Directed by
| Richard Quine | ||
Writing Credits
| Roy Huggins | ... | (screen play) |
| Thomas Walsh | ... | (story) |
| Bill S. Ballinger | ... | (story) (as William S. Ballinger) |
Cast (in credits order) verified as complete
Produced by
| Jules Schermer | ... | producer |
| Philip A. Waxman | ... | associate producer |
Music by
| Arthur Morton | ||
Cinematography by
| Lester White | ... | director of photography (as Lester H. White) |
Editing by
| Jerome Thoms | ||
Art Direction by
| Walter Holscher | ||
Set Decoration by
| James Crowe | ||
Costume Design by
| Jean Louis | ... | (gowns) |
Makeup Department
| Clay Campbell | ... | makeup artist |
| Helen Hunt | ... | hair stylist |
Second Unit Director or Assistant Director
| Jack Corrick | ... | assistant director |
| Mitchell L. Gamson | ... | second assistant director (uncredited) |
Art Department
| Frank Foster | ... | props (uncredited) |
Sound Department
| John P. Livadary | ... | recording supervisor (as John Livadary) |
| Lambert E. Day | ... | sound mixer (uncredited) |
| Joe Finochio | ... | sound recordist (uncredited) |
| William Hamilton | ... | mic man (uncredited) |
| Lou Mosher | ... | cable man (uncredited) |
Stunts
| Dick Crockett | ... | stunts (uncredited) |
Camera and Electrical Department
| Al Becker | ... | grip (uncredited) |
| Bill Hodgins | ... | best boy (uncredited) |
| Homer Van Pelt | ... | still photographer (uncredited) |
| Seldon White | ... | gaffer (uncredited) |
Costume and Wardrobe Department
| Ed Ware | ... | wardrobe (uncredited) |
Music Department
| Morris Stoloff | ... | conductor |
| Nathan Scott | ... | orchestrator (uncredited) |
Script and Continuity Department
| Charlsie Bryant | ... | script supervisor (uncredited) |
