O espécime número 5 de um grupo de robôs experimentais, é eletrocutado no laboratório, de repente se torna inteligente e escapa.O espécime número 5 de um grupo de robôs experimentais, é eletrocutado no laboratório, de repente se torna inteligente e escapa.O espécime número 5 de um grupo de robôs experimentais, é eletrocutado no laboratório, de repente se torna inteligente e escapa.
- Prêmios
- 1 vitória e 5 indicações
Tim Blaney
- Number 5
- (narração)
- Direção
- Roteiristas
- S.S. Wilson
- Brent Maddock
- Jay Tarses(não creditado)
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe sound of Number 5's laser firing is the same effect as the Ghostbusters' Proton Packs powering up.
- Erros de gravaçãoWhen Frank lifts the glass of orange juice off the tray there is some resistance at first, probably from the magnet or adhesive used to keep the glass from sliding off during filming.
- Cenas durante ou pós-créditosThe credits are played out over a montage of scenes from the movie, including a pair of scenes that failed to make the final cut. One involves an encounter between Number 5 and a toy robot, the other involves a scene in a scrap yard where a scrapped car that Number 5 is currently sitting in is crushed.
- Trilhas sonorasWho's Johnny
("Short Circuit" Theme)
Written by Péter Wolf (as Peter Wolf) and Ina Wolf
Performed by El DeBarge
Courtesy of Motown Records
Avaliação em destaque
A rarity among family-oriented films...
There have been many films that claim they can entertain audiences of all ages. Indeed, this seems to be the most profitable kind of film to make, with the family-oriented often translating to the lowest common denominator. There is a rare kind of film in this oversaturated market, however. Namely, the film that claims it can entertain an audience in almost any age bracket, and really can deliver on this promise. I know how this sounds, so bear with me a moment.
Short Circuit is, at heart, a comedy about what happens when a robot designed to replace a special forces soldier is struck by lightning, and starts to believe he is a living entity. Much of the rest of the film revolves around either Number 5's attempts to evade capture by the people who made him, or his attempts to convince the people he meets of the truly wonderful thing that has happened to him. Ally Sheedy and Steve Guttenberg provide an excellent support cast that does a first rate job of interacting with the character. This was one of the first films to show human actors engaging in conversation with what was essentially a full-scale puppet, and it remains one of the best. With brilliant voice acting by Tim Blaney, Number 5 seems more human than some of the other actors in the film, especially G.W. Bailey. They must have had a special on Police Academy alumni that year.
Speaking of Police Academy, the "let's rip the front seats out and sit in the back" joke gets a couple of references here. In fact, a few old classics get a good reference in this effort. Interestingly enough, the Three Stooges short that is shown and imitated in a couple of sequences is called Woman Haters. Go figure. The one weakness of the film is that it seems primarily constructed around a few puppeteering or special effects sequences. The use of the laser beams here seems very dated by modern standards, and the computers would look unbelievable if I hadn't personally seen the computers that were available to the public and business around this year.
Sadly, they do not make films like this anymore. In this day and age, where every film has to be made as expensively as possible, and even films aimed at children seem segmented, nobody seems willing to consider that the adults in the audience might need to be entertained, too. Which is a real pity. Films like Short Circuit have the ability to appeal to this viewer even more now that he is twenty-something years old than was the case when he was eight years old. I doubt that anyone who turns twenty-six in 2020 is going to same the same about the Pokemon or other such mind-numbing single-digit-age-only crap that is being churned out.
I gave Short Circuit an eight out of ten. It is starting to show its age, but as a relic of the mid-1980s, it also shows that there were people asking questions about the advancement of technology. Indeed, on the basis of films like Short Circuit, I am almost willing to regard the 1980s as the last bastion of creativity in the mainstream film industry. Give it a look expecting a film about more than money, and you may be pleasantly surprised.
Short Circuit is, at heart, a comedy about what happens when a robot designed to replace a special forces soldier is struck by lightning, and starts to believe he is a living entity. Much of the rest of the film revolves around either Number 5's attempts to evade capture by the people who made him, or his attempts to convince the people he meets of the truly wonderful thing that has happened to him. Ally Sheedy and Steve Guttenberg provide an excellent support cast that does a first rate job of interacting with the character. This was one of the first films to show human actors engaging in conversation with what was essentially a full-scale puppet, and it remains one of the best. With brilliant voice acting by Tim Blaney, Number 5 seems more human than some of the other actors in the film, especially G.W. Bailey. They must have had a special on Police Academy alumni that year.
Speaking of Police Academy, the "let's rip the front seats out and sit in the back" joke gets a couple of references here. In fact, a few old classics get a good reference in this effort. Interestingly enough, the Three Stooges short that is shown and imitated in a couple of sequences is called Woman Haters. Go figure. The one weakness of the film is that it seems primarily constructed around a few puppeteering or special effects sequences. The use of the laser beams here seems very dated by modern standards, and the computers would look unbelievable if I hadn't personally seen the computers that were available to the public and business around this year.
Sadly, they do not make films like this anymore. In this day and age, where every film has to be made as expensively as possible, and even films aimed at children seem segmented, nobody seems willing to consider that the adults in the audience might need to be entertained, too. Which is a real pity. Films like Short Circuit have the ability to appeal to this viewer even more now that he is twenty-something years old than was the case when he was eight years old. I doubt that anyone who turns twenty-six in 2020 is going to same the same about the Pokemon or other such mind-numbing single-digit-age-only crap that is being churned out.
I gave Short Circuit an eight out of ten. It is starting to show its age, but as a relic of the mid-1980s, it also shows that there were people asking questions about the advancement of technology. Indeed, on the basis of films like Short Circuit, I am almost willing to regard the 1980s as the last bastion of creativity in the mainstream film industry. Give it a look expecting a film about more than money, and you may be pleasantly surprised.
útil•916
- mentalcritic
- 12 de fev. de 2005
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Exceptional Robots on Film & TV
Exceptional Robots on Film & TV
From Transformers to droids and everything in between, these memorable robots made their mark on viewers.
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- O Incrível Robô
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 40.697.761
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.346.808
- 11 de mai. de 1986
- Faturamento bruto mundial
- US$ 40.697.761
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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Principal brecha
By what name was Um Robô em Curto Circuito (1986) officially released in India in English?
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