Police detective Damico, outwitted by mob killer Blackie Clay, is nominally suspended; actually he goes undercover (as Tim Flynn, ex-con longshoreman) to find Clay and expose the waterfront... See full summary »
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
A bank heist yields $210,000. Soon, sultry Lona McLane, girlfriend of one of the robbers, meets Paul Sheridan and has a torrid affair. When she finds out Paul's a cop, to save herself she sets out to corrupt him. He's a pushover. But it won't be easy for Paul to get his hands on the money when he's part of a complex, peeping-tom stakeout. Soon, he's in much deeper than he'd planned, amid atmospheric night scenes. Written by
Rod Crawford <firstname.lastname@example.org>
This is a fairly tight little thriller, a good but not quite good enough film noir to be counted among the classics. While it owes a lot to "Double Indemnity" and foreshadows "Rear Window," it just doesn't rise to their memorable level. Fred MacMurray offers an eerily familiar, though less inspired, repeat of his performance in the Wilder classic; Kim Novak (in her first film) is no match for Stanwyck, nor did she ever become one; Richard Quine simply was not as fine a director as Hitchcock or Wilder. And yet, it's a pretty good bit of entertainment, recommended to those who appreciate the genre as a whole rather than merely a short list of classics.
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