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The Roaring Twenties (1939)

Not Rated | | Action, Crime, Drama | 28 October 1939 (USA)
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Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.

Director:

Raoul Walsh

Writers:

Jerry Wald (screen play), Richard Macaulay (screen play) | 2 more credits »
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
James Cagney ... Eddie Bartlett
Priscilla Lane ... Jean Sherman
Humphrey Bogart ... George Hally
Gladys George ... Panama Smith
Jeffrey Lynn ... Lloyd Hart
Frank McHugh ... Danny Green
Paul Kelly ... Nick Brown
Elisabeth Risdon ... Mrs. Sherman (as Elizabeth Risdon)
Edward Keane ... Henderson (as Ed Keane)
Joe Sawyer ... The Sergeant - Pete Jones
Joseph Crehan ... Michaels
George Meeker ... Masters
John Hamilton ... Judge
Robert Elliott ... First Detective
Eddy Chandler Eddy Chandler ... Second Detective (as Eddie Chandler)
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Storyline

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

The land of the free gone wild! The heyday of the hotcha! The shock-crammed days G-men took ten whole years to lick! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 October 1939 (USA) See more »

Also Known As:

The World Moves On See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Critics unanimously praised this film. James Francis Crow of the Hollywood Citizen-News opened his review with "This is not just another Warner Brothers gang war drama ..." Sidney Skolsky wrote: "A great hunk of entertainment ..." The Hollywood Reporter said: "The pace is furious ..." Boxoffice wrote: "It will roar its way across showmen's ledgers leaving a trail of black figures and satisfied customers." See more »

Goofs

The head-shot photo of Eddie Bartlett shown in close-up on his New York City Taxi License card, seen by Jean when she gets into his cab, is obviously a still photo taken during the filming of that scene, with the card closeup edited in later. He is wearing not only the same cap in both the scene and the ID photo, but also the same crooked tie, the same facial expression, and a vertical seam from the back seat upholstery is visible behind him. See more »

Quotes

Fletcher's Garage Mechanic: [Eddie, in his Army uniform, returns to his old place of employment - a garage - seeking to get his job back] That guy thinks he's gonna' get my job just because he's got a uniform on. He used to work here.
Fletcher's Garage Mechanic: Yeah, those monkey's are gonna' find out what a picnic they had on Uncle Sam's dough while we stayed home and WORKED!
See more »

Connections

Featured in La saga Warner Bros (2014) See more »

Soundtracks

Tip Toe Through the Tulips with Me
(1929) (uncredited)
Music by Joseph A. Burke
Played when George tips off Nick Brown
See more »

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User Reviews

 
Roaring
27 July 2003 | by Casablanca3784See all my reviews

I got a kick out of this flick having seen in on TCM. In fact I get a kick out of all TCM movies because there are no commercials so whether you like or dislike Ted Turner, I gotta thank the man for giving us that channel and that format. It's just like sitting in the Bijou after buying a ticket for a quarter and a box of popcorn for a dime. Those were the days. When we hear the names Cagney and Bogart,what's taken for granted? Both were legends. Hollywood immortals whom as long as film is preserved, will never really be dead and "The Roaring Twenties" showcased the dynamic duo to the Nth degree. Bogie did not get top billing as did Jimmy however shining throughout that entire movie was unmistakable greatness yet to come from the guy with the impressive speech impediment. His villainous,conniving rotten gangster disposition was there to exploit in how many more films with him? And Cagney too was contemptible but in a nicer way-if indeed that makes any sense whatsoever. I guess I mean to write that if Cagney would shoot someone, he'd first apologize and then perhaps pay for the funeral.But when Bogie shot, his followup would be two or three more right to the gut. Regarding the story line of the film, it's quite straightfoward. Bogie and Cagney meet as Doughboys in France in W.W.I. The war ends, a few years later the Volstead Act becomes law which gives birth to bootlegging, rival murder etc. Jimmy, who's nuts about a gal who sings and is just out of high school is warned by his pal in booze,Bogie,that the gal is two-timing him for their lawyer and so forth and so on. A one time rock solid friendship between Cagney and Bogart disintegrate and why go on? See the film. It's classic gangster stuff and highly enjoyable.


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