Directed by
| Leslie Fenton | ||
Writing Credits
| Frank Butler | ... | (screenplay) and |
| Karl Kamb | ... | (screenplay) |
| Frank H. Spearman | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
| Mel Epstein | ... | associate producer |
Music by
| Adolph Deutsch | ||
Cinematography by
| Ray Rennahan | ... | director of photography |
Editing by
| Archie Marshek | ||
Art Direction by
| Hans Dreier | ||
| Walter H. Tyler | ... | (as Walter Tyler) |
Set Decoration by
| Sam Comer | ||
| Bertram C. Granger | ... | (as Bertram Granger) |
Costume Design by
| Mary Kay Dodson | ||
Makeup Department
| Wally Westmore | ... | makeup supervisor |
| Nellie Manley | ... | hair stylist (uncredited) |
Production Management
| William Mull | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Francisco Day | ... | assistant director |
Art Department
| Gene Lauritzen | ... | construction coordinator |
Sound Department
| John Cope | ... | sound recordist |
| Gene Merritt | ... | sound recordist |
Visual Effects by
| Farciot Edouart | ... | process photography |
| Gordon Jennings | ... | special photographic effects |
Stunts
| Jimmie Dundee | ... | stunts (uncredited) |
Camera and Electrical Department
| Guy Bennett | ... | camera operator (uncredited) |
| G.E. Richardson | ... | still photographer (uncredited) |
| Darrell Turnmire | ... | grip (uncredited) |
Editorial Department
| Robert Brower | ... | associate color director |
| Natalie Kalmus | ... | color director: Technicolor |
Music Department
| Sidney Cutner | ... | orchestrator (uncredited) |
| Leo Shuken | ... | orchestrator (uncredited) |
| Van Cleave | ... | orchestrator (uncredited) |
Script and Continuity Department
| Lupe Hall | ... | script supervisor (uncredited) |
