The Adventures of Busty Brown (1967) Poster

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Mahon delivers B-action movie PLUS bare breasts
lor_27 January 2011
Watching THE ADVENTURES OF BUSTY BROWN was an adventure in nostalgia for me. I grew up in love with the Hollywood B-movies of the '40s through '60s, often playing on TV in syndication packages or as Saturday afternoon matinées at the local Cedar-Lee Theater back in Cleveland Hts., but little did I suspect a parallel porn world existed.

Barry Mahon has made many subpar story films in his porn career, but somehow in this outing managed to capture a feel for the cheap look and charm of an authentic B, but porn all the way. It's poorly made to be sure, but mighty entertaining on its own terms.

Laurie Dane, obviously a stripper in real life, stars in the title role, a female private eye hired by a Chinese-American businessman to find and rescue his kidnapped daughter Lotus Lee. She's being kept captive by a British nightclub owner named Limey, who wants to force her dad to take him in as a partner in his business.

With some OK action scenes, film is mainly about sex, with several actresses all boasting terrific figures going topless at the drop of a hat. Add in simulated sex scenes and this is pretty hot stuff for 1964! (Poor me, I was getting off as a young teen watching Barbara Eden sweat in the G-rated-level Harryhausen fantasy 7 FACES OF DR. LAO at the time BUSTY BROWN was probably playing at our "forbidden" Standard Theater in downtown Cleveland.) Amongst the beauties is Sue Evans, in a brief scene, while the other girls are all impressive if anonymous. Line readings, especially by the slimy actor playing Limey, are flat as a pancake, but somehow this nonsense is diverting escapism on the level of a Monogram '50s movie (no insult intended).

Something Weird has issued the movie on video in two versions: a 35-minute featurette excerpt as a freebie on one of its special edition two-fer DVDs, and in a 49-minute version as a standalone DVD-R. I'm reviewing the latter, which is frustrating to watch since it has suffered many cuts, including missing sex & nudity footage and noticeably an entire fight sequence (shots of which are preserved in the trailer) where the nightclub's Oriental piano player uses martial arts to subdue several hapless villains.
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3/10
Asian intrigue
BandSAboutMovies22 March 2021
Warning: Spoilers
Barry Mahon's movies often have no plot, just women being whatever he thinks women are. This time, however, it's all about a female detective named Busty Brown* (Laurie Dane's only role) as she helps an Asian shopkeeper keep his daughter (Lotus Lee) from dancing nude in a go-go bar for one of his rivals. Of course, it's against her will and Busty must protect her innocence.

The incredibly woke thing - for 1967 - is that the Asian male sidekick is presented as a sex symbol and has scenes where he makes love - seriously, this movie is near PG-13 in its 2021 level of sleaze - to white women, which had to seem groundbreaking or upsetting depending on your levels of racism in 1967.

"She broke the case with every weapon she had available!" sure sounds better than "Barry Mahon made this movie in only two days!"

*Did the title clue you in?
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Decent Sexploitation with Fun Lead
Michael_Elliott31 August 2016
The Adventures of Busty Brown (1967)

** (out of 4)

An Asian man's daughter is kidnapped so he hired Detective Busty Brown (Laurie Dane) to get a job at the strip club of the man he suspects of the crime. Soon Busty is able to find the daughter but they might be in over their heads.

THE ADVENTURES OF BUSTY BROWN is another sexploitation film from director Barry Mahon who worked in various genres throughout his career. The version I watched was a shortened one that ran twenty-five minutes shorter than the full version so one should keep that in mind as they read this review.

For the most part I thought this was a decent enough film as long as you aren't taking it too serious. For the most part I found Dane to be fun in the title role as she certainly lived up to her name "Busty" and I also thought she managed to make the film more watchable. As with a lot of Mahon's films, the budget is obviously low but I thought he did a much better job than many who did the same type of films.
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