My review was written in April 1991 after watching the movie on Academy video cassette.
Third entry in the popular home video "Witchcraft" series scores high in sexiness but low in the supernatural realm. It should appeal to fans of erotic thrillers.
Charles Solomon, whose acting is unconvincing throughout, toplines as the son of a warlock who denies his ancestry (and inherited powers) until he has to do battle with a vampire bad guy (Domonic Luciano).
Luciano, who preys on Solomon and his girlfriend (Lisa Toothman), periodically kills women with a kiss of death that literally ucks the life out of them.
Luciano's own girlfriend is platinum blonde Luana Hall, who gets an energy transfusion every time her beau puts the fatal smooch on someone, Plot comes unglued when Luciano offs the femme prosecutor who's been giving Solomon a hard time.
Pic climaxes when Luciano dumps Hall and makes Toothman his new thrall. Using inherited witchcraft, and a little help from witch doctor William L. Baker, Solomon puts Luciano out of commission.
Real find here is heroine Toothman. After small film roles and Playboy Channel appearances, she proves to be vulnerable as well as voluptuous in a leading role. Luciano also makes a smooth villain.
Action scenes, particularly the anticlimactic final reel fights, are awkwardly staged with chintzy special effects.
Third entry in the popular home video "Witchcraft" series scores high in sexiness but low in the supernatural realm. It should appeal to fans of erotic thrillers.
Charles Solomon, whose acting is unconvincing throughout, toplines as the son of a warlock who denies his ancestry (and inherited powers) until he has to do battle with a vampire bad guy (Domonic Luciano).
Luciano, who preys on Solomon and his girlfriend (Lisa Toothman), periodically kills women with a kiss of death that literally ucks the life out of them.
Luciano's own girlfriend is platinum blonde Luana Hall, who gets an energy transfusion every time her beau puts the fatal smooch on someone, Plot comes unglued when Luciano offs the femme prosecutor who's been giving Solomon a hard time.
Pic climaxes when Luciano dumps Hall and makes Toothman his new thrall. Using inherited witchcraft, and a little help from witch doctor William L. Baker, Solomon puts Luciano out of commission.
Real find here is heroine Toothman. After small film roles and Playboy Channel appearances, she proves to be vulnerable as well as voluptuous in a leading role. Luciano also makes a smooth villain.
Action scenes, particularly the anticlimactic final reel fights, are awkwardly staged with chintzy special effects.