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Counsellor at Law (1933)

 -  Drama  -  25 December 1933 (USA)
7.7
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Ratings: 7.7/10 from 724 users  
Reviews: 22 user | 11 critic

Successful attorney has his Jewish heritage and poverty-stricken background brought home to him when he learns his wife has been unfaithful.

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Title: Counsellor at Law (1933)

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Cast

Cast overview, first billed only:
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Onslow Stevens ...
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Clara Langsner ...
John Hammond Dailey ...
Charlie McFadden (as J. Hammond Dailey)
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Robert Gordon ...
Henry Susskind (as Bobby Gordon)
Malka Kornstein ...
Vincent Sherman ...
Marvin Kline ...
T.H. Manning ...
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Storyline

Crackerjack lawyer George Simon is a workaholic, and a successful one, at that. Having just gotten a woman acquited of a murder charge, he is juggling cases ranging from breaking a will to quashing the disorderly conduct charges against the son of a woman he knew in the old neighborhood, before he became a hot shot counsellor. He adores his wife Cora, who feels she married a bit below her station. His step-children think so, too. His secretary Rexy adores him, although he is oblivious to the fact. Threatened with losing his practice due to a discretion in a case seven years earlier, his wife leaves for Europe until the scandal blows over, and he comes to realize (just in time) who his true friends are. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

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Release Date:

25 December 1933 (USA)  »

Also Known As:

Der Staranwalt von Manhattan  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The play opened on Broadway in New York City, New York, USA on 6 November 1931 and closed in July 1932 after 232 performances. Many of the cast originated their movie roles in the play: John Hammond Dailey, Malka Kornstein, Marvin Kline, T.H. Manning, John Qualen, Angela Jacobs, Elmer Brown and Conway Washburne. Also in the opening night cast was Paul Muni (who turned down his role of George Simon for the movie) and Ned Glass. Vincent Sherman was in a Chicago production of the play. See more »

Quotes

Bessie Green: [answering a call] I thought you were dead and buried. Well sure I missed you, like Booth missed Lincoln. What do you think I've been doing, sitting around the house embroidering doilies?
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Connections

Featured in American Masters: Directed by William Wyler (1986) See more »

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User Reviews

 
Quite simply, the finest movie about lawyers ever made
11 January 2000 | by (Los Angeles) – See all my reviews

Tragically, "Counsellor at Law" has never been released on video, so only pirate copies are available. I strongly advise you to get hold of one because the film is unquestionably a 10 on IMDB's scale--probably the best movie about a lawyer ever made. Another possibility is to see the play by Elmer Rice which the movie follows quite closely and which is presented in little theaters around the country from time to time.

Start with John Barrymore's absolutely unforgettable portrayal of attorney George Simon. Continue with the stunning art deco set and the direction which moves the action along at about 200 miles per hour. Most important, the film, which is set entirely in Simon's office, illustrates a tremendous range of business and personal problems confronting the high-powered New York lawyer in the 1930's.

On the personal side, Simon is an up from the gutter Jew who has made it big-time in the waspy world of New York law and business. He's married to an aristocratic non-Jewish woman who seems to despise him (along with her ungrateful kids). So one big theme of the film is the conflict between Simon's poverty-stricken past (his very common mother, his nogoodnick brother) and his newly acquired upper-class status in the non-Jewish community. Simon has feet in both camps and the conflict is revealing and very poignant.

On the business side, Simon has relationships with his partner, with the other lawyers in his firm, and with his staff--each one clearly and unforgettably etched (you'll never forget the telephone operator). He sees a range of clients and confronts a range of ethical problems. He's very tough when he needs to be, and has a huge soft heart as well. He cares deeply about his clients, and that has gotten him into trouble--big trouble.

Not to spoil the story, this film will knock your socks off. Although there have been hundreds of lawyer movies since 1933, none surpass this brilliant film for its insight into the life of the lawyer and into the perils of vertical class mobility.


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