
Counsellor at Law (1933)
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- Passed
- 1h 22min
- Comedy, Drama
- 25 Dec 1933 (USA)
- Movie
- 2 wins.
- See more »
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Cast verified as complete
John Barrymore | ... |
George Simon
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Bebe Daniels | ... |
Rexy Gordon
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Doris Kenyon | ... |
Cora Simon
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Isabel Jewell | ... |
Bessie Green
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Melvyn Douglas | ... |
Roy Darwin
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Onslow Stevens | ... |
John Tedesco
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Thelma Todd | ... |
Lillian La Rue
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Clara Langsner | ... |
Lena Simon
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John Hammond Dailey | ... |
Charlie McFadden
(as J.Hammond Dailey)
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Mayo Methot | ... |
Zedorah Chapman
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Robert Gordon | ... |
Henry Susskind
(as Bobby Gordon)
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Malka Kornstein | ... |
Sarah Becker
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Vincent Sherman | ... |
Harry Becker
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Marvin Kline | ... |
Herbert Weinberg
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T.H. Manning | ... |
Pete Malone
(as T. H.Manning)
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John Qualen | ... |
Johan Breitstein
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Angela Jacobs | ... |
Goldie Rindskopf
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Richard Quine | ... |
Richard Dwight Jr.
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Barbara Perry | ... |
Dorothy Dwight
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Elmer Brown | ... |
Francis Baird
(as Elmer H.Brown)
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Conway Washburne | ... |
Arthur Sandler
(as Conway Washburn)
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Frederick Burton | ... |
Rigby Crayfield
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Rest of cast listed alphabetically: | |||
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George Humbert | ... |
Mr. Moretti (uncredited)
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Jack Mower | ... |
Night Elevator Operator (uncredited)
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Directed by
William Wyler |
Written by
Elmer Rice | ... | (by) |
Elmer Rice | ... | (screenplay) |
Produced by
Carl Laemmle Jr. | ... | producer |
Cinematography by
Norbert Brodine | ... | (camera) |
Editing by
Daniel Mandell |
Editorial Department
Maurice Pivar | ... | supervising editor (uncredited) |
Art Direction by
Charles D. Hall |
Set Decoration by
Ray Moyer | ... | (uncredited) |
Production Management
Carl Laemmle | ... | president: Universal Pictures Corp. |
Sound Department
Gilbert Kurland | ... | sound supervisor (uncredited) |
Music Department
Giuseppe Becce | ... | composer: stock music (uncredited) |
Additional Crew
Carl Laemmle | ... | presenter |
Production Companies
Distributors
- Universal Pictures (1933) (United States) (theatrical) (as Universal Pictures Corporation)
- Canadian Universal Film Company (1933) (Canada) (theatrical)
- Universal Pictures (1933) (United Kingdom) (theatrical)
- Universal Film Manufacturing Company (1934) (Australia) (theatrical)
- Universal Film Manufacturing Company (1934) (New Zealand) (theatrical)
- Universal Pictures Corporation of Mexico (1934) (Mexico) (theatrical)
- Universal Films Argentina (1934) (Argentina) (theatrical)
- La Universal (Cis Distribuidora de Peliculas) (1934) (Cuba) (theatrical)
- Universal Pictures Corporation of Far East (1934) (Philippines) (theatrical)
- Société Anonyme Universal-Film (1934) (France) (theatrical)
- Société Anonyme Universal-Film (1934) (Belgium) (theatrical)
- Universal Pictures (1934) (Brazil) (theatrical)
- Kino Video (2002) (United States) (DVD)
- Kino Video (2002) (United States) (VHS)
- Universal Pictures Home Entertainment (UPHE) (2016) (United States) (DVD) (Universal Vault Series)
- Kino Lorber Studio Classics (2023) (United States) (Blu-ray)
Special Effects
Other Companies
- Western Electric (sound system: noiseless recording)
Storyline
Plot Summary |
One of two partners at the Manhattan law firm of Simon and Tedesco, George Simon is hard working and well respected by others at the firm and his clients, he just having successfully defended a wife charged with murdering her husband. He worked his way out of the Jewish ghetto, his clients both members of upper class society as well as people he knew from the old neighborhood. On the high society spectrum within his circle is his wife, Cora Simon, who he deeply loves, who brought two snobbish children from a previous marriage into the union, and who he rightly believes married him despite his past. Down and out or high society, he is not averse to helping out those in who he truly believes. On a regularly hectic day of meeting after meeting, mostly with clients, his life is placed into a tailspin when something he knowingly did in it being illegal several years ago but did for the altruistic reason of the betterment of an individual and as a result society - that path which did occur - threatens to resurface, which if it does means probable disbarment. In this situation, he will discover on who he can count, even if he doesn't explicitly state the problem, including his devoted secretary, Rexy Gordon, who has been quietly dealing with her own feelings about working at the firm and who can see that something is not quite sitting right with her usually unflappable boss. Written by Huggo |
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Taglines | Great is the word for...COUNSELLOR AT LAW! See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Although this film is frank about some matters, the Production Code of the Hays Office - i.e., censorship - was still in effect. In one 16mm print there is a curious moment of dead air at the end of Lillian Larue's parting speech to George Simon. She says (approximately), "Well, for God's sake, what do they expect for ten thousand dollars?" John Barrymore keeps looking at Larue (Thelma Todd) as if she is still speaking, and she must be, but there is no sound. Her last words in the text of the play are, "A virgin?" See more » |
Goofs | At 44:10 into the film actress Angela Jacobs who plays the frumpy secretary Goldie Rindskopf is seen walking towards the cameras in the hallway in front of the elevators. She is wearing a black dress with scattered white dots. Much comedy relief is made of men watching her walk away with the spots accenting her motions. However, when the camera angles switches at 44:15 and this time when she is walking away from the camera she is wearing a different dress that is made up of mostly white flowers with very little black seen between the much busier pattern. See more » |
Movie Connections | Featured in Directed by William Wyler (1986). See more » |
Crazy Credits | The opening credits cast list has the heading "The Players" preceding a list solely of the actors' names. "A Good Cast Is Worth Repeating... The Players" is the heading of end credits, which solely lists the same actors' names in the same order as the opening credits. See more » |
Quotes |
Bessie Green:
[answering a call]
I thought you were dead and buried. Well sure I missed you, like Booth missed Lincoln. What do you think I've been doing, sitting around the house embroidering doilies? See more » |