A fast-talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.
It's a great time to be a superhero fan. Mark your calendar for the Deadpool sequel and more superhero films in 2018! Plus, check out photos from Ryan Reynolds on-screen career.
When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.
Earth's mightiest heroes must come together and learn to fight as a team if they are going to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
Peter Parker balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.
Director:
Jon Watts
Stars:
Tom Holland,
Michael Keaton,
Robert Downey Jr.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Directors:
Anthony Russo,
Joe Russo
Stars:
Chris Evans,
Samuel L. Jackson,
Scarlett Johansson
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
This is the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life. Written by
20th Century Fox
Counting the opening credits, there are a total of 23 fourth-wall breaks in the film. See more »
Goofs
In the CGI heavy shot where Colossus is sent flying after being punched by Angel Dust, the background soldiers appear frozen in time, with one frozen mid step. See more »
Quotes
[first lines]
Deadpool:
Kinda lonesome back here.
[wedges himself through the Plexiglas opening between the back seat and the front]
Deadpool:
Yeah, little help.
See more »
Crazy Credits
The opening credits are "as written by Deadpool", and consist of descriptions of the actors, producers, writers and the director rather than the names.
"Some douchebag's film,
Starring God's perfect idiot (referring to Ryan Reynolds. Accompanied by an image of Reynold's People Magazine cover as Sexiest Man Alive)
Deadpool is a triumph of artistic vision over studio interference. Little credit should be given to 20th Century Fox, as they had zero faith in the success of a Deadpool movie. To put things into perspective, Ryan Reynolds fought for this film back in 2004 when Blade: Trinity was released. Reynolds and co. went to shoot test footage that was then leaked online by Reynolds because Fox had no intentions to release it to the public. Finally, after years and years of BEGGING to the studio and the overwhelming positive responses of the test footage from the public, Fox didn't even tell Reynolds and co. that the film was greenlit. They had to find out online like the rest of us plebeians. If that sounds bad, Fox even cut their budget by $7 million AT THE LAST MINUTE, which caused the writers to scratch some action sequences that I'm sure would've been great to see.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.
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Deadpool is a triumph of artistic vision over studio interference. Little credit should be given to 20th Century Fox, as they had zero faith in the success of a Deadpool movie. To put things into perspective, Ryan Reynolds fought for this film back in 2004 when Blade: Trinity was released. Reynolds and co. went to shoot test footage that was then leaked online by Reynolds because Fox had no intentions to release it to the public. Finally, after years and years of BEGGING to the studio and the overwhelming positive responses of the test footage from the public, Fox didn't even tell Reynolds and co. that the film was greenlit. They had to find out online like the rest of us plebeians. If that sounds bad, Fox even cut their budget by $7 million AT THE LAST MINUTE, which caused the writers to scratch some action sequences that I'm sure would've been great to see.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.