
The House on 92nd Street (1945)
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- Approved
- 1h 28min
- Crime, Drama
- 16 Oct 1945 (France)
- Movie
- Won 1 Oscar. Another 3 wins.
- See more »
Photos and Videos
Cast verified as complete
William Eythe | ... |
Bill Dietrich
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Lloyd Nolan | ... |
Inspector George A. Briggs
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Signe Hasso | ... |
Elsa Gebhardt
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Gene Lockhart | ... |
Charles Ogden Roper
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Leo G. Carroll | ... |
Col. Hammersohn
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Lydia St. Clair | ... |
Johanna Schmidt
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William Post Jr. | ... |
Walker
(as William Post)
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Harry Bellaver | ... |
Max Coburg
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Bruno Wick | ... |
Adolf Lange
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Harro Meller | ... |
Conrad Arnulf
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Charles Wagenheim | ... |
Gustav Hausmann
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Alfred Linder | ... |
Adolf Klein
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Renee Carson | ... |
Luise Vajda
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Rest of cast listed alphabetically: | |||
William Adams | ... |
Customs Officer (uncredited)
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Frieda Altman | ... |
Saboteur (uncredited)
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William Beach | ... |
Saboteur (uncredited)
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Carl Benson | ... |
German Spy Trainee (uncredited)
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Hamilton Benz | ... |
Saboteur (uncredited)
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George Brandt | ... |
German Man (uncredited)
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Sheila Bromley | ... |
Beauty Parlor Customer (uncredited)
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Elmer Brown | ... |
Scientist (uncredited)
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Tom Brown | ... |
Intern (uncredited)
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Benjamin Burroughs | ... |
Briggs' Aide (uncredited)
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Jack Cherry | ... |
Scientist (uncredited)
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Henry Cordy | ... |
Saboteur (uncredited)
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Mita Cordy | ... |
Saboteur (uncredited)
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James J. Coyle | ... |
Saboteur (uncredited)
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Robert Culler | ... |
German Spy Trainee (uncredited)
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Salo Douday | ... |
Von Wirt (uncredited)
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Harold Dyrenforth | ... |
Undetermined Role (uncredited)
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Lew Eckles | ... |
Policeman (uncredited)
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Bruce Fernald | ... |
FBI Agent (uncredited)
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Paul Ford | ... |
Police Sergeant (uncredited)
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Vincent Gardenia | ... |
German Spy Trainee (uncredited)
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Ellsworth Glath | ... |
German Spy Trainee (uncredited)
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Reed Hadley | ... |
Narrator (uncredited) (voice)
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Hans Hansen | ... |
Saboteur (uncredited)
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Fred Hillebrand | ... |
Policeman (uncredited)
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J. Edgar Hoover | ... |
Self (uncredited) (archiveFootage)
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Anna Marie Hornemann | ... |
German Spy Trainee (uncredited)
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Edwin Jerome | ... |
Major General (uncredited)
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Kenneth Konopka | ... |
Saboteur (uncredited)
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Frank Kreig | ... |
Travel Agent (uncredited)
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Rusty Lane | ... |
Admiral (uncredited)
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Bernard Lenrow | ... |
Saboteur (uncredited)
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Danny Leone | ... |
Delivery Boy (uncredited)
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E.G. Marshall | ... |
Morgue Attendant (uncredited)
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Jack McKee | ... |
Dr. Arthur C. Appleton (uncredited)
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Edward Michaels | ... |
Germany Spy Trainee (uncredited)
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Scott Moore | ... |
Saboteur (uncredited)
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Elisabeth Neumann-Viertel | ... |
Freda Kassel (uncredited)
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Delmar Nuetzman | ... |
Saboteur (uncredited)
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Antonio J. Pires | ... |
Watchmaker (uncredited)
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Frank Richards | ... |
German Spy Trainee (uncredited)
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Douglas Rutherford | ... |
Colonel (uncredited)
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Harrison Scott | ... |
German Spy Trainee (uncredited)
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George Shelton | ... |
Frank Jackson (uncredited)
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Sara Strengell | ... |
German Spy Trainee (uncredited)
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Eugene Stuckmann | ... |
German Spy Trainee (uncredited)
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Victor Sutherland | ... |
Toll Booth Attendant (uncredited)
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Stanley Tackney | ... |
Instructor (uncredited)
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Yoshita Tagawa | ... |
Japanese Man (uncredited)
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Jay Wesley | ... |
FBI Agent (uncredited)
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Marriott Wilson | ... |
German Spy Trainee (uncredited)
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Gertrude Wottitz | ... |
Saboteur (uncredited)
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John Zak | ... |
Saboteur (uncredited)
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Alfred Zeisler | ... |
Col. Felix Strassen (uncredited)
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Directed by
Henry Hathaway |
Written by
Barré Lyndon | ... | (screenplay) (as Barre Lyndon) & |
Charles G. Booth | ... | (screenplay) and |
John Monks Jr. | ... | (screenplay) |
Charles G. Booth | ... | (story) |
Produced by
Louis De Rochemont | ... | producer (as Louis de Rochemont) |
Music by
David Buttolph |
Cinematography by
Norbert Brodine | ... | director of photography |
Editing by
Harmon Jones |
Editorial Department
Lyman Hallowell | ... | apprentice editor (uncredited) |
Casting By
William Maybery | ... | (uncredited) |
Art Direction by
Lewis H. Creber | ... | (as Lewis Creber) |
Lyle R. Wheeler | ... | (as Lyle Wheeler) |
Set Decoration by
Thomas Little | ... | (set decorations) |
Costume Design by
Bonnie Cashin | ... | (costumes) |
Makeup Department
Ben Nye | ... | makeup artist |
Production Management
Gene Bryant | ... | unit manager (uncredited) |
Raymond A. Klune | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
John Graham | ... | assistant director (uncredited) |
Joseph E. Rickards | ... | second assistant director (uncredited) |
Henry Weinberger | ... | assistant director (uncredited) |
Art Department
William Sittel | ... | associate set decorator (as William Sittel Jr.) |
Sound Department
W.D. Flick | ... | sound |
Roger Heman Sr. | ... | sound (as Roger Heman) |
W. Kirkpatrick | ... | sound maintenance (uncredited) |
Chet Peck | ... | recordist (uncredited) |
Visual Effects by
Fred Sersen | ... | special photographic effects |
Camera and Electrical Department
Edward O. Bagley | ... | still photographer (uncredited) |
Bud Brooks | ... | camera assistant (uncredited) |
Leo McCreary | ... | grip (uncredited) |
Jack McEvoy | ... | gaffer (uncredited) |
Johnny Phipps | ... | location assistant camera (uncredited) |
George Stoetzel | ... | second camera (uncredited) |
Larry Williams | ... | location camera (uncredited) |
Costume and Wardrobe Department
Sam Benson | ... | wardrobe supervisor (uncredited) |
David Preston | ... | wardrobe (uncredited) |
Music Department
Emil Newman | ... | musical director |
Charles Althouse | ... | music mixer (uncredited) |
David Buttolph | ... | music director (uncredited) |
Louis Kaufman | ... | musician: violin (uncredited) |
Paul Marquardt | ... | orchestrator (uncredited) |
Arthur Morton | ... | orchestrator (uncredited) |
Alfred Newman | ... | composer: additional music (uncredited) |
Script and Continuity Department
Stanley Scheuer | ... | script clerk (uncredited) |
Additional Crew
Gertrude Kingston | ... | research assistant (uncredited) |
Hugh Lester | ... | publicist (uncredited) |
Frances C. Richardson | ... | research director (uncredited) |
Production Companies
- Twentieth Century Fox (presents)
Distributors
- Twentieth Century Fox (1945) (United States) (theatrical) (as Twentieth Century-Fox Film Corporation) (released through)
- Twentieth Century Fox Film Company (1945) (United Kingdom) (theatrical)
- Twentieth Century Fox (1945) (France) (theatrical) (as Fox-Europa)
- Fox Films (1946) (Argentina) (theatrical)
- Twentieth Century Fox (1949) (United States) (theatrical) (re-release) (as Twentieth Century-Fox Film Corporation) (released through)
- Twentieth Century-Fox (1949) (Mexico) (theatrical)
- National Telefilm Associates (NTA) (1956) (United States) (tv) (syndication)
- 20th Century Fox Home Entertainment (2005) (United States) (DVD)
- Twentieth Century Fox Home Entertainment (2007) (Netherlands) (DVD)
- Státní Pujcovna Filmu (Czechoslovakia) (theatrical)
- 20th Century Fox Home Entertainment (2007) (United Kingdom) (video)
- 20th Century Fox Home Entertainment (2007) (Japan) (DVD)
- Epoca (Argentina) (VHS)
Special Effects
Other Companies
- Panasonic Disc Manufacturing (DVD transfer)
Storyline
Plot Summary |
Preface: a stentorian narrator tells us that the USA was flooded with Nazi spies in 1939-41. One such tries to recruit college grad Bill Dietrich, who becomes a double agent for the FBI. While Bill trains in Hamburg, a street-accident victim proves to have been spying on atom-bomb secrets; conveniently, Dietrich is assigned to the New York spy ring stealing these secrets. Can he track down the mysterious "Christopher" before his ruthless associates unmask and kill him?
Written by Rod Crawford |
Plot Keywords | |
Taglines | The F.B.I.'s own tense, terrific story behind the protection of the ATOMIC BOMB! See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The movie deals with the theft by German spies of the fictional "Process 97", a secret formula which, the narrator tells us, "was crucial to the development of the atomic bomb." The movie was released on September 10, 1945, only a month after the atomic bombs had been dropped on Japan, and barely a week after Japan's formal surrender. While making the film, the actors and Director Henry Hathaway did not know that the atomic bomb existed, nor that it would be incorporated as a story element in the movie. (None of the actors in the film mentioned the atomic bomb.) However, co-Director and Producer Louis De Rochemont (who produced the "March of Time" newsreel films) and Narrator Reed Hadley were involved in producing government films on the development of the atomic bomb. (Hadley was present at the final test of the bomb in Los Alamos, New Mexico, in July, 1945.) After the bomb was dropped on Hiroshima, Hadley and Screenwriter John Monks, Jr. hastily wrote some additional voice-over narration linking "Process 97" to the atomic bomb, and Rochemont inserted it into the picture in time for the film's quick release. See more » |
Goofs | The description of a one-way mirror as an "X-ray" mirror at the beginning is nonsense. A one-way mirror is in fact merely a partially-silvered mirror. It becomes "one-way" by virtue of different lighting on either side - one side dimly lit, the other brightly lit. From the side that's brightly lit, it appears to be a normal mirror because the reflection washes out any light coming through from the dim side. But from within the dim side, everything on the bright side is readily visible because the light coming through predominates over the reflection seen from the dim side. See more » |
Movie Connections | Referenced in 23 Paces to Baker Street (1956). See more » |
Soundtracks | Tra-La-La-La See more » |
Crazy Credits | Opening credits are shown as someone flipping through the pages of a file. See more » |
Quotes |
Agent George A. Briggs:
We know all about you, Roper. We've traced you to the day you were born. We even know the approximate day you will die. See more » |