A pair of new distributors have announced their arrival on the theatrical scene this morning with the bold acquisition of two contemporary Indian independent films fresh off successful festival runs. Deaf Crocodile, a partnership of former Cinelicious Pics/Arbelos execs Dennis Bartok & Craig Rogers, and Gratitude Films from festival programming veteran (Jio Mami Mumbai) Anu Rangachar have come together to present The Shepherdess and the Seven Songs (Laila Aur Saat Geet) and The Village House (Gamak Ghar) to US audiences this spring. Deaf Crocodile will also be releasing a brand new 4K restoration of John Carpenter's siege classic, Assault on Precinct 13 exclusively to theaters in 2022 following a festival premiere. It is rare that Indian indepedents make it to American cinema screens, which makes...
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- 2/24/2021
- Screen Anarchy
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By Adrian Smith
Wynne Kinch (Jenny Agutter) was adopted. She had been raised by her mother, but at some stage prior to seven, still old enough to know about what was happening, she was put up for adoption and taken into a loving family with two considerably older brothers. Of the brothers, George (Bryan Marshall) is her favourite, and now, at the age of fourteen, Wynne's familial love is turning into lust and obsession. Denying that it is incest because she was adopted, Wynne feels completely justified in having these unrequited feelings towards her thirty-two year old brother.
The family live in a new high-rise block in Bracknell, Berkshire. Everything around her is either white or concrete, and all of it new, yet she still yearns to spend time in their old home: a large, crumbling farmhouse on the other side of the park.
By Adrian Smith
Wynne Kinch (Jenny Agutter) was adopted. She had been raised by her mother, but at some stage prior to seven, still old enough to know about what was happening, she was put up for adoption and taken into a loving family with two considerably older brothers. Of the brothers, George (Bryan Marshall) is her favourite, and now, at the age of fourteen, Wynne's familial love is turning into lust and obsession. Denying that it is incest because she was adopted, Wynne feels completely justified in having these unrequited feelings towards her thirty-two year old brother.
The family live in a new high-rise block in Bracknell, Berkshire. Everything around her is either white or concrete, and all of it new, yet she still yearns to spend time in their old home: a large, crumbling farmhouse on the other side of the park.
- 12/11/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Steven Spielberg‘s daughter, Mikaela Spielberg, was arrested for domestic assault in Nashville early Saturday morning after an argument with her fiance turned physical. This news comes a little over a week after she announced her new career in porn. Spielberg, 23, allegedly started throwing things at her fiance, Chuck Pankow, 47, after he made a […]
The post Steven Spielberg’s Daughter, Mikaela Spielberg, Arrested For Domestic Assault appeared first on uInterview.
The post Steven Spielberg’s Daughter, Mikaela Spielberg, Arrested For Domestic Assault appeared first on uInterview.
- 3/2/2020
- by Marie Fiero
- Uinterview
What a great sales hook — a feature film with a Bernard Herrmann music score that we hadn’t heard of. And one of the writers was Martin Scorsese, before Boxcar Bertha and Mean Streets! But wait, it isn’t as simple as that. The new release is more than a little confusing. Its own ad copy first calls this Dutch production ‘obscure,’ and not four sentences later describes it as a ‘classic exploitation film.’
Obsessions
Blu-ray + DVD
Cult Epics
1969 / Color / 1:37 flat full frame (should be widescreen) / 91 min. / Bezeten – Het gat in de muur / Street Date May 9, 2017 / 34.95
Starring: Alexandra Stewart, Dieter Geissler, Tom van Beek, Donald Jones, Elisabeth Versluys, Marijke Boonstra, Vibeke, Michael Krebs, Hasmig Terveen, Fons Rademakers, Victoria Naelin, Adrian Brine, Sara Heyblom.
Cinematography: Frans Bromet, Hubertus Hagen
Film Editor: Henri Rust
Original Music: Bernard Herrmann
Written by Pim de la Parra, Wim Verstappen, Martin Scorsese
Produced by Pim de la Parra,...
Obsessions
Blu-ray + DVD
Cult Epics
1969 / Color / 1:37 flat full frame (should be widescreen) / 91 min. / Bezeten – Het gat in de muur / Street Date May 9, 2017 / 34.95
Starring: Alexandra Stewart, Dieter Geissler, Tom van Beek, Donald Jones, Elisabeth Versluys, Marijke Boonstra, Vibeke, Michael Krebs, Hasmig Terveen, Fons Rademakers, Victoria Naelin, Adrian Brine, Sara Heyblom.
Cinematography: Frans Bromet, Hubertus Hagen
Film Editor: Henri Rust
Original Music: Bernard Herrmann
Written by Pim de la Parra, Wim Verstappen, Martin Scorsese
Produced by Pim de la Parra,...
- 7/15/2017
- by Glenn Erickson
- Trailers from Hell
Sergei Loznitsa's stark parable about Soviet collaboration with the Nazis has echoes of Tolstoy and Dostoevsky
Sergei Loznitsa's My Joy, a fable about the increasingly nightmarish journey of a lorry driver lost in a violent post-communist Russia, was well received at Cannes three years ago but is yet to be released in this country. His second film, In the Fog, based on a highly regarded novel by Vasili Bykov, also received a warm welcome in Cannes and is one of the best Russian films to open in Britain over the past decade. It's set in Loznitsa's native Belarus in 1942, and the fog of the title is both literal and metaphorical, the fog of war that swirls around its three principal characters, Russians involved in the struggle against the German invaders.
In the Fog unfolds at a stately pace, beginning with a striking opening sequence shot in what appears...
Sergei Loznitsa's My Joy, a fable about the increasingly nightmarish journey of a lorry driver lost in a violent post-communist Russia, was well received at Cannes three years ago but is yet to be released in this country. His second film, In the Fog, based on a highly regarded novel by Vasili Bykov, also received a warm welcome in Cannes and is one of the best Russian films to open in Britain over the past decade. It's set in Loznitsa's native Belarus in 1942, and the fog of the title is both literal and metaphorical, the fog of war that swirls around its three principal characters, Russians involved in the struggle against the German invaders.
In the Fog unfolds at a stately pace, beginning with a striking opening sequence shot in what appears...
- 4/29/2013
- by Philip French
- The Guardian - Film News
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