Triumph Over Violence (1965)
Obyknovennyy fashizm (original title)Reference View | Change View
- R
- 2h 18min
- Documentary, History
- Feb 1968 (USA)
- Movie
A documentary about the rise and fall of fascism and the effects of Nazism on German society.
Director:
Writers:
Stars:
Award:
- 1 win.
- See more »
Photos and Videos
Cast
| Mikhail Romm | ... |
Narrator (voice)
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| Rest of cast listed alphabetically: | |||
| Martin Bormann | ... |
Self (archiveFootage)
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| Willy Brandt | ... |
Self (archiveFootage)
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Aristide Briand | ... |
Self (archiveFootage)
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| Cab Calloway | ... |
Self (archiveFootage)
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Georges Clemenceau | ... |
Self (archiveFootage)
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| Marlene Dietrich | ... |
Self (archiveFootage)
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| Aleksandr Dovzhenko | ... |
Self (archiveFootage)
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| Joseph Goebbels | ... |
Self (archiveFootage)
(as Josef Goebbels)
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| Hermann Göring | ... |
Self (archiveFootage)
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| Rudolf Hess | ... |
Self (archiveFootage)
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| Heinrich Himmler | ... |
Self (archiveFootage)
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| Adolf Hitler | ... |
Self (archiveFootage)
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| Kaiser Wilhelm II | ... |
Self (archiveFootage)
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| King Alfonso XIII | ... |
Self (archiveFootage)
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| King George V | ... |
Self (archiveFootage)
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| King Gustaf V | ... |
Self (archiveFootage)
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King Haakon VII | ... |
Self (archiveFootage)
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Alfried Krupp von Bohlen und Halbach | ... |
Self (archiveFootage)
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Albert Lebrun | ... |
Self (archiveFootage)
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| Oswald Mosley | ... |
Self (archiveFootage)
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| Benito Mussolini | ... |
Self (archiveFootage)
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| Queen Wilhelmina | ... |
Self (archiveFootage)
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| George Lincoln Rockwell | ... |
Self (archiveFootage)
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| Ernst Röhm | ... |
Self (archiveFootage)
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| Marika Rökk | ... |
Self (archiveFootage)
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| Joseph Stalin | ... |
Self (archiveFootage)
(as Iosif Stalin)
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Julius Streicher | ... |
Self (archiveFootage)
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Josef Thorak | ... |
Self (archiveFootage)
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Ernst Thälmann | ... |
Self (archiveFootage)
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Jûkichi Uno | ... |
Narrator (voice)
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Paul von Hindenburg | ... |
Self (archiveFootage)
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Directed by
| Mikhail Romm | ||
Written by
| Yuri Khanyutin | ... | () |
| Mikhail Romm | ... | () |
| Maya Turovskaya | ... | () |
Music by
| Alemdar Karamanov | ... | (as L. Karamandi) |
Cinematography by
| German Lavrov | ||
Editing by
| Valentina Kulagina | ||
| Mikhail Romm | ||
Editorial Department
| T. Ivanova | ... | assistant editor |
Production Management
| Yuzef Rogozovskiy | ... | production manager |
Second Unit Director or Assistant Director
| Lev Indenbom | ... | first assistant director (as L. Indenbom) |
| Savva Kulish | ... | trainee assistant director (as S. Kulish) |
| Sergei Linkov | ... | assistant director |
| K. Osin | ... | assistant director |
| Harii Stoychev | ... | trainee assistant director (as Kh. Stoychev) |
Sound Department
| Sergei Minervin | ... | sound |
| Boris Vengerovsky | ... | sound |
Camera and Electrical Department
| Yuri Avdeyev | ... | second assistant camera (as Yu. Avdeyev) |
| B. Baldin | ... | still photographer |
| B. Pluzhnikov | ... | first assistant camera |
| Viktor Zhanov | ... | first assistant camera (as V. Zhanov) |
Music Department
| Emin Khachaturyan | ... | conductor (as E. Khachaturyan) |
Script and Continuity Department
| Izrail Tsizin | ... | script editor (as I. Tsizin) |
Additional Crew
| Ernst Genri | ... | consultant |
Production Companies
Distributors
- Admetos AB (1967) (Sweden) (theatrical)
- Arkéïon Films (1998) (France) (theatrical)
- Artkino Pictures (1968) (Argentina) (theatrical)
- Joseph Brenner Associates (JBA) (1968) (United States) (theatrical) (dubbed)
- New Star (2011) (Greece) (theatrical) (re-release)
- ARD TV (1998) (Germany) (tv)
- Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland (ARD) (1998) (Germany) (tv)
- Das Erste (1998) (Germany) (tv)
- MDR Fernsehen (2001) (Germany) (tv)
- Mitteldeutscher Rundfunk (MDR) (2001) (Germany) (tv)
- atlas Film
Special Effects
Other Companies
Storyline
| Plot Summary |
The film uses captured trophy chronicles from the film archives of the Ministry of Propaganda of Nazi Germany (Third Reich) and Hitler's personal photo archive, as well as numerous amateur photographs discovered by the SS men. Romm, a direct follower of Eisenstein, Vertov, Pudovkin, in this film masterfully uses expressive means of editing, musical design, journalistic speech to characterize the Nazi regime. It is due to the counterpoint of chronicles, voiceover and music that the film has such a strong emotional impact on the viewer. Written by Peter-Patrick76 (peter-patrick@mail.com) |
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| Parents Guide | View content advisory » |
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Did You Know?
| Movie Connections | Edited into Une histoire seule (1989). See more » |