A boy obsessed with 50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Number 5, one of a group of experimental military robots, undergoes a sudden transformation after being struck by lightning. He develops self-awareness, consciousness, and a fear of the reprogramming that awaits him back at the factory. With the help of a young woman, Number 5 tries to evade capture and convince his creator that he has truly become alive.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Clips from several scenes not in the theatrical release can be seen during the closing credits, including an altercation between Number 5 and a toy robot, and Number 5 in an auto scrap yard. See more »
When Crosby is in the lab programming the robot arm to play the keyboard, another arm answers the phone for him and then hangs up, both on command. As Crosby gets up to leave, you can see the arm behind him picking up the phone receiver again, although there was no incoming call. See more »
Enemy neutralized. Ladies and gentlemen, objective completed.
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The credits are played out over a montage of scenes from the movie, including a pair of scenes that failed to make the final cut. One involves an encounter between Number 5 and a toy robot, the other involves a scene in a scrap yard where a scrapped car that Number 5 is currently sitting in is crushed. See more »
I'm sorry, I can't see why this film has been given such a low rating. This film is wonderfully life-affirming through the character of robot Jonny 5 (the scene where he realises what it means to be alive through crushing a grass hopper is beautifully portrayed), Ally Sheedy brings a bucket load of positive energy to the character of the naive but loving Stephanie, and to top it all there is a subtle but powerful comment on American militarism. There is a real emphasis on quality screen writing here which only comes through on a small ratio of films. The characters could easily have become 2 dimensional stereotypes, but instead given some interesting dialogue and motives (science, military etc). Yes it is cheesy, and I think many people label it as a cheap and tacky 80's movie, but having watched it again recently I think history may well judge it a minor classic.
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