
Conspiracy (2001)
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- R
- 1h 36min
- Biography, Drama
- 19 May 2001 (USA)
- TV Movie
- Won 2 Primetime Emmys. Another 5 wins & 21 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
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Clare Bullus | ... |
Maid
(as Claire Bullus)
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Stanley Tucci | ... |
Eichmann
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Simon Markey | ... |
Stenographer
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David Glover | ... |
Supervising Butler
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David Willoughby | ... |
Orderly 1
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Tom Hiddleston | ... |
Phone Operator
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David Spinx | ... |
Cook
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Dirk Martens | ... |
NCO
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Barnaby Kay | ... |
Lange
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Peter Sullivan | ... |
Schöngarth
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Ben Daniels | ... |
Bühler
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Andreas Guenther | ... |
NCO2
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Ewan Stewart | ... |
Leibbrandt
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Brian Pettifer | ... |
Meyer
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Kevin McNally | ... |
Luther
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Florian Panzner | ... |
Luther's Driver
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Ross O'Hennessy | ... |
Adjutant 1
(as Ross O'Hennessey)
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Kenneth Branagh | ... |
Heydrich
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Colin Firth | ... |
Stuckart
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Nicholas Woodeson | ... |
Hofmann
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Jonathan Coy | ... |
Neumann
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David Threlfall | ... |
Kritzinger
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Hinnerk Schönemann | ... |
Stuckart's Driver
(as Hinnerk Schonemann)
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Ian McNeice | ... |
Klopfer
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Owen Teale | ... |
Freisler
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Brendan Coyle | ... |
Müller
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Sebastian Christoph Jacob | ... |
Maid's Boyfriend
(as Sebastian Jacob)
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Rest of cast listed alphabetically: | |||
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Paul Bannon | ... |
Orderly (uncredited)
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Nick Brown | ... |
Orderly (uncredited)
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Rod Culbertson | ... |
Narrator (uncredited) (voice)
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Karl Moffatt | ... |
(uncredited)
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Terence Mustoo | ... |
Orderly (uncredited)
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Barry Townsend | ... |
Orderly (uncredited)
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Directed by
Frank Pierson |
Written by
Loring Mandel | ... | (written by) |
Produced by
Frank Doelger | ... | executive producer |
Nick Gillott | ... | producer |
C. Cory M. McCrum-Abdo | ... | associate producer |
Frank Pierson | ... | executive producer |
Rudi Teichmann | ... | service producer |
David M. Thompson | ... | executive producer |
Peter Zinner | ... | executive producer |
Cinematography by
Stephen Goldblatt |
Editing by
Peter Zinner | ... | co-editor |
Editorial Department
Candace Austin | ... | post-production assistant |
Mike Bellamy | ... | senior digital film colorist |
Philip Harrelson | ... | post-production services |
Scott Hinchcliffe | ... | on-line editor |
James Howe | ... | associate editor |
Vivien Jordan | ... | post-production coordinator |
Chris Miller | ... | post-production services |
Brenna Rangott | ... | second assistant editor |
Claus Wehlisch | ... | assistant editor |
Sylvia Wheeler | ... | negative cutter |
Casting By
John Brace | ... | casting director: USA |
Suzanne Crowley | ... | casting director: UK |
Linda Lowy | ||
Gilly Poole | ... | casting director: UK |
Production Design by
Peter Mullins |
Art Direction by
Kenneth Wheatley |
Set Decoration by
Brian Savegar |
Costume Design by
Rosalind Ebbutt |
Makeup Department
Polly Earnshaw | ... | hair assistant / makeup assistant |
Tina Earnshaw | ... | supervising makeup chief: for Mr. Branagh |
Jeffrey Haines | ... | hair assistant / makeup assistant |
Frances Hannon | ... | hair chief: for Mr. Tucci / makeup chief: for Mr. Tucci |
Carol Hemming | ... | supervising hair chief: for Mr. Branagh |
Kate Holloway | ... | hair trainee (as Kate Thompson) / makeup trainee (as Kate Thompson) |
Tony Tahir | ... | barber |
Production Management
Markus Bensch | ... | production manager: Germany |
Kristov Brändli | ... | unit production manager |
Ray Freeborn | ... | production manager |
Diana Tauder | ... | post-production supervisor: USA |
Second Unit Director or Assistant Director
Jerry Daly | ... | second assistant director |
Tim Daukes | ... | third assistant director |
Daniela Jerassek | ... | third assistant director: Germany |
Dan Knight | ... | third assistant director |
Barry Langley | ... | first assistant director |
Meno Sellschopp | ... | second assistant director: Germany |
Guy Travers | ... | first assistant director |
Art Department
David Ball | ... | supervising carpenter |
Helen Dolan | ... | production buyer / set decoration buyer |
Robert J. Dugdale | ... | painter |
Michael Fechner | ... | art director: Berlin |
Michael Finlay | ... | painter |
James Gemmill | ... | head scenic artist / scenic artist |
John Godfrey | ... | construction manager |
James Lewis | ... | set designer |
Christopher Mason | ... | painter |
Nick Mollo | ... | dressing props |
Joe Monks | ... | head painter |
Nine Nielebock | ... | assistant property master: indoor |
Wolfgang Osterholzer | ... | stand-by carpenter |
Russell Oxley | ... | scenic artist |
Philip Richardson | ... | storeman |
Hauke Richter | ... | assistant art director |
Brian Savegar | ... | set dresser |
Terence Shaw | ... | stand-by stagehand |
John Shergold | ... | painter |
Alfie Smith | ... | assistant art director (as Alf Smith) |
Tony Teiger | ... | property master |
Kevin Wheeler | ... | assistant art director |
Sound Department
Christopher Ackland | ... | supervising sound editor |
Natalie Bayford | ... | assistant adr mixer |
Benjamin Bober | ... | boom operator |
Sandy Buchanan | ... | adr mixer |
Ed Colyer | ... | sound mixer (as Edward Colyer) |
Felicity Cottrell | ... | foley artist |
Gillian Dodders | ... | dialogue editor |
Andrei Gillott | ... | cable person |
Peter Glossop | ... | production sound mixer |
John Hayward | ... | re-recording mixer |
Shaun Mills | ... | boom operator |
Alan Paley | ... | dialogue editor |
Richard Pryke | ... | re-recording mixer |
Sandra Roth | ... | foley editor |
Jason Swanscott | ... | foley artist |
Kevin Tayler | ... | re-recording mixer |
Andrew Caller | ... | sound technician (uncredited) |
Special Effects by
Paul Dunn | ... | special effects supervisor |
Wilma Dunn | ... | special effects coordinator |
Daniel Letch | ... | special effects |
Mark Raymond | ... | snow effects technician (as Mark E. Raymond) |
Lucien Stephenson | ... | snow effects supervisor |
Visual Effects by
Shawn Broes | ... | digital film mastering editor |
Fiona Chilton | ... | visual effects producer |
Jeff Christopherson | ... | engineering staff: Cinesite |
Kimberly Covate | ... | digital mastering operations manager: Cinesite (as Kim Covate) |
Daphne Dentz | ... | digital effects producer |
Julia Egerton | ... | scanning and recording |
Ian Fellows | ... | digital paint artist: CFC |
Darrel Griffin | ... | data support: CFC |
Andy Hague | ... | visual effects |
Merrin Jensen | ... | scanning and recording |
Roz Lowrie | ... | visual effects |
Dennis Politakis | ... | engineering staff: Cinesite |
Pat Repola | ... | vice president of digital imaging: Cinesite |
Joshua Roberts | ... | recording coordinator |
Brian Shows | ... | datacine assistant |
Alan Silvers | ... | director of technical services: Cinesite |
Jennifer Simonds | ... | scanning and recording |
Randy Starr | ... | vice president of business development: Cinesite |
Maria Stroka | ... | digital lab operator |
Ed Thompson | ... | datacine assistant |
Gavin Toomey | ... | senior compositing artist: CFC |
Mike Tosti | ... | imaging engineer |
Jean Usi | ... | digital imaging operations manager: Cinesite |
Camera and Electrical Department
Craig Blankenhorn | ... | still photographer |
Michael Brown | ... | electrician |
Floyd Burks | ... | digital imaging technician |
Trevor Coop | ... | camera operator |
Adam Dale | ... | aerial director of photography |
Carlos De Carvalho | ... | first assistant camera |
Guy Frost | ... | first assistant camera: "b" camera |
Andy Gardiner | ... | electrician |
Alan Graham | ... | electrician (as Alan McKay Graham) |
Will Handley | ... | wescam technician |
Pip Hare | ... | trainee assistant camera |
Rab Harling | ... | additional clapper loader |
Nick Kenealy | ... | video assist operator |
John King | ... | electrician |
Steve Mcleod | ... | assistant chief lighting technician |
Peter Moc | ... | digital imaging technician |
Stephen Morley | ... | still photographer |
Peter Myslowski | ... | key grip |
Glenn Parker | ... | still photographer |
Brian Pickett | ... | electrical rigger |
Terry Potter | ... | gaffer |
Stuart Pring | ... | electrician |
Nick Schlesinger | ... | camera operator |
Sky Sharrock | ... | assistant camera |
Casting Department
Annette Borgmann | ... | casting: Germany |
John Brace | ... | casting: USA |
Suzanne Crowley | ... | casting: UK |
Meg Leonard | ... | casting assistant (as Meg Mistry) / casting: London |
Linda Lowy | ... | casting director: USA / casting: USA |
Derek J. Marquardt | ... | casting assistant: Los Angeles |
Iris Müller | ... | extras casting |
Gilly Poole | ... | casting: UK |
Costume and Wardrobe Department
Chris Groucutt | ... | wardrobe assistant |
Natalie Humphries | ... | wardrobe trainee |
Melissa Layton | ... | wardrobe assistant (as Melissa Layton-Skorepa) |
Malaika Rönneckendorf | ... | wardrobe seamstress: Berlin unit (as Maleika Rönneckendorf) |
Meike Schlegel | ... | costume assistant: Berlin unit (as Meike Schegel) / costume assistant: Berlin |
Mike Skorepa | ... | wardrobe master |
Chris Groucutt | ... | costume assistant (uncredited) |
Mariette Hendriks | ... | set costumer (uncredited) |
Location Management
James Gierman | ... | location consultant |
Silke Krüger | ... | location manager: Germany |
Script and Continuity Department
June Randall | ... | script supervisor |
Transportation Department
Michael Fechner | ... | action vehicle coordinator |
Roy A. Grace | ... | driver |
Additional Crew
Andrea G. Axelrod | ... | historical advisor |
Michael Berenbaum | ... | historian (as Dr. Michael Berenbaum) |
Debbie Brodie | ... | home economist |
Deborah Burrett | ... | assistant: Mr. Pierson |
Michael Driscoll | ... | production runner |
Stephanie Dölker | ... | production secretary |
Tina Ellis | ... | assistant accountant |
Suzanne Freeborn | ... | unit nurse (as Suzanna Freeborn) |
Jonathan Godfrey | ... | production runner |
Constantine Gregory | ... | dialogue coach |
Jason Guberman | ... | assistant to executive producer |
Lisa Heathcote | ... | food stylist |
Vivien Jordan | ... | assistant: Mr. Gillott |
Tali Lipa | ... | production accountant |
Laura Luchetti | ... | assistant: Mr. Tucci |
Sylvia Mackintosh | ... | assistant accountant |
Tracey Marsh | ... | unit nurse |
Andrew Mollo | ... | military consultant |
Terry Pritchard | ... | assistant: Mr. Branagh |
Julie Rasmussen | ... | assistant to vice president of production |
Christoph Renger | ... | production coordinator: Germany |
Teja Schwede | ... | production assistant |
Joyce Turner | ... | production coordinator |
Thanks
Andrea G. Axelrod | ... | with special thanks |
Michael Berenbaum | ... | with special thanks (as Dr. Michael Berenbaum) |
Andrew Mollo | ... | with special thanks |
Production Companies
- HBO Films
- British Broadcasting Corporation (BBC) (in association with)
Distributors
- Home Box Office (HBO) (2001) (United States) (tv) (original airing)
- RTL Klub Televízió (2006) (Hungary) (tv) (original airing)
- ARTE (2010) (Germany) (tv)
- ARTE (2010) (France) (tv)
- Argentina Video Home (2005) (Argentina) (DVD)
- Argentina Video Home (2005) (Argentina) (VHS)
- Big Time Pictures (2002) (Spain) (DVD)
- Egmont Entertainment (2002) (Finland) (DVD)
- Home Box Office Home Video (HBO) (2002) (United States) (DVD)
- Home Box Office Home Video (HBO) (2002) (United States) (VHS)
- IPA Asia Pacific (2001) (Philippines) (DVD)
- Laurus Entertainment (2002) (Netherlands) (DVD) (VHS) (rental)
- ORF 1 (2007) (Austria) (tv)
- ORF 2 (2004) (Austria) (tv)
- ORF Eins (2007) (Austria) (tv)
- Quality Films (2003) (Mexico) (VHS)
- SF 1 (2006) (Switzerland) (tv)
- Schröder Media (2015) (Germany) (DVD)
- Schweizer Fernsehen (SF) (2006) (Switzerland) (tv)
- Sky Atlantic HD (2012) (Germany) (tv)
- Sky Cinema Special (2021) (Germany) (tv)
- Sky Go (2015) (Germany) (video) (VOD)
- Sky Replay (2023) (Germany) (tv)
- Sky Ticket (2015) (Germany) (video) (VOD)
- Veronica (2004) (Netherlands) (tv)
- Video Film Express (2002) (Netherlands) (DVD)
- WOW (2022) (Germany) (video) (VOD)
- Warner Home Vídeo (2005) (Argentina) (DVD)
- Yleisradio (YLE) (2004) (Finland) (tv)
- Österreichischer Rundfunk (ORF) (2004) (Austria) (tv)
Special Effects
- Snow Business (snow effects)
- Special Effects UK
- The Computer Film Company (CFC) (visual effects)
Other Companies
- Shepperton Studios (movie studio)
- B&T Film (production services: Germany)
- Big Time Picture Company (post-production services)
- Direct Tools & Fasteners (expendables)
- Global Entertainment Partners (film editing)
- Hypnosis VFX Ltd. (titles)
- Lee Lighting (lighting equipment)
- Pinewood Studios (sound re-recorded at)
- Sapex Scripts (post-production script services)
Storyline
Plot Summary |
In January 1942, as the United States enters World War II, a conference assembles near Berlin. S.S. General Heydrich and his associate, Lieutenant Colonel Eichmann call the meeting to discuss the "evacuation" of Germany's Jews and other undesirables, a code word for their extermination in concentration camps. To begin this Final Solution, they must change the mind of a small group of men opposed to the idea, led by Chancellor Kritzinger. Written by Jwelch5742 |
Plot Keywords | |
Taglines | One Of The Greatest Crimes Against Humanity Was Perpetrated In Just Over An Hour. See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | Since detailed records of the Wannsee Conference did not survive World War II, minor details of the movie (such as the seating arrangement at the conference table, what was actually served for lunch, and who was wearing a uniform compared to who wasn't) were totally up to the guess of the producers, and not based on any historical evidence. The producers and writer did have access to more primary material than it might seem at first. During his trial in Israel, Adolf Eichmann provided many details about the subject of the movie, even down to specific conversations, the general tone of the meeting, and other details. In particular, it's worth noting that a good bit of the dialogue in the movie is lifted verbatim from relevant memos and speeches by Nazi officials that were preserved, are part of the historical record, and cited by numerous sources. Many specific locutions used by the men in the movie can be found as cited, for instance, in Gitta Sereny's book "Albert Speer: His Battle with Truth" as well as other sources. The single-page, neutered summary of the meeting that survived in the files of the German Foreign Office is far from the only primary source used by the filmmakers. See more » |
Goofs | At the beginning of the film, place cards are being made using the traditional Germanic Gothic, or "Fraktur" font. Although the font was initially used by the Nazis, it was claimed in 1941 to be "Judenlettern" (Jewish letters) by Martin Bormann himself, who banned its use. The movie takes place in 1942. See more » |
Movie Connections | Featured in The 53rd Annual Primetime Emmy Awards (2001). See more » |
Soundtracks | String Quintet in C Major', D.956: Adagio See more » |
Quotes |
Müller:
Perhaps the judge has a special love for them? Klopfer: [mutters appreciatively] Yes, yes a special love for them... very good... Dr. Wilhelm Stuckart: For whom? For Jews? Wonderful, you don't have my credentials. Forgive me, from your uniform I can infer that you're shallow, ignorant and naive about the Jews. Your line, what the party rants on about is how inferior they are, some-some-some sub-species, and I keep saying how wrong that is! They are sublimely clever. And they are intelligent as well. My indictments to that race are stronger and heavier because they are real, not uneducated ideology. They are arrogant and self-obsessed and calculating and reject the Christ and I will not have them pollute German blood! General Reinhard Heydrich: [tries to calm Stuckart down] Please, Doctor... Dr. Wilhelm Stuckart: He doesn't understand! And neither do his people. Deal with the reality of the Jew and the world will applaud us. Treat them as imaginary phantoms, evil in human fantasies, and the world would have justified contempt for us! To kill them casually without regard for the law martyrs them, which will be their victory! Sterilization recognizes them as a part of our species but prevents them from being a part of our race. They'll disappear soon enough. And we will have acted in defense of our race and of our species and by the law! This fellow mentioned the law for the protection of German blood, *I wrote that law*! When you have my credentials then we'll talk about who loves the Jews and who hates them. Pigs don't know how to hate. I know, too, that when it comes to the half-mixed, that to kill them abandons that half of their blood which is German. Klopfer: I'll remember you. Dr. Wilhelm Stuckart: You should. I'm very well known. See more » |