
Born Free (1966)
Reference View | Change View
- PG
- 1h 35min
- Adventure, Biography
- 22 Jun 1966 (USA)
- Movie
- Won 2 Oscars. Another 3 wins & 7 nominations.
- See more »
Photos and Videos
Cast verified as complete
Virginia McKenna | ... |
Joy Adamson
|
|
Bill Travers | ... |
George Adamson
|
|
Geoffrey Keen | ... |
Kendall
|
|
![]() |
Peter Lukoye | ... |
Nuru
|
![]() |
Omar Chambati | ... |
Makkede
|
![]() |
Bill Godden | ... |
Sam
|
![]() |
Bryan Epsom | ... |
Baker
|
![]() |
Robert Cheetham | ... |
Ken
|
![]() |
Robert S. Young | ... |
James
(as Robert Young)
|
![]() |
Geoffrey Best | ... |
Watson
|
![]() |
Surya Patel | ... |
Doctor
|
Rest of cast listed alphabetically: | |||
![]() |
Elsa | ... |
Lion Cub / Lioness (uncredited)
|
![]() |
Pati | ... |
Rock Hyrax (uncredited)
|
Directed by
James Hill | ... | (directed by) |
Tom McGowan | ... | (uncredited) |
Written by
Joy Adamson | ... | (book) |
Lester Cole | ... | (screenplay) (originally as Gerald L.C. Copley) |
Produced by
Carl Foreman | ... | executive producer (uncredited) |
Sam Jaffe | ... | producer |
Paul B. Radin | ... | producer (as Paul Radin) |
Music by
John Barry | ... | (music composed by) |
Cinematography by
Kenneth Talbot | ... | director of photography |
Editing by
Don Deacon |
Editorial Department
Gordon Davie | ... | assistant editor |
Production Management
Sidney G. Barnsby | ... | production supervisor |
L.C. Rudkin | ... | production manager |
Second Unit Director or Assistant Director
William P. Cartlidge | ... | assistant director |
Gavrik Losey | ... | assistant director (uncredited) |
Sound Department
Chris Greenham | ... | sound editor |
Claude Hitchcock | ... | sound recordist |
Bob Jones | ... | sound recordist (as Robert Jones) |
Richard Best Jr. | ... | assistant sound editor (uncredited) |
John Hall | ... | boom operator (uncredited) |
Camera and Electrical Department
Chic Anstiss | ... | camera operator (as Rodney Anstiss) |
Tom Watson | ... | gaffer |
Wally Wheatley | ... | grip |
Robin Browne | ... | clapper loader (uncredited) |
Marc Hyams | ... | second camera operator (uncredited) |
John Jay | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Elsa Fennell | ... | wardrobe supervisor (uncredited) |
Music Department
John Barry | ... | conducted by / orchestrator (uncredited) |
Sidney Margo | ... | music contractor (uncredited) |
Robert Richards | ... | orchestrator (uncredited) |
Eric Tomlinson | ... | music engineer (uncredited) |
Script and Continuity Department
Kay Rawlings | ... | continuity |
Additional Crew
George Adamson | ... | chief technical adviser |
Carl Foreman | ... | presenter |
Hal Mason | ... | production coordinator |
Jane Oscroft | ... | production secretary |
Joel Preston | ... | publicist |
Peter Whitehead | ... | animal supervisor |
Sieuwke Bisleti | ... | animal trainer (uncredited) |
Susan Lee | ... | publicity secretary (uncredited) |
Halsey Raines | ... | publicity director (uncredited) |
Thanks
Haile Selassie | ... | the producers are also most grateful for help received from (as His Imperial Majesty Haile Selassie I of Ethiopia) |
Production Companies
- Open Road Films (II) (made by)
- Atlas (made by)
- Highroad
Distributors
- Columbia Pictures Corporation (1966) (United Kingdom) (theatrical) (present)
- Columbia Pictures (1966) (United States) (theatrical) (present)
- Columbia Film (1966) (Sweden) (theatrical)
- Columbia (1966) (France) (theatrical) (as Columbia Pictures of France)
- Columbia Films S. A. (1966) (Mexico) (theatrical)
- Columbia (1966) (Netherlands) (theatrical)
- Columbia-Bavaria Filmgesellschaft m.b.H. (1966) (West Germany) (theatrical)
- Kamera (1966) (Norway) (theatrical)
- Columbia (1966) (Argentina) (theatrical)
- CBS (1970) (United States) (tv) (original airing) (pan/scan)
- Columbia Pictures Home Entertainment (1979) (United States) (VHS)
- Antenne 2 (A2) (1980) (France) (tv) (dubbed version)
- Nickelodeon Network (1981) (United States) (tv)
- RCA/Columbia Pictures International Video (1982) (West Germany) (VHS)
- RCA/Columbia Pictures Home Video (1984) (United States) (VHS)
- RCA/Columbia-Hoyts Home Video (Australia) (video)
- RCA / Columbia Pictures Video (1986) (United Kingdom) (VHS)
- Videosonic (1987) (Greece) (VHS)
- RCA / Columbia Pictures Video (1991) (United Kingdom) (VHS)
- Columbia TriStar Home Video (1993) (United States) (VHS)
- Video Collection International (1993) (United Kingdom) (VHS)
- Columbia TriStar Home Video (1995) (United States) (VHS)
- Cinema Club (1996) (United Kingdom) (VHS)
- Columbia TriStar Home Video (1996) (United States) (VHS)
- Columbia TriStar Home Video (1999) (United States) (VHS)
- Columbia TriStar Home Entertainment (2003) (United States) (DVD)
- Sony Pictures Home Entertainment (2004) (United Kingdom) (DVD)
- Columbia TriStar Home Entertainment (2005) (Germany) (DVD)
- Sony Pictures Home Entertainment (2009) (United States) (Blu-ray) (DVD)
- Mill Creek Entertainment (2014) (United States) (DVD)
- Twilight Time (2016) (United States) (Blu-ray) (DVD)
- Eureka Entertainment (2017) (United Kingdom) (DVD) (Blu-ray & DVD)
- Image Entertainment (United States) (video) (LaserDisc)
- Sony Pictures Television (United States) (tv)
Special Effects
Other Companies
- C.T.S. Studios (music recorded at)
- Government of Kenya (photographed entirely on location in)
- Kenya Game Department (photographed entirely on location in the Republic of Kenya with the kind co-operation of, to whom the makers of the film wish to express their gratitude)
- Motion Pictures Association of America members (approved)
- National Parks of Kenya (photographed entirely on location in the Republic of Kenya with the kind co-operation of, to whom the makers of the film wish to express their gratitude)
- Open Road Films (II) (copyright holder)
- Panavision (filmed in)
- The Game Department of Uganda (the producers are also most grateful for help received from)
- Westrex Recording System (sound recording equipment)
Storyline
Plot Summary |
Married couple George Adamson and Joy Adamson have long lived in northern Kenya for George's work as the senior game warden of the region. One of George's primary responsibilities is to deal with dangerous animals that may be chronically threatening to humans, livestock and/or crops. It is in this vein that George and his staff end up killing a man eating lion and its lioness, resulting in their three young female cubs being orphaned. Although difficult to begin, George and Joy are able to wean and take care of the three cubs, who they adopt as pets. But soon, they know they have to provide a more suitable environment for the cubs, namely sending them to Rotterdam Zoo... that is except for the smallest, who they have named Elsa and to who Joy in particular has become attached as the emotional fighter among the three. As Elsa grows into lioness maturity, George and Joy provide her with greater freedom away from their property, which may get her into trouble as a largely tame animal. Ultimately, John Kendall, George's boss, directs them to send Elsa to a zoo like they did with her sisters, especially as with anyone in George's job he is soon being reassigned. Joy cannot bear the thought of Elsa being locked up for the rest of her life, believing that they can reintegrate her back into the wild instead, something that had never been done with a tame lion. John gives them three months to accomplish this task, which most specifically involves getting Elsa to be able to kill for food, other creatures which up to this point she has seen only as fellow playthings, and to be accepted by other lions, most specifically mate with and provide food for a male partner while standing up successfully to female competitors. Written by Huggo |
Plot Keywords | |
Taglines | From The Pages Of The Beloved Best Seller... A Motion Picture To Delight All The World! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | The lions "Boy," "Girl," and "Ugas" were freed upon the completion of production, under protest from the film company who wanted to sell the lions to zoos to recoup some of their money from filming. See more » |
Goofs | When Elsa is playing with and chasing the elephant herd, she is not wearing her collar. But in the next scene when she returns with an elephant calf, she is wearing her collar. See more » |
Movie Connections | Featured in Radio Flyer (1992). See more » |
Soundtracks | Born Free See more » |
Quotes |
Joy Adamson:
Elsa, Elsa [Joy cries sitting out on the hood of the truck as they ride in search of the young lioness] George Adamson: Let's try this. [2 shots ring out from his gun. George sees Elsa stumbling through the grass, approaching their vehicle] Joy Adamson: all my nightmares had come true. [Now Elsa rests in their tent as they argue over her] George Adamson: ...she can't make it. she can't think. she can't mix with her own kind... She can't do anything the wild animals do to survive. You've done too good a job on her. You've made her tame. It's too late to try to let her go wild now. All we're doing is making her miserable, torturing her. How could you be so cruel? Joy Adamson: You keep quiet George. George Adamson: I don't know what goes on in that head of yours anymore... What's wrong with a zoo, anyway? Joy Adamson: nothing. Except that she won't be free. George Adamson: and Is freedom so important? Joy Adamson: yes, yes, she was born free and she has the right to live free. Why don't we live in a more comfortable setting George? Other people do. We chose to live out here cause it represents freedom for us. Because we can breathe. George Adamson: Joy, tell me the truth. You just don't want to give her up. What you're really hoping is that she can stay out here, wild, but not too wild. That you can see her every now and then. Joy Adamson: it's not the whole truth. But I don't deny I'd like it. George Adamson: it's impossible. It cannot happen. Joy Adamson: ...at least she would be free. At least she wouldn't be in a cage for the rest of her life. George Adamson: even if she gets herself killed in the process. Joy Adamson: [stroking Elsa's leg] I'd never forgive myself I suppose. [Joy narrates] Joy Adamson: although at one time we were afraid she'd die, Elsa did recover. And when she did, she seemed somehow different. See more » |