The story of the marriage of England's King Arthur to Guinevere. The plot of illegitimate Mordred to gain the throne and Guinevere's growing attachment to Sir Lancelot, threaten to topple Arthur and destroy his "round table" of knights.
Director:
Writers:
Awards:
- Won 3 Oscars. Another 4 wins & 7 nominations.
- See more »
Photos and Videos
Cast verified as complete
Richard Harris | ... |
King Arthur
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Vanessa Redgrave | ... |
Guenevere
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Franco Nero | ... |
Lancelot Du Lac
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David Hemmings | ... |
Mordred
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Lionel Jeffries | ... |
King Pellinore
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Laurence Naismith | ... |
Merlyn
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Pierre Olaf | ... |
Dap
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Estelle Winwood | ... |
Lady Clarinda
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Gary Marshal | ... |
Sir Lionel
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Anthony Rogers | ... |
Sir Dinadan
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Peter Bromilow | ... |
Sir Sagramore
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Sue Casey | ... |
Lady Sybil
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Gary Marsh | ... |
Tom of Warwick
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Nicolas Beauvy | ... |
King Arthur as a Boy
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Rest of cast listed alphabetically: | |||
Fredric Abbott | ... |
Sir Geoffrey (uncredited)
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Frank Baker | ... |
Priest (uncredited)
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Buddy Bryan | ... |
Dancer (uncredited)
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Lorraine Crawford | ... |
Dancer (uncredited)
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Leon Greene | ... |
Sir Turloc (uncredited)
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Lars Hensen | ... |
Minor Role (uncredited)
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Walter Kightly | ... |
Knight of the Round Table (uncredited)
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Michael Kilgarriff | ... |
Sir Paul (uncredited)
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John Hugh McKnight | ... |
Nobleman (uncredited)
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Christopher Riordan | ... |
Serf at Execution (uncredited)
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Robert B. Shepard | ... |
Soldier (uncredited)
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Kay Tapscott | ... |
Dancer (uncredited)
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Larri Thomas | ... |
Woman (uncredited)
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Directed by
Joshua Logan |
Written by
Alan Jay Lerner | ... | (based on the play "Camelot" book by) |
T.H. White | ... | (novel "The Once and Future King") |
Alan Jay Lerner | ... | (screenplay) |
Produced by
Joel Freeman | ... | associate producer (uncredited) |
Jack L. Warner | ... | producer |
Music by
Frederick Loewe | ||
Alfred Newman | ... | (uncredited) |
Cinematography by
Richard H. Kline | ... | director of photography |
Editing by
Folmar Blangsted |
Production Design by
John Truscott | ||
Edward Carrere | ... | (uncredited) |
Art Direction by
Edward Carrere |
Set Decoration by
John Brown | ... | (as John W. Brown) |
Costume Design by
John Truscott | ... | (costumes designed by) |
Makeup Department
Gordon Bau | ... | makeup supervisor |
Jean Burt Reilly | ... | supervising hair stylist |
Production Management
Joel Freeman | ... | production supervisor (uncredited) |
Tadeo Villalba | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Arthur Jacobson | ... | assistant director |
Art Department
Robert Harold Branham | ... | storyboard artist (as Robert Branham) |
Edward Carrere | ... | sets |
Robert Cooper | ... | property master |
John Truscott | ... | scenery designer |
John Barton | ... | assistant property master (uncredited) |
Craig Binkley | ... | set dresser (uncredited) |
Frank L. Brown | ... | set dresser (uncredited) |
Bill Gold | ... | poster designer (uncredited) |
Ward Preston | ... | set designer (uncredited) |
José María Tapiador | ... | assistant set decorator (uncredited) |
Tyrus Wong | ... | art department (uncredited) |
Sound Department
M.A. Merrick | ... | sound |
Dan Wallin | ... | sound |
Philip Rogers | ... | sound recordist (uncredited) |
Special Effects by
Johnny Borgese | ... | special effects (uncredited) |
Chief | ... | leather shop foreman (uncredited) |
Charles E. Dolan | ... | prop shop: leather work (uncredited) |
Stanford Overbay | ... | special effects assistant (uncredited) |
Frank L. Pope | ... | special effects (uncredited) |
Robie Robinson | ... | special effects supervisor (uncredited) |
Stunts
Joe Canutt | ... | stunts (uncredited) |
Tap Canutt | ... | stunts (uncredited) |
Paula Dell | ... | stunts (uncredited) |
Tom L. Dittman | ... | stunts (uncredited) |
Lee Faulkner | ... | stunts (uncredited) |
Loren Janes | ... | stunts (uncredited) |
Roy Jenson | ... | stunts (uncredited) |
Russ McCubbin | ... | stunts (uncredited) |
John Hugh McKnight | ... | stunts (uncredited) |
Hal Needham | ... | stunts (uncredited) |
George Orrison | ... | stunts (uncredited) |
Jack Williams | ... | stunts (uncredited) |
Richard 'Dub' Wright | ... | stunts (uncredited) |
Camera and Electrical Department
Bill Krattiger | ... | electrician |
Paul Jacobsen | ... | electrician (uncredited) |
Robert Jason | ... | electrician (uncredited) |
Douglas Kirkland | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Haleen K. Holt | ... | costume illustrator (uncredited) |
Joan Joseff | ... | costume jeweller (uncredited) |
Andrea E. Weaver | ... | costumer: women (uncredited) |
Music Department
Ken Darby | ... | music associate |
Jack Hayes | ... | orchestrator |
Pete King | ... | orchestrator |
Alan Jay Lerner | ... | based on the play "Camelot" lyrics by / lyrics by |
Frederick Loewe | ... | based on the play "Camelot" music by |
Alfred Newman | ... | conductor / music supervisor |
Trude Rittman | ... | music liaison |
Buddy Schwab | ... | musical staging associate |
Leo Shuken | ... | orchestrator |
Laurindo Almeida | ... | musician: guitar (uncredited) |
James Decker | ... | musician: french horn (uncredited) |
Carl Fortina | ... | musician: accordion soloist (uncredited) |
Gus Levene | ... | orchestrator (uncredited) |
Gene Merlino | ... | singing voice: Lancelot Du Lac (uncredited) |
Betty Noyes | ... | singer (uncredited) |
Howard Roberts | ... | musician: guitar (uncredited) |
Albert Sendrey | ... | orchestrator (uncredited) |
Robert B. Shepard | ... | playback singer (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Al Viola | ... | musician: guitar (uncredited) |
Script and Continuity Department
Ricardo Huertas | ... | script supervisor (uncredited) |
Crayton Smith | ... | script supervisor trainee (uncredited) |
Additional Crew
Joel Freeman | ... | assistant to the producer |
Moss Hart | ... | based on the play "Camelot" directed by |
Daniel Vandraegen | ... | speech consultant (as Dr. Daniel Vandraegen) |
Wayne Fitzgerald | ... | title designer (uncredited) |
Bob Peak | ... | movie poster illustration (uncredited) |
Production Companies
- Warner Bros./Seven Arts (presents)
Distributors
- Warner Bros./Seven Arts (1967) (United States) (theatrical)
- Warner-Pathé Distributors (1967) (United Kingdom) (theatrical)
- Warner Bros. (1967) (Norway) (theatrical)
- Warner Bros./Seven Arts (1967) (France) (theatrical)
- Warner-Tonefilm (1967) (Sweden) (theatrical)
- Warner Bros. (1968) (Netherlands) (theatrical)
- Warner Bros. (1973) (United States) (theatrical) (re-release)
- National Broadcasting Company (NBC) (1976) (United States) (tv) (original airing)
- Warner Home Video (2003) (United States) (DVD)
- Warner Home Video (2006) (United States) (DVD)
- Warner Home Video (2006) (Germany) (DVD)
- Warner Home Video (United States) (VHS)
- Warner Home Video (United States) (laserdisc)
- Warner Home Vídeo (Brazil) (DVD)
Special Effects
Other Companies
- Warner Bros. Cosmetics (Miss Redgrave's makeup by)
- Jenny Productions (based on the play "Camelot" produced on the stage by)
Storyline
Plot Summary |
The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot. The plot of illegitimate Modred to gain the throne and Guinevere's growing attachment to Sir Lancelot, whom she at first abhors, threaten to topple Arthur and destroy his "round table" of knights who would use their might for right.
Written by Ron Kerrigan |
Plot Keywords | |
Taglines | The Most Beautiful Love Story Ever! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Box Office
Budget | $13,000,000 (estimated) |
Did You Know?
Trivia | David Hemmings didn't sing at all in the movie, despite being the only trained singer in the cast. See more » |
Goofs | Pellinore appears in the background of Arthur and Guinevere's wedding. Arthur doesn't meet him until later in the film. See more » |
Movie Connections | Featured in How I Learned to Live with Being a Star (1967). See more » |
Soundtracks | I Wonder What the King is Doing Tonight See more » |
Quotes |
King Arthur:
I love them and they answer me with pain and torment. Be it sin or not sin, they have betrayed me in their hearts and that's far sin enough. I can see it in their eyes, I can feel it when they speak, and they must pay for it and be punished. I shall not be wounded and not return it in kind! I'm through with feeble hoping! I demand a man's vengeance! [Calming down] King Arthur: Proposition: I'm a king, not a man. And a very civilized king. Could it possibly be civilized to destroy the thing I love? Could it possibly be civilized to love myself above all? What about their pain? And their torment? Did they ask for this calamity? Can passion be selected? Is there any doubt of their devotion to me? To our table? See more » |