We are all mad as hell, and we won't take it any longer. After 40 years, Network (NW) remains a true classic, not only as one of the 70's best movies but of all time.
The original screenplay written by Paddy Chayefsky is one of the bests to date. The story is so smart and intriguing, it is impossible to get bored in any second of the film. The strong dialogue helps to connect with every character, especially Ned Beatty and Beatrice Straight's monologues, which are astonishing for being so short. Both introduction and closure of the story introduce you effectively into the commentary made on television and media power over society.
Behind the television and corporate cloak, there's also the complex human relationships surrounding Max. From his friendship with Howard, his affair with Diana, and the confrontation with his wife, the human touch is strong with this one, making it easier to feel related with this protagonist. Sidney Lumet does an excellent job, challenging his cast to exploit their dramatic skills. Also, very precise with the camera. I applaud Ned Beatty's scene, where the angle and camera position of the speech emphasizes the powerful message of Mr. Jensen to Howard.
Time to talk about the performances. All of them, convincing and lasting impersonations of deeply written and complex characters. These are brought to life with such talent you can't lose sight of any when they are on screen. William Holden makes an honest hero with the most ethical intentions; Peter Finch is precise and over the top being the "mad prophet" who loses his mind; Faye Dunaway transforms into the calculating and fragile main antagonist. The short appearances of Max's wife and Mr. Jensen are ephemeral and potent, making them worth of their nominations and prices.
FINAL CONSENSUS: Black comedy, drama, human relations, controversy, terrorism, manipulation, media commentary, romance, Network mixes in pitch perfect these elements to make one of the best movies ever made.
The original screenplay written by Paddy Chayefsky is one of the bests to date. The story is so smart and intriguing, it is impossible to get bored in any second of the film. The strong dialogue helps to connect with every character, especially Ned Beatty and Beatrice Straight's monologues, which are astonishing for being so short. Both introduction and closure of the story introduce you effectively into the commentary made on television and media power over society.
Behind the television and corporate cloak, there's also the complex human relationships surrounding Max. From his friendship with Howard, his affair with Diana, and the confrontation with his wife, the human touch is strong with this one, making it easier to feel related with this protagonist. Sidney Lumet does an excellent job, challenging his cast to exploit their dramatic skills. Also, very precise with the camera. I applaud Ned Beatty's scene, where the angle and camera position of the speech emphasizes the powerful message of Mr. Jensen to Howard.
Time to talk about the performances. All of them, convincing and lasting impersonations of deeply written and complex characters. These are brought to life with such talent you can't lose sight of any when they are on screen. William Holden makes an honest hero with the most ethical intentions; Peter Finch is precise and over the top being the "mad prophet" who loses his mind; Faye Dunaway transforms into the calculating and fragile main antagonist. The short appearances of Max's wife and Mr. Jensen are ephemeral and potent, making them worth of their nominations and prices.
FINAL CONSENSUS: Black comedy, drama, human relations, controversy, terrorism, manipulation, media commentary, romance, Network mixes in pitch perfect these elements to make one of the best movies ever made.