Pleasure Palace (1979) Poster

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8/10
This Palace May Be Grotty, But the Sex Hits the Spot
Nodriesrespect13 November 2010
If not the best - his considerably more erotic 1977 JAIL BAIT takes the cake in that department - then at least by far the best-plotted of Carter Stevens's not quite A-list efforts, PLEASURE PALACE benefits from a solid script by the director and "Al Hazrad" (actually Al Goldstein's assistant editor Richard Jaccoma, going some way to explaining the odd pseudonym) and a cast more than capable of handling its requirements. Too often taken for granted, Eric Edwards proves as dependable as always portraying Jimmy Stone, a former vice cop fired from the squad for being too lenient on a lowlife pimp. Out of gratitude, the latter has sold him his Connecticut cat house for peanuts, an investment he has agreed to share with his shyster lawyer buddy Mike Green, memorably played by the equally easy to underestimate Robert "Bolla" Kerman. Both actors prove utterly believable as friends and their effortless banter not only brings their characters to life but also helps to sustain audience interest for its surprisingly long stretches between sex scenes. For some reason, Edwards doesn't even have a sex scene here.

While any adult film fan of some longevity expects stellar turns from these two actors, superstar Serena's the real revelation here, shaping up as Kerman's girl Friday Carol in a performance of great warmth and sympathy. As big an industry icon as she was, it often seemed like she couldn't be bothered to act, Gary Graver's ECSTASY GIRLS and - of all people - the generally maligned Leonard Kirtman's PRINCESS ranking as notable exceptions. She always delivered the goods sexually however, sufficiently accounting for throngs of devoted admirers, and this flick's no exception. Satisfying though her encounters with Kerman definitely are, it's her appropriately nasty trade-off as was their trademark with then boyfriend Jamie Gillis most will remember. The recently deceased Gillis further ups the ante as mobster Joe "Goodson" Buonfiglio, exuding credible menace as was his forte, eager to home in on our heroes' cottage industry once they got business up and running and the reason why the original owner sold the place off for a pithance in the first place.

Speaking of which, Carter Stevens endeared himself to not always entirely on the level investors by rigorously remaining within time and budgetary constraints, leaving little room for stylistic flourishes, so that eye-punishingly scarlet interior where unfortunately a lot of the action takes place is just something you will have to live with. Look at the bright side, it's a great way to tune the color control on your TV set ! Carnal comedians Roger Caine and Bobby Astyr are cleverly cast as a double act playing Goodson's bumbling henchmen turning unexpectedly nasty for the final brutally mood-shifting reel. Caine gets to keep it in his pants as well, he was notoriously iffy in that department anyway, but the late Astyr does a solid number on veteran performer Erica Havens whose career extends all the way back to the early '70s. Lisa Heyman's the short-haired blonde in the bathtub with old coot Jake Teague and Joey Silvera as judge and sheriff respectively, also seen in Shaun Costello's minor league MORE THAN SISTERS and TWO LIVES OF JENNIFER. One of the industry's more shall we say idiosyncratic performers, Veri Knotty got her porn name from her party trick specialty, there's just no nice way of putting this, tying her lower labia in knots ! As a credit to the unsung talents of Stevens's regular and also recently passed away DoP Bruce Sparks (a/k/a "Prudence Prevails"), I don't think she has ever looked prettier and thankfully keeps her special ability to herself on this occasion.
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8/10
An enjoyable "adults only" crime opus
Woodyanders11 June 2009
Warning: Spoilers
Laid-back ex-cop Jimmy (a fine and engaging performance by Eric Edwards) and his worrywart lawyer buddy Mike Green (a solid turn by Richard Bolla) leave New York City and move to Connecticutt to start their own business running a brothel. Things go smoothly for awhile until ruthless mobster Joe Goodson (excellently played to the scuzzy hilt by Jamie Gillis) and his vicious goons decide to muscle in on the action. Director/co-writer Carter Stevens relates the engrossingly sordid story at a steady pace, delivers a pleasing amount of tasty female nudity, and further spices the already entertainingly seamy proceedings up with an amusingly lowbrow sense of humor. The gals are quite hot and attractive: gorgeous blonde knockout Serena does well as sweet and assertive hooker Carol while delicious voluptuous brunette Veri Knotty makes a favorable impression in her regrettably minor part as saucy prostitute Jeanie. Edwards and Bolla make for likable leads. The sex scenes are pretty raunchy and steamy, but not too graphic. Edwards' hard-boiled narration, the sleazy plot, and the surprisingly nasty and violent conclusion all give this picture a funky 70's noir feel. Prudence Prevails' rough, but still fairly polished cinematography does the trick. The pulsating disco score likewise hits the groovy spot. A nifty little flick.
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Delusions of adequacy
lor_20 July 2015
Warning: Spoilers
I have always thought of pornographer Carter Stevens as a hack, but PLEASURE PALACE reveals that would be an unwarranted compliment - he is merely a would-be hack. What he describes as a "real movie" (not mere porn) is a failed attempt at achieving the dubious level of say a PRC or Monogram programmer of the '40s.

Reputedly shot at a real whorehouse in of all places, little Meriden, Connecticut, famed as the silver and silver plate manufacturing capital of America, picture doesn't even establish its meager premise properly. Saddled with an unfunny, overwritten script, Eric Edwards and R. Bolla play a pair of would-be entrepreneurs, respectively an ex- cop and an unsuccessful lawyer. They buy a massage parlor and have to deal with the mafia in the form of goons Bobby Astyr, Roger Caine and their boss Jamie Gillis. Stevens presumably sincerely laments in the DVD interview material that Gillis didn't win an award for his performance, which turns out to be an extremely lame stab at a stereotype - his real job here as usual is to hump.

I was surprised that even when a local heath inspector visits the massage parlor, eager to slap the duo with hefty code violation fines, at no point in the film is there any massage paraphernalia or girls dressed as therapists. It's just a whorehouse, with little atmosphere, and zero attempt at passing for a legitimate business. The inspector's visit turns out to be an excuse for Stevens' frequent inclusion of an ugly old guy having sex -just what us fans back in the Golden Age wanted to see -not.

The whores in the film are ugly, with the exception of Serena, beautiful as always in her bored walk-through. Film climaxes with a clumsily staged showdown and shootout which is preposterous, and in which Serena figures prominently.

Stevens is proud of the fact that sex disappears from the movie in the final two reels, proof of its "realness". This obvious defect is glaring from a porn point-of- view, and the tone of the film switching after the half-point from mindless light- heartedness to "serious" mood (a whore is raped by the baddies and later killed) is embarrassing and puts the whole project off-kilter. Edwards is okay as the ex- cop with swagger, but Bolla as usual tries too hard, which in the revisionist porn context has sadly elevated him to the status (for some) of a top-notch actor.
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