Super 8

Entertaining film with funny situations , state-of-art special effects and interesting screenplay ; according to J.J. Abrams was homage to the producer of the film, Steven Spielberg, and his films of the 1970's ranging reverence from Spielberg's directorial films . This Spielberg production is a fun movie concerning a feisty bunch of underprivileged kids whose Super 8 filmmaking project is about to be destroyed by weird events . During the summer of 1979, in a small Ohio town a group of friends (film debut of Joel Courtney and Riley Griffiths) while making a super 8 Zombie movie (since the kids were making a zombie movie, there are several references to director George A. Romero , as the poster for one of his movies in Joe's bedroom) witness a catastrophic train crash and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy (Kyle Chandler, Jeremy Renner declined the lead role ) tries to uncover the truth - something more frightening than any of them could have thought - and investigate subsequent unexplained events in their small town. They spend one last adventure-filled Saturday Afternoon together when one of them is kidnapped (Elle Fanning , sister of Dakota Fanning who during the town hall meeting, for a brief second you can spot among the assistants) . This happens after they find a film about their teacher , that could be the solution to all their problems .

This is an amusing mess made in Spielberg style, the goal was to pay homage to the science-fiction movies of the '70s and 80s . The story results to be an emotive homage to Spielberg -as the famous bicycle from Steven Spielberg's movie E.T. can be seen as a part of metal junk that is being attached to the water tower in one of the final scenes- and to cinema of the 80s , taking parts here and there from various film as ¨E.T.¨ , ¨Close encounters of third kind¨ and specially ¨The Goonies¨ , though directed by Richard Donner was written by Spielberg . Imaginative and rousing musical score by Michael Giacchino in John Williams style . Colorful and evocative cinematography by Larry Fong . Top-notch FX , Bruce Greenwood provided the motion-capture performance of the alien , as J.J. Abrams insisted that the train station scenes were actually shot at night outside, instead of in a studio , though the train is completely computer-generated , in fact , the train crash was purposely made much more sensational than a train crash would actually be. Lavishly produced by Steven Spielberg was reportedly on set many times throughout the course of filming , Director J.J. Abrams and Spielberg have both gone on record stating that the filming of this production was some of the most fun they have ever had on set. The motion picture will appeal to Steven Spielberg and J.J. Abrams buffs . Rating : Better tan average , well worth watching .

Abrams has proved to be a talented cameraman. I don't mean this in a condescending manner, at least not entirely. But that's all there is with him, shape and contour. He's yet to situate himself within a worldview - so he borrows from where it is convenient to fit into. Here it's Spielberg - his world of wondrous discovery, magical escapade into comfortable menace, but where everything is wistfully made right again.

So you probably know by now how this is a pastiche built from other stuff; Close Encounters, The Host, The Goonies. The point-of-view is from the children (who are, perhaps, the only characters worth watching), the monster stalking the perimeters. The military is the faceless inhuman machine of cruel intentions.

What Abrams does is perfectly in tune with post-modernist ideas. But whereas the Coens appropriate raw essentials and even whole chunks of preconceived world but build from them their own notion of a universe, Abrams is merely an itinerant garbage collector.

It's all so derivative, so uniformly processed, it makes me wonder why anyone would take time out of their lives to make it - assuming one has creative aspirations about the art. Is Close Encounters really that old? So, like the myth of Prometheus; some artists risk to steal the fire that will renew our lives, a dangerous fire, others merely spend their time bound in the confines of earlier discovery.

It is nostalgia ridden like many other films have been this past decade, the only difference is it's not of the cynical kind.

The film's narrative FELT all over the place (probably more the plot than the narrative) - there was a certain tightness missing from this that was present in J.J. Abrams' previous film but, other than that, everything else did exactly what it's supposed to. The kids are both engaging and entertaining, the monster turns out to be quite frightening, the dialogue's great, the acting's great, visual effects, cinematography- everything's on point.

It felt like I was watching a proper film! I mean it seems too much to ask for from our blockbusters these days.

I have never seen a movie which could be divided to two parts of "absolutely amazing" and "boring and childish". The first 80 minutes is awesome, I was shocked by how good this movie was as I had seen some bad reviews on IMDb but then the cheesy part kicked in and ruined the whole thing.

First thing that comes in to everybody's mind when they see the first scenes is that this movie is so similar to et! The style is the same, the theme is the same, it even happens in the same era with the same kind of neighborhood which is kinda cool and nostalgic for my generation. Super 8 seems like a fan-made dedication to Spielberg but it just didn't work quite well.

From the actor's performance perspective; Elle Fanning's performance was breath-taking, and she saved some scenes. She's got potential to be a big star in the future. Kyle Chandler on the other hand was just plain and simple awful. He made the whole thing look kinda funny and stupid.

From special effects and sounding perspective, I'd say it was stunning. One of the best I have seen in the genre in years as you would expect when you see Spielberg's name on the screen. There's this big scene at the first half an hour into the movie where you just get nailed to your sit due to the load sound which should have been annoying but it was not. It was awesome. You don't see this in Germany often but after this specific scene, the audience gave Abram an standing ovation!!! It was awesome. Of course at the end, everyone was angry because he ruined the whole thing with a very cheesy "et-like" ending but all in all it was worth the money, better than most of the movies in the last 6 months, I would say.

I'm giving it 6/10 because first of all, I expected so much more from the creator of Lost and second of all, the last 30 minutes is really bad and the ending is just pure garbage. They used some cgi stuff which was very impressive but didn't quite go with the theme of the movie and was really inconsistent. All in all, it doesn't deserve the crap that it's getting in the reviews but it quite doesn't deserve the praises either. It's only OK

This film is an interesting mystery sci-fi that revolves around a small group of teenagers with a passion for cinema. They have a common project for a film, but end up witnessing a major rail disaster while filming. It is immediately clear that the accident is very unusual, and that the military's interest in what happened is far from normal. Set in the late Seventies, a remarkable decade for sci-fi thanks to the fascination of aliens and technology in general, it is a film of familiar contours where mystery is well used.

The film is skillfully directed by J.J.Abrams, and presents a good story, with young teens taking the lead. The film strives to portray teenagers, the way they relate and even the family environment and the relationships between families, which are important for a very small community like this small town. I don't think sentimentality is bad, I think that in the right measure it brings depth to the film.

Elle Fanning and Joel Courtney are the main actors in the film, which gives a lot of scope for young actors to show what they are worth, and these two young actors have definitely done a good job here. Riley Griffiths is good, but not so good. In the adult cast, Kyle Chandler and Ron Eldard deserve an especially positive mention, the latter giving life to a character that is rather unfriendly to the audience.

Technically, the film invests a lot in the environment, in creating tension. It is not that kind of film loaded with thunderous effects, but one where what is suggested matters more than what we see. Honestly, I think it's more interesting than most big-budget sci-fi films, which are basically shot on the green screen. This does not mean that it was not used here or that there are no effects: the film has good special and visual effects, a competent CGI and good sound, but it knows how to use these resources without exaggeration. The good soundtrack also deserves a mention.