in the middle of the film when tension thriller mutates into gore fest, but nothing so clumsy as to slow the hectic pace. For those of you with weak dispositions this is likely to be a harrowing ride; for those of you who relish a bit of well executed carnal mayhem this should press all the right buttons.
The climax of the film is perhaps less successful than the main body of the film, but it is punctuated with a nice moment of unexpected social commentary which provides a satisfying conclusion.
Some may find themselves feeling somewhat cheated of a clear explanation as to the exact nature and history of the threat encountered by Kate and her confederates, however, for me this was not the case. A horror film writer should not need feel compelled to dot every i and cross every t, in the same way a writer of political thrillers might be expected to. There are enough clues here to give you a very pretty clear idea of what brought this evil into existence, making a detailed and conclusive solution superfluous. The retention of a certain sense of mystery is to be welcomed and reminds us that in this film the ride was always going to be more important than the exact destination.
My understanding is that the budget for this film was, to say the least, minimal, in which case our applause for this British horror should be all the louder, for at no point does one have the impression of corners being cut or effects failing to deliver.
If this sounds like your kind of film then it probably is. Buy a ticket and climb aboard.
150 of 181 people found this review helpful.
Was this review helpful to you?