Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow…
William Fruet is one of Canada’s most important directors. He’s renowned for not only his contributions to ‘realist social dramas’ such as 1970’s Goin’ Down The Road (one of Canada’s first English language fiction feature films) and 1972’s Wedding in White, but also for his Canuxploitation films of the 70s.
Death Weekend – or The House by the Lake as it was known in the United States – was made in 1976 in an effort to capitalize on a unique Canadian funding model at the time.
As previously explored in this editorial series, as well as my David Cronenberg podcast Sexy & Surreal, Canadian films are funded by the public via governmental organizations. In the 1970s, the government created the Canadian Film Development Council (Cfdc) in...
William Fruet is one of Canada’s most important directors. He’s renowned for not only his contributions to ‘realist social dramas’ such as 1970’s Goin’ Down The Road (one of Canada’s first English language fiction feature films) and 1972’s Wedding in White, but also for his Canuxploitation films of the 70s.
Death Weekend – or The House by the Lake as it was known in the United States – was made in 1976 in an effort to capitalize on a unique Canadian funding model at the time.
As previously explored in this editorial series, as well as my David Cronenberg podcast Sexy & Surreal, Canadian films are funded by the public via governmental organizations. In the 1970s, the government created the Canadian Film Development Council (Cfdc) in...
- 7/25/2023
- by Joe Lipsett
- bloody-disgusting.com
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
20th Century Women (Mike Mills)
That emotional profundity most directors try to build to across an entire film? Mike Mills achieves it in every scene of 20th Century Women. There’s such a debilitating warmness to both the vibrant aesthetic and construction of its dynamic characters as Mills quickly soothes one into his story that you’re all the more caught off-guard as the flurry of emotional wallops are presented.
20th Century Women (Mike Mills)
That emotional profundity most directors try to build to across an entire film? Mike Mills achieves it in every scene of 20th Century Women. There’s such a debilitating warmness to both the vibrant aesthetic and construction of its dynamic characters as Mills quickly soothes one into his story that you’re all the more caught off-guard as the flurry of emotional wallops are presented.
- 7/14/2017
- by Jordan Raup
- The Film Stage
J. Lee Thompson is an auteur – he’s an amazing director with a personal sense of style, usually low-key and humorous, and actors love working with him. With films like The Guns of Navarone (1961), Cape Fear (1962), Conquest of the Planet Of the Apes (1972) and Battle For the Planet Of The Apes (1973), J. Lee Thompson is a favorite amongst genre fans. My personal favorite is The Reincarnation Of Peter Proud (1975), starring Michael Sarrazin, Jennifer O’Neill and Margot Kidder. If you haven’t seen this film, you need to run to your nearest video/dvd rental store – David Fincher currently holds the remake rights, so it’s only a matter of time before we see a redux! In the early 80s, Thompson directed the popular horror cult classic Happy Birthday To Me (1981), starring Melissa Sue Anderson (of Little House On The Prairie fame) Glenn Ford (who needs no introduction), and Lesleh Donaldson...
- 6/26/2013
- by Lianne Spiderbaby
- FEARnet
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