First, a quick reminder that entries on several films playing here or there have been updated through today: Film Socialisme, Agrarian Utopia, Road to Nowhere and The Tree of Life. Alright, on with the weekend...
"Jj Abrams imitates to flatter with Super 8, an homage to the seminal science fiction films of Steven Spielberg that succumbs to empty nostalgic pandering," argues Nick Schager in Slant. "As with his Star Trek, Abrams's latest puts a modern spin on classical material, though here reinvention isn't the goal so much as slavish duplication embellished with muscular CG effects. It's akin to returning to a cinematic womb of Spielbergian father-son issues, suburban households under extraterrestrial strain, and teen romance, friendship, and maturation via out-of-this-world circumstances. The effect of such a modus operandi is initial coziness quickly giving way to disheartening familiarity, with Abrams's own preoccupations (if he had any to begin with) becoming subsumed beneath the root themes,...
"Jj Abrams imitates to flatter with Super 8, an homage to the seminal science fiction films of Steven Spielberg that succumbs to empty nostalgic pandering," argues Nick Schager in Slant. "As with his Star Trek, Abrams's latest puts a modern spin on classical material, though here reinvention isn't the goal so much as slavish duplication embellished with muscular CG effects. It's akin to returning to a cinematic womb of Spielbergian father-son issues, suburban households under extraterrestrial strain, and teen romance, friendship, and maturation via out-of-this-world circumstances. The effect of such a modus operandi is initial coziness quickly giving way to disheartening familiarity, with Abrams's own preoccupations (if he had any to begin with) becoming subsumed beneath the root themes,...
- 6/12/2011
- MUBI
Three years ago Sundance played host to Mia Trachinger’s weird, beguiling take on the low-fi, sci-fi dystopia genre, Reversion. Odd, playful, melancholy and ultimately riveting, it bounced around the fest circuit for the past couple of years without finding a home with specialty distributors, perhaps a sign of just how ahead of its time it was. A couple of years later Sundance began its Next section, a category for films just like Reversion; adventurous, low budget mindbenders, genre deconstructions and idiosyncratic visions that SXSW would normally be the target destination for. Trachinger, whose Bunny was a success of the festival circuit in 2000, shot Reversion in low end, pre-slr HD, but with ideas and concepts that more than make up for its homemade fell. Like Alphaville or Code 46, the film visits a future that resembles the present, with ordinary spaces (in this case, East Hollywood) dominated by bizarre social pathologies,...
- 6/8/2011
- by Brandon Harris
- Filmmaker Magazine - Blog
NEW YORK -- Indie film exhibitor Madstone Theaters said Wednesday that it plans to roll out a series of independent films exclusively in its theater locations as part of a new screening series, called Film Forward, running May 1-June 11. Films selected to screen as part of Film Forward will include Mia Trachinger's Bunny, Derek Simonds' Seven and a Match, Tony Gerber's Side Streets, JT Petty's Soft for Digging, Richard W. Bean's Tattoo, A Love Story and Sergio Castilla's Te Amo. Madstone owns and operates seven theaters, with a total of 43 screens. Film Forward will be rolled out in San Diego, Phoenix, Denver, Cleveland, Albuquerque, N.M., and Ann Arbor, Mich.
- 4/10/2003
- The Hollywood Reporter - Movie News
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