This is a self-satisfied, sexist little romp, with a few laughs and an affable central performance from Ryan Reynolds, one of many Ben Affleck clones currently doing the Hollywood rounds. It amazes me that anyone could possibly mistake it as in any way progressive. Its postmodern "We know we're in a movie"is as contemporary as a Bugs Bunny cartoon.
Ed Skrein gives good villain, it's a treat to see Leslie Uggams enjoying herself in a supporting role, and there's a nice sardonic turn from T.J. Miller. The music, by Junkie XL aka Tom Holkenborg, is, in contrast to the movie as a whole, unselfconsciously generic, and is all the more enjoyable for it.
DEADPOOL will pass slightly too much of your time. It could have been shortened by ten minutes without anyone noticing. Otherwise, there's not a lot to be said for it.
Ed Skrein gives good villain, it's a treat to see Leslie Uggams enjoying herself in a supporting role, and there's a nice sardonic turn from T.J. Miller. The music, by Junkie XL aka Tom Holkenborg, is, in contrast to the movie as a whole, unselfconsciously generic, and is all the more enjoyable for it.
DEADPOOL will pass slightly too much of your time. It could have been shortened by ten minutes without anyone noticing. Otherwise, there's not a lot to be said for it.