A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Small-town lawyer Sam Bowden's life becomes torturous when Max Cady re-enters his life. Cady went to jail for 8 years after Bowden testified that Cady attacked a young woman. Now that Cady has been released, he begins to terrorize Bowden and his family, particularly targeting Bowden's daughter, Nancy. Initially, Cady uses his newfound knowledge of the law (learned in prison) to annoy the Bowdens, then poisons the family dog... Who's next ?Written by
Chris Holland <email@example.com>
This film contains one of the few instances of a correct depiction of what someone sees when looking through binoculars. In most films, what is shown resembles a sideways figure 8 (i.e. side by side magnified images, one for each eyepiece). But what one really sees is a single round magnified image, the same as what you see when looking into the eyepiece of a telescope. See more »
After Sam and Max have a drink together, Sam gets up to leave. While he is putting money on the table, Max is smoking his cigar but as Sam leaves, Max's cigar has disappeared. See more »
[tries to pay Cady to leave town; Cady wants revenge]
You shocking degenerate. I've seen the worst - the dregs - but you... you are the lowest. Makes me sick to breathe the same air.
[leaves the bar]
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Martin Scorsese's version of "Cape Fear" had its moments, but overall was something of a chaotic picture. Its "satire" (or lack thereof) didn't really have a point, and its over-the-top visuals seemed to be compensating for a lack of content. It seemed less like Scorsese and more like DePalma.
Thompson's original is better - more scary, more thrilling, more diabolical and realistic. Whereas De Niro's scenery-chewing performance in the remake was almost laughable, Robert Mitchum's spine-tingling turn here as Max Cady is one of the great human movie monsters - he's a demon at spirit, no in physicality.
He seeks revenge on Gregory Peck and his family after Peck puts him away in jail for a few years.
Scorsese's version was more updated and in that sense its general themes were more believable - Cady's psyche was more exposed, his violence exploitative - and the romance between Cady and Sam Bowden's daughter in the original is nonexistent. In fact, the extent of his harm towards her is when he chases her around an empty school.
Still, this is a better version of the movie because it has more strengths than the remake. Visually it's not as impressive but it makes more of an impact as a thriller.
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