The story of a man (Andrey Sokolov) whose life was ruthlessly crippled by World War II. His wife and daughters were killed during the bombing of his village, he spent some time as a ... See full summary »
Stunning WWII flying sequences as the Soviet Air Force battles the Luftwaffe. Veteran Russian pilots teach their new recruits about life, death & love. When the older men fly into battle, ... See full summary »
A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard ... See full summary »
Anatoli Yefremovich Novoseltsev works in a statistics institution, whose director is an unattractive and bossy woman. An old friend of his, Yuri Grigorievich Samokhvalov, who gets appointed... See full summary »
The defeat of the "White Army" in the Russian Civil War of 1918-21, causing massive emigration of the upper classes and nobility, called "White Russians". Set in Crimea, Constantinopol and ... See full summary »
Old Prof. Preobrazhensky and his young colleague Dr. Bormental inserted the human's hypophysis into a dog's brain. Couple of weeks later the dog became "human looking". The main question is... See full summary »
An extraordinarily powerful reminder to the future generations of the horrors of German nazism
It is hard to draw parallels between this brilliantly narrated compilation of both Allied and Third Reich's archive films and Hollywood's productions such as "Schindler's List" or "Jakob the Liar". While the latter present limited, sanitized and artificial-looking depictions of life under the Nazi rule, Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
Note the timing: the film was released in 1965, in the Soviet Union's heyday at the height of the great societal and intellectual "thaw" that followed the Stalin's death and the denunciation of Stalin's totalitarianism by Nikita Khruschev. Never explicitly mentioning any of them explicitly, the film targets tyranny and despotism no matter what form they may take; the release of such a film would have been impossible under Stalin.
A good indicator of the power of this film could be the fact that it is available in most video stores in Germany.
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