Directed by
| Matthew Barney | ||
Writing Credits
| Matthew Barney | ... | (writer) |
Cast (in credits order)
Produced by
| Matthew Barney | ... | producer |
| Barbara Gladstone | ... | producer |
| Chelsea Romersa | ... | associate producer |
Music by
| Jonathan Bepler | ||
Cinematography by
| Peter Strietmann | ||
Production Design by
| Matthew D. Ryle | ||
Costume Design by
| Laurence Esnault | ... | co-costume designer |
| Linda LaBelle | ||
Makeup Department
| Regina Harris | ... | beauty makeup artist / hair stylist / makeup designer |
| Paul Huntley | ... | wig maker |
| Dida Paraschivoiu | ... | manicurist: Bradley Curry Management |
| Ramie Roth | ... | makeup assistant: New York |
| Alan Tuskes | ... | makeup effects crew |
Art Department
| Luther Davis | ... | scenic painter: New York |
| Lalena Fisher | ... | C2 graphic |
| Derek Haas | ... | carpenter: New York |
| Chris Hanson | ... | carpenter: New York |
| Zane Mills | ... | scenic painter: New York |
| Paul Wilke | ... | carpenter: New York |
Sound Department
| Andy Clarke | ... | boom operator: Canada |
| Cynthia Daniels | ... | sound engineer (segment "Deseret Hymn") |
| Dante Desole | ... | sound engineer (segments "The Ballad of Gary Gilmore", "Compression Prelude", "The Executioner's Step", "The Man in Black", "Postlude Retreat") |
| Mark Gantzert | ... | boom operator: Canada |
| Adam M. Goldstein | ... | sound editor / sound effects editor |
| Chen Harpaz | ... | sound mixer: Cinema Audio Playground |
| Alan Silverman | ... | sound engineer (segments "Compression Prelude", "Deseret Hymn", "The Man in Black", "Postlude Retreat") |
| Mike Yarske | ... | boom operator: Canada |
Special Effects by
| Gabriel Bartalos | ... | prosthetic makeup and effects: Atlantic West Effects |
| Derek Haffar | ... | assistant: mold-making |
| Tammy Lane | ... | prosthetic makeup effects: Atlantic West Effects |
| Steven Lawrence | ... | prosthetic makeup effects: Atlantic West Effects (as Steve Lawrence) |
| Michael O'Brien | ... | prosthetic makeup effects: Atlantic West Effects / special effects technician: Atlantic West Effects |
| Alan Tuskes | ... | prosthetic makeup effects: Atlantic West Effects (as Al Tuskes) |
| Cesha Ventre | ... | prosthetic makeup effects: Atlantic West Effects |
| Al Venuto | ... | prosthetic makeup effects: Atlantic West Effects |
Visual Effects by
| Karen Ansel | ... | visual effects supervisor: Mobility |
| Kim Bromley | ... | special visual effects and animation: Mobility |
| Mark DeSousa | ... | special visual effects and animation: Mobility |
| Jack Haye | ... | special visual effects and animation: Mobility (as Jack 'Edsel' Haye) |
| Steve Linn | ... | special visual effects and animation: Mobility |
| Dan McNamara | ... | special visual effects and animation: Mobility |
| Dani Morrow | ... | special visual effects and animation: Mobility |
| Michelle Motta | ... | special visual effects and animation: Mobility |
| Travis Price | ... | special visual effects and animation: Mobility |
| Jason Rosson | ... | special visual effects and animation: Mobility |
| Ira Shain | ... | character animator: Mobility / special visual effects and animation: Mobility |
| Matt Wallin | ... | animator: Mormon Tabernacle choir (as Matthew Wallin) / visual effects producer (as Matthew Wallin) |
| Xye | ... | special visual effects and animation: Mobility |
Stunts
| Chris Barnes | ... | stunt rigger |
| Justin Corgatelli | ... | stunt double: Gary Gilmore |
| Randy G. Hatch | ... | stunt double: Gary Gilmore |
Camera and Electrical Department
| Carter Berg | ... | assistant still photographer |
| Michael James O'Brien | ... | still photographer |
| Paul Pisoni | ... | videographer: second unit |
| Blithe Riley | ... | grip assistant: New York |
| Paul Steketee | ... | grip assistant: New York |
| Chris Winget | ... | lighting technician / still photographer / videographer: second unit |
Costume and Wardrobe Department
| Jim Platt | ... | costume rental: Reel Cops Costume Rental Corp. |
| Leticia Sandoval | ... | specialty costumes |
| Dean Sonnenberg | ... | costume: Fay La Foe |
Editorial Department
| Michael Buday | ... | on-line editor (as Mike Buday) |
| Joe Parisella | ... | color timer |
Music Department
| Gregory D'Agostino | ... | musician: organ, "Compression Prelude", "Deseret Hymn", "Interlude Saline" and "Postlude Retreat" |
Transportation Department
| Jay Ellis | ... | vehicles in Columbian Exposition provided by |
| Shamus Mack | ... | vehicles in Columbian Exposition provided by |
| Brian Martin | ... | vehicles in Columbian Exposition provided by |
| Michael Pazienva | ... | vehicles in Columbian Exposition provided by |
| John Seasock | ... | vehicles in Columbian Exposition provided by: Sudden Impact Racing |
| Leo Terrizzi | ... | vehicles in Columbian Exposition provided by |
| Dave Venti | ... | vehicles in Columbian Exposition provided by |
Additional Crew
| Rick Azure | ... | production assistant: Canada |
| Denise Baer | ... | production assistant: New York |
| Andrés Baiz | ... | production assistant: New York |
| Chris Barnes | ... | production assistant: New York |
| Joy Barrett | ... | production assistant: Canada |
| Roy Batty | ... | buffalo wrangler |
| Bruce Benedict | ... | additional lighting technical: Hotlights |
| Willa Bepler | ... | production assistant: New York |
| Brent Bingham | ... | salt engineering: Bingham Engineering |
| Joe Bishop | ... | security officer |
| Joe Bosack | ... | 2-D graphic artist |
| Edgar R. Brewster | ... | Masterpoint verse by: Brewster Foundation |
| Bill Bulek | ... | production assistant: Canada |
| Brian Cahill | ... | production assistant: Canada |
| Jeremy Carnagey | ... | production assistant: Canada |
| Armand D'Agostini | ... | mechanic: Mustang |
| Timothy J. Davey | ... | principal production team |
| Richard Davis | ... | buffalo provided by |
| Scott Denny | ... | production assistant: Canada |
| Brian Deran | ... | production assistant: New York |
| Jim Dini | ... | production assistant: Canada |
| Brett Dixon | ... | salt engineering: Bingham Engineering |
| Yvanne Faught | ... | production assistant: Canada |
| Sam Green | ... | production assistant: New York |
| Tyla Guss | ... | production assistant: Canada |
| Dion Gyll | ... | white 1966 Mustang provided by |
| Sean Gyll | ... | white 1966 Mustang provided by |
| Roy Hadley | ... | organizational support for rodeo: Utah |
| Lori Hinson | ... | production assistant: Canada |
| Juliet Izatt | ... | production assistant: Canada |
| Richard Johnson | ... | gas station provided by (as Richard Johnson DDS) |
| Thomas Kearns | ... | metamorphosis cabinet: GT Custom |
| Tammy Lane | ... | production assistant: New York |
| Eugene Larson | ... | blue 1966 Mustang provided by |
| Peter Lemieux | ... | ice guide: Icewalks |
| Lynne Mackey | ... | milliner |
| Muneto Maekawa | ... | production assistant: New York |
| Matsu | ... | production assistant: New York |
| Hal McFeely III | ... | body double: body double on fallen bull / principal production team |
| Andrew Mount | ... | production assistant: New York |
| Brad Nelson | ... | production assistant: Canada |
| Michael Sean O'Mahony | ... | production assistant: New York |
| Kembra Pfahler | ... | body double: Bessie Gilmore |
| Paul Pisoni | ... | principal production team |
| Josh Reiman | ... | production assistant: New York |
| John Roche | ... | production assistant: New York |
| Ellen Ross | ... | insurance consultant: Acordia Northeast |
| Joe H. Roundy | ... | supervising veterinarian: Tooele Veterinary Clinic (as Joe H. Roundy D.V.M.) |
| Kristin Schattenfield | ... | principal production team |
| Bob Scura | ... | bee wrangler: New York |
| Christopher Seguine | ... | offline facility: Sublime Films |
| Leonard Simpson | ... | buffalo trainer |
| Mike Stapely | ... | helicopter pilot: Alpine Helicopters |
| Shusei Sugawara | ... | principal production team |
| Neil Thompson | ... | helicopter pilot: Canadian Helicopters |
| Lisa Vollmer | ... | production assistant: New York |
| Matt Wyatt | ... | production assistant: Canada |
Thanks
| Paul Barratt | ... | thanks |
| Eric Bonwitt | ... | thanks: Los Angeles |
| Grace Clark | ... | thanks |
| Marti Domination | ... | thanks |
| Mary Farley | ... | special thanks |
| Günter Ford | ... | thanks: World Management |
| Jessica Frost | ... | thanks |
| Maria Gallerie | ... | thanks |
| Robert Isabel | ... | thanks |
| Al Kisys | ... | thanks |
| David Korty | ... | thanks: Los Angeles |
| Elias Kostis | ... | thanks: Los Angeles |
| Ken Levitan | ... | thanks: Vector Management |
| Janice MaChipiness | ... | thanks |
| Norman Mailer | ... | special thanks: permission for use of "The Executioner's Song" |
| Judith McNally | ... | thanks |
| Morris | ... | thanks |
| Ed Mulick | ... | thanks |
| Maxine Neuman | ... | thanks |
| Jean-Yves Noblet | ... | thanks |
| Scott Olsen | ... | thanks |
| Lisa Overduin | ... | thanks: Los Angeles |
| Steve Perry | ... | thanks: Days Inn of Wendover |
| Grant Potter | ... | thanks: Canada |
| Priester | ... | thanks |
| Shaun Caley Regen | ... | thanks: Los Angeles |
| John Romersa | ... | thanks |
| Lawrence Schiller | ... | special thanks: permission for use of "The Executioner's Song" |
| Chris Sleater | ... | thanks |
| Tim Smith | ... | thanks |
| Jean Stein | ... | thanks |
| Dieter Szczypinski | ... | thanks: World Management |
| Marilyn Toone | ... | thanks: Central Utah Film Commission |
| Stacey Tunis | ... | thanks |
| Leigh Von Der Esch | ... | thanks: Utah Film Commission |
| Kathi Whitley | ... | thanks: Vector Management |
