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Seinfeld 

TV-PG | | Comedy | TV Series (1989–1998)
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The continuing misadventures of neurotic New York City stand-up comedian Jerry Seinfeld and his equally neurotic New York City friends.
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185 ( 2)

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9   8   7   6   5   4   3   2   1  
1998   1997   1996   1995   1994   1993   … See all »
Top Rated TV #41 | Won 3 Golden Globes. Another 70 wins & 184 nominations. See more awards »

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Cast

Complete series cast summary:
Jerry Seinfeld ...  Jerry Seinfeld 173 episodes, 1989-1998
Michael Richards ...  Kramer / ... 173 episodes, 1989-1998
Jason Alexander ...  George Costanza / ... 173 episodes, 1989-1998
Julia Louis-Dreyfus ...  Elaine Benes 172 episodes, 1990-1998
Ruth Cohen Ruth Cohen ...  Ruthie Cohen / ... 101 episodes, 1992-1998
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Storyline

Jerry Seinfeld stars in this television comedy series as himself, a comedian. The premise of this sitcom is Jerry and his friends going through everyday life, discussing various quirky situations, to which we can all relate (especially if we live in New York City). The eccentric personalities of the offbeat characters who make up Jerry's social circle contribute to the fun. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Pictures Television

Country:

USA

Language:

English

Release Date:

5 July 1989 (USA) See more »

Also Known As:

Stand-Up See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

4:3
See full technical specs »
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Did You Know?

Trivia

Brian George (Babu Bhatt from Seinfeld: The Cafe (1991) and Seinfeld: The Visa (1993)), Armin Shimerman (Stan from Seinfeld: The Caddy (1996)) and Sab Shimono (The Japanese Executive from Seinfeld: The Checks (1996)) all appeared in Blind Date (1987), together in the same scene. Timothy Stack (Dwayne from Seinfeld: The Glasses (1993)) also appeared in the same film. See more »

Goofs

You will notice that on external shots of Jerry's building there are insect screens on the windows. However, these are never evident whenever any of the cast occasionally lean out the window whilst the scene is being shot from inside Jerry's apartment. See more »

Quotes

Cosmo Kramer: Just tell him you don't want to do the bootleg. I'm sure he'll understand.
Jerry: People with guns don't understand. That's why they get guns. Too many misunderstandings.
See more »

Crazy Credits

In the season 2 episode "The Apartment", Michael Richards is credited twice in the opening credits. See more »

Alternate Versions

In the episode, "Bookstore, The" (ep. #9.17), J. Peterman describes provides several euphemisms for the drug opium when he's describing Elaine's boyfriend's addiction. In the original airing, he referred to it as "smack...white palace...the Chinaman's nightcap". In all syndicated airings, the last part of that line was omitted, obviously because of its racial insensitivity. See more »

Connections

Spoofed in Seinfeld: A XXX Parody (2009) See more »

Soundtracks

Seinfeld Theme Song
Written by Jonathan Wolff
See more »

Frequently Asked Questions

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User Reviews

Seinfeld, a cultural landmark?
26 December 2004 | by sdfrsdfrSee all my reviews

I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.

Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".

Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.

Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".

Surely, we won't find something like this again, for many more years to come.


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