5.8/10
2,301
20 user 93 critic

Film socialisme (2010)

Not Rated | | Drama | 19 May 2010 (France)
Trailer
1:16 | Trailer
The passengers on a Mediterranean cruise enjoy their luxuries as a small family struggles with overbearing media attention.

Director:

Jean-Luc Godard

Writers:

Hannah Arendt (additional material) (as H. Arendt), Walter Benjamin (additional material) (as W. Benjamin) | 9 more credits »
5 wins & 1 nomination. See more awards »

Videos

Photos

Learn more

More Like This 

Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

A silent, surreal parallel between a couple and a dog.

Director: Jean-Luc Godard
Stars: Héloïse Godet, Kamel Abdelli, Richard Chevallier
Notre musique (2004)
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

An indictment of modern times divided into three "kingdoms": "Enfer" ("Hell"), "Purgatoire" ("Purgatory") and "Paradis" ("Paradise").

Director: Jean-Luc Godard
Stars: Sarah Adler, Nade Dieu, Rony Kramer
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

An author works on a project on the subject of love, and, in the process, crosses paths with a former love in his life.

Director: Jean-Luc Godard
Stars: Bruno Putzulu, Cécile Camp, Jean Davy
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

A film director has an inspirational crisis while working on the production, Passion, and struggles with the nature of work and art.

Director: Jean-Luc Godard
Stars: Isabelle Huppert, Hanna Schygulla, Michel Piccoli
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »

Director: Jean-Luc Godard
Stars: Eddie Constantine, Hanns Zischler, Claudia Michelsen
Crime | Drama | Music
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.

Director: Jean-Luc Godard
Stars: Maruschka Detmers, Jacques Bonnaffé, Myriem Roussel
Comedy | Drama | War
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the ... See full summary »

Director: Jean-Luc Godard
Stars: Madeleine Assas, Ghalia Lacroix, Bérangère Allaux
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

An examination of sexual relationships, in which three protagonists interact in different combinations.

Director: Jean-Luc Godard
Stars: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
Tout Va Bien (1972)
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.

Directors: Jean-Luc Godard, Jean-Pierre Gorin
Stars: Yves Montand, Jane Fonda, Vittorio Caprioli
La Chinoise (1967)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Director: Jean-Luc Godard
Stars: Anne Wiazemsky, Jean-Pierre Léaud, Juliet Berto
Hail Mary (1985)
Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A college student gets pregnant without having intercourse, affecting people close and unrelated to her in different ways.

Director: Jean-Luc Godard
Stars: Myriem Roussel, Thierry Rode, Philippe Lacoste
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.

Director: Jean-Luc Godard
Stars: Jean-Luc Godard, Dimitri Basil, Buster Keaton
Edit

Cast

Cast overview, first billed only:
Jean-Marc Stehlé Jean-Marc Stehlé ... Otto Goldberg (segment "Des choses comme ça") (as J. M. Stehlé)
Agatha Couture Agatha Couture ... Alissa (segment "Des choses comme ça") (as A. Couture)
Mathias Domahidy Mathias Domahidy ... Mathias (segment "Des choses comme ça") (as M. Domahidy)
Quentin Grosset Quentin Grosset ... Ludovic (segment "Des choses comme ça") (as Q. Grosset)
Olga Riazanova Olga Riazanova ... Olga - Russian secret agent (segment "Des choses comme ça") (as O. Riazanova)
Maurice Sarfati Maurice Sarfati ... (segment "Des choses comme ça") (as M. Sarfati)
Patti Smith ... Herself - Singer (segment "Des choses comme ça") (as P. Smith)
Lenny Kaye Lenny Kaye ... Himself - Guitarist (segment "Des choses comme ça") (as L. Kaye)
Bernard Maris Bernard Maris ... Himself - Economist (segment "Des choses comme ça") (as B. Maris)
Marie-Christine Bergier Marie-Christine Bergier ... Frieda von Salomon (segment "Des choses comme ça") (as M.-C. Bergier)
Nadège Beausson-Diagne Nadège Beausson-Diagne ... Constance (segment "Des choses comme ça") (as N. Beausson)
Bob Maloubier ... Himself - French secret agent (segment "Des choses comme ça") (as R. Maloubier)
Dominique Devals Dominique Devals ... (segment "Des choses comme ça") (as D. Devals)
Alain Badiou Alain Badiou ... Himself - Lecturer (segment "Des choses comme ça") (as A. Badiou)
Elias Sanbar Elias Sanbar ... Himself - Haifan Historian (segment "Des choses comme ça") (as E. Sanbar)
Edit

Storyline

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

La liberté coûte cher (Freedom is expensive) See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Switzerland | France

Release Date:

19 May 2010 (France) See more »

Also Known As:

Film socialisme See more »

Edit

Box Office

Opening Weekend USA:

$4,526, 5 June 2011, Limited Release

Gross USA:

$31,733, 2 October 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital (as Dolby)| DTS

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The cruise liner used in the film is the ill-fated Costa Concordia, which was shipwrecked so tragically on Friday 13th January 2012 off the coast of Italy. See more »


Connections

Edited from Simone Weil, L'irrégulière (2009) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Thank goodness truly provocative cinema still exists
26 September 2011 | by KlickbergSee all my reviews

We recently screened Godard's contentious "Film Socialisme" at a small art-house cinema in Boulder, CO where I live and I couldn't be more delighted by the response. Namely, there were many people who were infuriated about the film, leaving in droves and upset that such a film both exists and/or would be shown at said theater (the only art-house theater in the city, actually).

One patron was even angry enough to leave a note behind for the concessions stand stating that she "speaks French" and was particularly upset about the subtitles of the film. She'd probably be the kind of person to get upset about the "punctuation problems" in ee cummings' poems. And don't get her started on Andy Kaufman!

First and foremost, "Film Socialisme" is without a doubt a beautiful film. The way in which it was shot and edited is visionary, a true patchwork of modern/post-modern society/cinema today. The kind of film that -- as with the majority of Godard's ouevre -- may be ahead of its time but will certainly be enjoyed by sincere cinephiles looking for something new, bold and fresh. Beyond any sense of provocation, there were true moments of visual/audio splendor that simply cannot be seen anywhere else (by sheer merit of the fact that, yes I agree, no one else would be "allowed" to make/distribute such a film; and that in itself is important when considering whether or not you should spend the money/time on seeing it in the theater).

Clearly, the subtitles of the film -- which are minimalist and fractured (clearly intentionally) - - are a play on one of the film's many themes: the breakdown of communication and language (think Gertrude Stein texting you viz. her thoughts on modern society). That people are growing angry about the challenging and innovative way Godard has aptly chosen to play even now with the very subtitles of his film is extremely exciting. Not to mention the fact that, again, aside from the "gimmick," the subtitles become a poetic innovation unto themselves in which Godard combines words into fascinating portmanteaus that invoke clever wordplay a la some of the greater avant-garde/surrealist literature.

He has finally gone that extra distance in deconstructing every aspect of the film (including, at times, a brilliant dalliance with the audio mix that clearly has confounded viewers a la similar experiments by the likes of the Velvet Underground, Andy Warhol, Andy Kaufman and La Monte Young; there are moments in which you truly wonder whether or not there is an "actual" breakdown of the film being shown -- especially if you're lucky enough to see this film through digital projection; "Is there something wrong with the disc?! Oh no!!" Very exciting. Audience interaction, indeed!)

Ultimately and as per Godard's typical (?) MO, the film is a firm lashing of the perpetuated bourgeois culture (particularly in America; hence his giving us the finger for not knowing French or the many other languages interspersed throughout the polyglot film; "You don't want to learn another language? Fine. Try figuring THIS out!!")

Like Lenny Bruce and a younger John Waters, with "Film Socialisme" Godard is shaking up audience members -- particularly his "greatest fans" -- by provoking them in ways they may not be comfortable with, in ways that may simply repel them. "You want to be shocked? I'll shock you, but be prepared to be, well c'mon: shocked." We don't go to Godard films to watch a clear narrative or to understand everything that happens. It's poetry, it's visual/audio artistry, it's -- ultimately -- play and experimentation. And Godard has once again succeeded in creating something that will not allow us to remain static in our seats. If you can't handle that, he is saying as always, then feel free to leave and don't forget to ask for a refund on your way out.

The megaplex is right down the street. Or, hey, buy a copy of "Breathless" and watch a nice "really weird and wild!!!!" noir film with a plot. It's all up to you!

In the end, the film defies quotation marks. If you want "challenging," you've got plenty of it on Netflix. If you want challenging, however, see "Film Socialisme." Just don't be too upset if it... challenges you.


13 of 23 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 20 user reviews »

Contribute to This Page

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial



Recently Viewed