Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities. Being without a cliché to hold onto can be a lonely experience.
"Voltaic: The Volta tour Live in Paris and Reykjavik" is a remarkable, multi-media document of Björk's visually dazzling Volta tour. Full of on-your-feet moments, the film features ... See full summary »
Distinguished by being "banned forever" in its native Czech Republic, Jan Nemec's "A Report on the Party" is a great film from the flowering of the Czech cinema in the 1960s. It is a ... See full summary »
Not since Warhol has a visual artist made movies as masterfully as Matthew Barney. "Cremaster" describes a muscle in the testicles, and Barney's career-long subjects--masculinity and the biological, rather than societal, roots of male behavior--are given a hypnotic treatment here. Barney organizes the movie as rigorously as if it were an argument; but rather than rhetoric the movie is powered by dream logic. For an image such as the soon-to-be-killed gas-station attendant sniffing around Gary Gilmore's car--two sixties beauties joined with a mass of canvas like Siamese-twin mutants--you'd have to go back to the top shelves of Kenneth Anger and David Lynch. Filled with genital prostheses and heebie-jeebie-giving hive imagery, CREMASTER 2 has a hidden, hivelike structure that suggests a way out of out post-MTV, post-web-surfing image surplus. Barney has at times seemed a preening poseur; CREMASTER 2 reveals him as focussed in his private ecstasies as Cocteau.
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