My review was written in December 1990 after watching the movie on Paramount video cassette.
Fifties sci-fi maven Bert I. Gordon is back with the sexy horror film "Satan's Princess". Okay performances lift this mundane direct-to-video release.
Robert Forster comfortably essays his familiar role as a down-and-out detective hired by Nick Angotti to find his missing daughter Leslie Huntly.
Trail leads to vampiric beauty Lydie Denier (a stunning Canadian actress) who runs a modeling agency. She turns out to be over 500 years old, periodically killing people to stay young.
Plenty of nude scenes keep the viewer awake until Forster predictably fights fire with fire by unleashing a flamethrower on Denier in the final reel.
Alternately running through several shooting titles, including "Heat from Another Sun", "Princess of Darkness" and "Malediction" (last named referring to a 17th Century painting Denier owns), film is poorly structured. After reels of searching for the alluring young Huntly, Forster accidentally bumps into her at the modeling agency, chases her and she commits suicded rather than be apprehended.
Typical epilog to set up sequel possibilities is trite. A subplot establishing Denier as a lesbian is not followed up but merely included for its titillation possibilities.
Forster, Denier and underutilized heroine Caren Kaye all deserve more challenging assignments than this potboiler.
Fifties sci-fi maven Bert I. Gordon is back with the sexy horror film "Satan's Princess". Okay performances lift this mundane direct-to-video release.
Robert Forster comfortably essays his familiar role as a down-and-out detective hired by Nick Angotti to find his missing daughter Leslie Huntly.
Trail leads to vampiric beauty Lydie Denier (a stunning Canadian actress) who runs a modeling agency. She turns out to be over 500 years old, periodically killing people to stay young.
Plenty of nude scenes keep the viewer awake until Forster predictably fights fire with fire by unleashing a flamethrower on Denier in the final reel.
Alternately running through several shooting titles, including "Heat from Another Sun", "Princess of Darkness" and "Malediction" (last named referring to a 17th Century painting Denier owns), film is poorly structured. After reels of searching for the alluring young Huntly, Forster accidentally bumps into her at the modeling agency, chases her and she commits suicded rather than be apprehended.
Typical epilog to set up sequel possibilities is trite. A subplot establishing Denier as a lesbian is not followed up but merely included for its titillation possibilities.
Forster, Denier and underutilized heroine Caren Kaye all deserve more challenging assignments than this potboiler.