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Camelot (1967)

6.7
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Ratings: 6.7/10 from 4,141 users  
Reviews: 82 user | 31 critic

The story of the marriage of England's King Arthur to Guinevere. The plot of illegitimate Modred to gain the throne and Guinevere's growing attachment to Sir Lancelot, threaten to topple Arthur and destroy his "round table" of knights.

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(based on the play "Camelot" book by), (from "The Once and Future King"), 1 more credit »
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Title: Camelot (1967)

Camelot (1967) on IMDb 6.7/10

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Won 3 Oscars. Another 4 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
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Laurence Naismith ...
Pierre Olaf ...
Dap
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Lady Clarinda
Gary Marshal ...
Anthony Rogers ...
Peter Bromilow ...
Sue Casey ...
Lady Sybil
Gary Marsh ...
Nicolas Beauvy ...
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Storyline

The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot. The plot of illegitimate Modred to gain the throne and Guinevere's growing attachment to Sir Lancelot, whom she at first abhors, threaten to topple Arthur and destroy his "round table" of knights who would use their might for right. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

The Most Beautiful Love Story Ever! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 October 1967 (USA)  »

Also Known As:

Camelot - Am Hofe König Arthurs  »

Box Office

Budget:

$13,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Cher was originally considered for the role of Guenevere. See more »

Goofs

When Lancelot and Guenevere are in her bedroom on the night Arthur has left the castle to hunt, Guenevere is seen standing by a pillar facing Lancelot as he is approaching her. In the next shot when Lancelot reaches her, she is turned away from him. Later in the scene, Lancelot has his arm around Genevere's neck as they are walking across the room. In the next shot, Mordred jumps out to catch them and they are in the middle of a kiss. See more »

Quotes

[first lines]
A Knight: The rules of battle are not for Lancelot Du Lac, Your Majesty! Let us attack now while they sleep!
King Arthur: [firmly] We will attack when I give the command - at dawn.
[the knight leaves, and Arthur begins to talk to himself]
King Arthur: Oh, Merlyn, Merlyn, why is Ginny in that castle, behind walls I cannot enter? How did I blunder into this agonizing absurdity? Where did I stumble? How did I go wrong? Should I not have loved her?
[sighs]
King Arthur: Then I should not have been born! Oh, Merlyn, I haven't got much ...
[...]
See more »

Connections

Referenced in The Godson (1971) See more »

Soundtracks

Then You May Take Me To The Fair
(uncredited)
Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Sung by Vanessa Redgrave, Gary Marshal, Anthony Rogers, and Peter Bromilow
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Lavish, with a marvellous score, but it does drag in spots and some of the singing wasn't great
21 February 2010 | by (United Kingdom) – See all my reviews

In general I did like "Camelot" but there are a number of flaws that do let down what could have been a spectacular film to what is now a interesting but somewhat mediocre one. Well, starting with the positives, it is sumptuously filmed, with stunning cinematography and lush costumes and sets. The music score is marvellous, beautiful, dramatic, moving, haunting and lots more. Most of the performances are well done, particularly David Hemmings as Mordred who is deliciously devious and even detestable. And it was nice to see the late Lionel Jeffries as King Pellinore. The story is tragic and inspiring, the ending is moving and the dialogue is good. However, the film does drag a lot, not only because the pace is disappointingly pedestrian, but Joshua Logan's direction is very stodgy. Also, while Gene Merlino provided the singing voice of Lancelot beautifully, I personally didn't find the singing that great. Richard Harris and Vanessa Redgrave act convincingly as Arthur and Guinevere, but their singing is flat mostly. As Lancelot Franco Nero is wooden at best, handsome yes, but wooden. All in all, worth watching, but with more secure pacing and a perhaps better director, no offence to Joshua Logan, this could've been better. 6/10 Bethany Cox


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