Camelot (1967)

The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot. The plot of illegitimate Modred to gain the throne and Guinevere's growing ... See full summary »

Director:

Joshua Logan

Writers:

Alan Jay Lerner (based on the play "Camelot" book by), T.H. White (from "The Once and Future King"),

Stars:

Richard Harris, Vanessa Redgrave, Franco Nero

Won 3 Oscars. Another 4 wins & 6 nominations.

Cast

Complete credited cast:
Richard Harris	...	King Arthur
Vanessa Redgrave	...	Guenevere
Franco Nero	...	Lancelot Du Lac
David Hemmings	...	Mordred
Lionel Jeffries	...	King Pellinore
Laurence Naismith	...	Merlyn
Pierre Olaf	...	Dap
Estelle Winwood	...	Lady Clarinda
Gary Marshal	...	Sir Lionel
Anthony Rogers	...	Sir Dinadan
Peter Bromilow	...	Sir Sagramore
Sue Casey	...	Lady Sybil
Gary Marsh	...	Tom of Warwick
Nicolas Beauvy	...	King Arthur as a Boy

Storyline

The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot. The plot of illegitimate Modred to gain the throne and Guinevere's growing attachment to Sir Lancelot, whom she at first abhors, threaten to topple Arthur and destroy his "round table" of knights who would use their might for right.

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Plot Keywords:

knight | camelot | king arthur | marriage | unfaithfulness | 

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Taglines:

A whole new world of magnificent musical entertainment

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Genres:

Adventure | Comedy | Drama | Fantasy | Musical | Romance

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Certificate:

G

Details

Country:

USA

Language:

English

Release Date:

25 October 1967 (USA)

Also Known As:

Camelot - Am Hofe König Arthurs

Filming Locations:

Alcázar de Segovia, Segovia, Castilla y León, Spain

Box Office

Budget:

$13,000,000 (estimated)

Company Credits

Production Co:

Warner Brothers/Seven Arts

Technical Specs

Runtime:

179 min

Sound Mix:

4-Track Stereo (35 mm prints) 70 mm 6-Track (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Raymond Bussières and Maurice Sarfati were possibles for Dap.

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Goofs

When Guenevere first lays down on the hill in the group at the beginning of the song "The Lusty Month of May" only one of her arms are above her head, but as she begins to sing both arms are up above her head.

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Quotes

[first lines]
A Knight: The rules of battle are not for Lancelot Du Lac, Your Majesty! Let us attack now while they sleep!
King Arthur: [firmly] We will attack when I give the command - at dawn.
[the knight leaves, and Arthur begins to talk to himself]
King Arthur: Oh, Merlyn, Merlyn, why is Ginny in that castle, behind walls I cannot enter? How did I blunder into this agonizing absurdity? Where did I stumble? How did I go wrong? Should I not have loved her?
[sighs]
King Arthur: Then I should not have been born! Oh, Merlyn, I haven't got much ...
[...]

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Connections

Version of Camelot (1982)

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Soundtracks

"I Loved You Once In Silence"
(uncredited)
Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Sung by Vanessa Redgrave and Gene Merlino (dubbing Franco Nero)

User Reviews

'Very civilized' indeed...but where is the heart and soul in this presentation?

Expensive pomp and pageantry with somewhat of a tin ear. King Arthur of England knights prodigious jouster Lancelot, who has seemingly brought his deceased opponent back to life, vaguely aware that wife Lady Guenevere has fallen in love with the handsome hero; meanwhile, Arthur's illegitimate son Mordred schemes to bring down the fellowship of the Round Table. Lerner & Loewe's Tony-winning Broadway musical, adapted from T.H. White's book "The Once and Future King", feels heavy-hearted on the screen, weighted down with ornate songs (unevenly performed) and endless talk. The production is certainly an eyeful, but the (nearly) three-hour running time works against the film--it is just too long and lumbering. Vanessa Redgrave (with a whopper-crop of hair) enacts Guenevere with a slight sneer and a faraway look in her eyes; Richard Harris doesn't create romantic sparks with her, though he does fine with his soliloquies and wears his crown well. Franco Nero remains the biggest casting question-mark as Sir Lancelot...and his singing is by far the most painful. The passion of a sweeping epic is noticeably absent, however there are moments in the picture which do work, aided by the lovely choral orchestrations and the editing in the montages. ** from ****