Director Ari Aster said this was a film about dependency which he wrote during a breakup
... and it shows. But it's so much more.
A commentary on religion, friendship, depression, identity -- all inside an extremely unsettling Swedish folklore, sex cult, horror story. And it's funny, too! Yes, all these ideas exist simultaneously in a brilliant and methodically paced film that frolics in the realm between all things Kubrick and the Wicker Man.
There are layers upon layers, clues given, and a deliberately hypnotic and hallucinigenic sensibility that lolls the senses so that the more graphic scenes of graphic horror hit with jarring impact. Moreso, to me, than in Aster's previous film Heritary (the best film of 2018). Not for fans of quick cut commercial fare, the timid or the squeamish, Midsommar is a beautiful, horrifying meta-gestalt that I look forward to viewing again.
A commentary on religion, friendship, depression, identity -- all inside an extremely unsettling Swedish folklore, sex cult, horror story. And it's funny, too! Yes, all these ideas exist simultaneously in a brilliant and methodically paced film that frolics in the realm between all things Kubrick and the Wicker Man.
There are layers upon layers, clues given, and a deliberately hypnotic and hallucinigenic sensibility that lolls the senses so that the more graphic scenes of graphic horror hit with jarring impact. Moreso, to me, than in Aster's previous film Heritary (the best film of 2018). Not for fans of quick cut commercial fare, the timid or the squeamish, Midsommar is a beautiful, horrifying meta-gestalt that I look forward to viewing again.