... before Bogart's star really begins to rise in the 1940's though not at Cagney's expense, but instead at George Raft's. But I digress.
The Roaring Twenties traces about 20 years of American history, from 1917 to the mid 1930s, starting with three men in a fox hole in France in WWI - Eddie Bartlett (James Cagney), George Hally (Humphrey Bogart), and Lloyd Hart (Jeffrey Lynn). You get to know their basic character here. Lloyd doesn't want to shoot a German soldier because he's just a kid of about 15. George shoots him instead and seems to enjoy it. Immediately afterwards the war ends. No thought or mention of the 15 year old who just bought it seconds before the war ended. As for Eddie - He is pragmatic. He doesn't enjoy violence but realizes it is sometimes necessary.
Back in America, Eddie can't catch a break and find a job. His old job was given to somebody else, so he drives his friend's (Frank McHugh as Danny) cab when Danny is off duty in order to make ends meet. One day, after Prohibition begins, Eddie delivers a package for a fare and ends up getting caught for violating the Volstead act - the package has liquor in it. The woman who would have gone to jail, saloon keeper Panama (Gladys George) pays Eddie's fine and brings him into the liquor business with her. Eddie can be tough, but he hasn't had to use gunplay until he decides to expand and bring his old war buddy George into the business. George, the guy who enjoys killing, gets Eddie in deeper as far as the violence goes, and George's slimy little weasel ways are Eddie's ultimate undoing.
So Cagney's character is the tough guy with which you can sympathize - he didn't start out a criminal but was rejected by the country he served and the woman he loved, Bogart is the evil guy who is at least smart enough to not play the stock market in 1929, and Gladys George is the tough "broad" who loves Cagney's Eddie but realizes it will never be mutual. Surrounding all of this is a great score with that brassy Warner Brothers orchestra front and center.
This is not the best of the 1930s gangster films - Those were made in the precode era when they could be more realistic. But this one has WB's best contract players and stars of the era and is a fun ride with a minimum of moralizing considering this is a production code era film.
The Roaring Twenties traces about 20 years of American history, from 1917 to the mid 1930s, starting with three men in a fox hole in France in WWI - Eddie Bartlett (James Cagney), George Hally (Humphrey Bogart), and Lloyd Hart (Jeffrey Lynn). You get to know their basic character here. Lloyd doesn't want to shoot a German soldier because he's just a kid of about 15. George shoots him instead and seems to enjoy it. Immediately afterwards the war ends. No thought or mention of the 15 year old who just bought it seconds before the war ended. As for Eddie - He is pragmatic. He doesn't enjoy violence but realizes it is sometimes necessary.
Back in America, Eddie can't catch a break and find a job. His old job was given to somebody else, so he drives his friend's (Frank McHugh as Danny) cab when Danny is off duty in order to make ends meet. One day, after Prohibition begins, Eddie delivers a package for a fare and ends up getting caught for violating the Volstead act - the package has liquor in it. The woman who would have gone to jail, saloon keeper Panama (Gladys George) pays Eddie's fine and brings him into the liquor business with her. Eddie can be tough, but he hasn't had to use gunplay until he decides to expand and bring his old war buddy George into the business. George, the guy who enjoys killing, gets Eddie in deeper as far as the violence goes, and George's slimy little weasel ways are Eddie's ultimate undoing.
So Cagney's character is the tough guy with which you can sympathize - he didn't start out a criminal but was rejected by the country he served and the woman he loved, Bogart is the evil guy who is at least smart enough to not play the stock market in 1929, and Gladys George is the tough "broad" who loves Cagney's Eddie but realizes it will never be mutual. Surrounding all of this is a great score with that brassy Warner Brothers orchestra front and center.
This is not the best of the 1930s gangster films - Those were made in the precode era when they could be more realistic. But this one has WB's best contract players and stars of the era and is a fun ride with a minimum of moralizing considering this is a production code era film.