A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Small-town lawyer Sam Bowden's life becomes torturous when Max Cady re-enters his life. Cady went to jail for 8 years after Bowden testified that Cady attacked a young woman. Now that Cady has been released, he begins to terrorize Bowden and his family, particularly targeting Bowden's daughter, Nancy. Initially, Cady uses his newfound knowledge of the law (learned in prison) to annoy the Bowdens, then poisons the family dog... Who's next ?Written by
Chris Holland <firstname.lastname@example.org>
Telly Savalas was screen tested for the role of Max Cady, but later played private eye Charlie Sievers. See more »
For some strange reason, just after Sam shoots Cady, the shot of Cady from Sam's POV shows the branches of a bush superimposed on the bottom and left side of the frame. The tipoff is that when the camera moves the branches of the "bush" do not - they move along with the camera, as if they're glued onto the frame (which they are). See more »
[Bowden has shot Cady and is holding the gun on him]
Go ahead. I just don't give a damn.
No. No! That would be letting you off too easy, too fast. Your words - do you remember? Well I do. No, we're gonna take good care of you. We're gonna nurse you back to health. And you're strong, Cady. You're gonna live a long life... in a cage! That's where you belong and that's where you're going. And this time for life! Bang your head against the walls. Count the years - the months - the hours....
See more »
Martin Scorsese's version of "Cape Fear" had its moments, but overall was something of a chaotic picture. Its "satire" (or lack thereof) didn't really have a point, and its over-the-top visuals seemed to be compensating for a lack of content. It seemed less like Scorsese and more like DePalma.
Thompson's original is better - more scary, more thrilling, more diabolical and realistic. Whereas De Niro's scenery-chewing performance in the remake was almost laughable, Robert Mitchum's spine-tingling turn here as Max Cady is one of the great human movie monsters - he's a demon at spirit, no in physicality.
He seeks revenge on Gregory Peck and his family after Peck puts him away in jail for a few years.
Scorsese's version was more updated and in that sense its general themes were more believable - Cady's psyche was more exposed, his violence exploitative - and the romance between Cady and Sam Bowden's daughter in the original is nonexistent. In fact, the extent of his harm towards her is when he chases her around an empty school.
Still, this is a better version of the movie because it has more strengths than the remake. Visually it's not as impressive but it makes more of an impact as a thriller.
67 of 84 people found this review helpful.
Was this review helpful to you?
| Report this