
The Glass Wall (1953)
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- Approved
- 1h 22min
- Drama, Film-Noir
- Jun 1953 (UK)
- Movie
- 1 win.
- See more »
Photos and Videos
Cast verified as complete
Vittorio Gassman | ... |
Peter
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Gloria Grahame | ... |
Maggie
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Ann Robinson | ... |
Nancy
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Douglas Spencer | ... |
Inspector Bailey
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Robin Raymond | ... |
Tanya
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Jerry Paris | ... |
Tom
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Elizabeth Slifer | ... |
Mrs. Hinckley
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Richard Reeves | ... |
Eddie Hinckley
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Joe Turkel | ... |
Freddie
(as Joseph Turkel)
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Else Neft | ... |
Mrs. Zakoyla
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Michael Fox | ... |
Toomey
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Nesdon Booth | ... |
Monroe
(as Ned Booth)
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Kathleen Freeman | ... |
Zelda
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Juney Ellis | ... |
Girl Friend
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Jack Teagarden | ... |
Jack Teagarden
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Shorty Rogers and His Giants | ... |
Shorty Rogers and His Band
(as Shorty Rogers and His Band)
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Rest of cast listed alphabetically: | |||
Leon Alton | ... |
Party Guest (uncredited)
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Phil Bloom | ... |
Pedestrian (uncredited)
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John Breen | ... |
Official (uncredited)
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Richard Collier | ... |
Giggling Man in Arcade (uncredited)
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Lynn Craft | ... |
Bill (uncredited)
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Sayre Dearing | ... |
Nightclub Patron (uncredited)
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Roy Engel | ... |
Police News Broadcaster (uncredited)
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Sam Finn | ... |
Restaurant Patron (uncredited)
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Alvin Freeman | ... |
Street Dancer (uncredited)
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Jimmy Giuffre | ... |
Saxophone Player (uncredited)
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James Gonzalez | ... |
Nightclub Patron (uncredited)
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Herschel Graham | ... |
Nightclub Patron (uncredited)
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George Hoagland | ... |
Nightclub Patron (uncredited)
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Kenner G. Kemp | ... |
Dock Inspector (uncredited)
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Johnny Kern | ... |
Pedestrian (uncredited)
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Lou Krugman | ... |
Club Manager (uncredited)
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Shelly Manne | ... |
Drummer (uncredited)
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Joseph Mell | ... |
Musician in Men's Room (uncredited)
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Frank Mills | ... |
Taxi Driver's Pal (uncredited)
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Hans Moebus | ... |
Nightclub Patron (uncredited)
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Richard Monda | ... |
Louis (uncredited)
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Barney Phillips | ... |
Police Lieutenant Reeves (uncredited)
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'Snub' Pollard | ... |
Man in Alley with Tall Showgirl (uncredited)
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Jose Portugal | ... |
Party Guest (uncredited)
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Paul Ravel | ... |
Party Guest (uncredited)
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Valerie Vernon | ... |
Minor Role (uncredited)
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Directed by
Maxwell Shane |
Written by
Ivan Tors | ... | (screenplay) and |
Maxwell Shane | ... | (screenplay) |
Produced by
Ben Coleman | ... | associate producer (as Ben Colman) |
Ivan Tors | ... | producer |
Music by
Leith Stevens |
Cinematography by
Joseph F. Biroc |
Editing by
Herbert L. Strock |
Editorial Department
Stanley Frazen | ... | supervising editor |
Production Design by
George Van Marter |
Art Direction by
Serge Krizman |
Production Management
C.M. Florance | ... | production manager (as C. M. Florance) |
Second Unit Director or Assistant Director
Ben Berk | ... | assistant director: New York |
Richard Dixon | ... | assistant director |
Sound Department
William A. Wilmarth | ... | sound (as William H. Wilmarth) |
Special Effects by
David Commons | ... | special effects |
Jack Rabin | ... | special effects |
Visual Effects by
Bobby Jones | ... | lighting effects (as Robert Jones) |
Music Department
Gus Levene | ... | orchestrator (uncredited) |
Production Companies
Distributors
- Columbia Pictures (1953) (United States) (theatrical)
- Columbia Pictures of Canada (1953) (Canada) (theatrical)
- Columbia Pictures Corporation (1953) (United Kingdom) (theatrical)
- Titanus (1953) (Italy) (theatrical)
- Sony Pictures Home Entertainment (2010) (United States) (DVD) (Bad Girls of Film Noir Vol. 1)
Special Effects
Other Companies
- Western Electric (sound recording)
Storyline
Plot Summary |
Hungarian Peter Kuban has just arrived in New York City by stowing away on a ship from Trieste, he expecting to be able to claim refugee status in having spent the previous ten years including during WWII in one internment camp or another, and having saved an American paratrooper during the war at his own risk. However, without proper paperwork and only knowing that paratrooper's given name, Tom, and that in his civilian life is a clarinetist playing the clubs around Time Square, Peter is denied entry into the country, he to be sent back to Trieste on the return sailing first thing the next morning. Knowing that he will be killed if he returns, Peter escapes from the ship, his mission to locate "Tom" who he is sure will verify his story and vouch for him. What Peter is unaware of is that time is paramount in that if he is not back to the ship by the time it sails, regardless of if he finds Tom, he will be forever denied entry into the US in being considered a criminal fugitive. His task is made all the more difficult in that he sustained a serious injury in his escape and that he only has $8 in his pockets on which to survive. A front page newspaper story on his plight may both help and hinder him in some reacting in their own way to the story, those that may want to help him in his basic humanity such that he demonstrated to Tom in the war. Written by Huggo |
Plot Keywords | |
Taglines | THE 10-HOUR MANHUNT...that tore New York apart! See more » |
Genres | |
Parents Guide | View content advisory » |
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Filming Locations |
Did You Know?
Trivia | Along with Jack Teagarden (trombone) in the nightclub sequence, the band's Jimmy Giuffre (saxophone) on the far left and Shelly Manne (drums) can be seen. Shorty Rogers (trumpet) is leading the band. He and Bob Keene (clarinet) supply off camera solos for the actors. See more » |
Goofs | The lights above the elevator on the ground floor of the United Nations building indicate that the elevator travels 36 floors in a few (i.e., 3-5) seconds. That kind of acceleration, speed, and braking would injure occupants of the elevator, especially the elderly operator. That distance in that period of time would exceed 60 mph. See more » |
Movie Connections | References Arch of Triumph (1948). See more » |
Quotes |
Peter:
Tell me. Is there not work for everyone here in America? Maggie: Almost everyone. Peter: So, how it happens that a girl like you steals a coat? Maggie: I don't know. I was cold. I needed a coat. Maggie: [thinking about what she just said] More than that, I was fed up, I guess. Maggie: [standing up] Did you ever put tips on shoe laces? Peter: Tip on shoelaces? Maggie: Yeah. That's what I did for two years. Maggie: [gesturing about her work] There's a big steal machine here, see, and over here, a giant spool of shoelace. You pull it out like this, twenty-seven inches at a time, all day. And then you stamp a pedal and a ton of steel bangs down, cuts the lace and rolls the tip on. Bang like that, and again. Bang, all day. You're scared you'll smash your finger. At the same time, you gotta keep your eye on the assistant foreman. Because every time he comes by he pinches you. You do this until your brain goes numb, and you get thirty-five bucks a week. And then, all of a sudden, you have an appendix attack, an operation, and you're out flat on your back. And you just can't get back on you're feet. And you get fed up. And you want to strike back at somebody, anybody! Maggie: [after she heaves a sigh] And you steal a coat. See more » |