Joy Adamson and her husband, Kenya game warden George Adamson, raise Elsa, a lion cub. When Elsa approaches maturity, Joy determines she must re-educate Elsa to living in the wild so that ... See full summary »
Joy Adamson and her husband, Kenya game warden George Adamson, raise Elsa, a lion cub. When Elsa approaches maturity, Joy determines she must re-educate Elsa to living in the wild so that the lioness can return to a free life. Written by
Jim Beaver <email@example.com>
The theme song was not heard on the original British release of the film, although it later won Best Song Oscar. See more »
After another failure in the effort to find the right formula for the cubs, George asks Joy which number they're up to. She replies, "Nineteen." In the next two scenes, the "next" formula, the one that works, is referred to them both as number seventeen. See more »
[Joy cries sitting out on the hood of the truck as they ride in search of the young lioness]
Let's try this.
[2 shots ring out from his gun. George sees Elsa stumbling through the grass, approaching their vehicle]
all my nightmares had come true.
[Now Elsa rests in their tent as they argue over her]
...she can't make it. she can't think. she can't mix with her own kind... She can't do anything the wild animals do to survive. You've done too good a job on her. You've made her tame. It's ...
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Joy Adamson and her husband, Kenya game warden George Adamson, bring up a lion cub Elsa, but later they have to teach her about the wild and free life she was born to.
Warm, good-looking but rather casually assembled screen version of a highly popular bestseller, with irresistible animal shots that made it enormously successful at the box-office - and over the years a family film "par excellence". It started a cycle then and was followed by the less successful "Living Free".
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