It's 1929. Moss Hart (George Hamilton) is a young struggling playwright in Brooklyn. He writes five serious plays but there is no taker. Joe Hyman (Jack Klugman) is his best friend and tireless supporter. He teaches a class where he befriends student Lester Sweyd (George Segal). Eventually, he comes up with a comedy about the transition into movie talkies. It attracts director George S. Kaufman (Jason Robards).
George Hamilton has a deliberate speaking style which gives the performance lesser intensity. He should be a desperate man but I only sense that in a couple of scenes. He's the opposite of the emotional acting of James Dean. There is a sense of staleness to the movie. The guys are doing some kind of Algonquin Round Table without the witty banter and sharp takedowns. It's an autobiography of Moss Hart but it could take some liberties if only to inject some drama into this dull production.
George Hamilton has a deliberate speaking style which gives the performance lesser intensity. He should be a desperate man but I only sense that in a couple of scenes. He's the opposite of the emotional acting of James Dean. There is a sense of staleness to the movie. The guys are doing some kind of Algonquin Round Table without the witty banter and sharp takedowns. It's an autobiography of Moss Hart but it could take some liberties if only to inject some drama into this dull production.