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Network

  • 1976
  • K-16
  • 2h 1m
IMDb RATING
8.1/10
174K
YOUR RATING
POPULARITY
1,224
2,483
Network (1976)
Watch Official Trailer
Play trailer2:59
4 Videos
99+ Photos
Workplace DramaDrama

A television network cynically exploits a deranged former anchor's ravings and revelations about mass media for its own profit, but finds that his message may be difficult to control.A television network cynically exploits a deranged former anchor's ravings and revelations about mass media for its own profit, but finds that his message may be difficult to control.A television network cynically exploits a deranged former anchor's ravings and revelations about mass media for its own profit, but finds that his message may be difficult to control.

  • Director
    • Sidney Lumet
  • Writer
    • Paddy Chayefsky
  • Stars
    • Faye Dunaway
    • William Holden
    • Peter Finch
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    174K
    YOUR RATING
    POPULARITY
    1,224
    2,483
    • Director
      • Sidney Lumet
    • Writer
      • Paddy Chayefsky
    • Stars
      • Faye Dunaway
      • William Holden
      • Peter Finch
    • 468User reviews
    • 196Critic reviews
    • 83Metascore
  • See production info at IMDbPro
  • Top rated movie #233
    • Won 4 Oscars
      • 20 wins & 27 nominations total

    Videos4

    Official Trailer
    Trailer 2:59
    Official Trailer
    'Network' | Anniversary Mashup
    Clip 1:09
    'Network' | Anniversary Mashup
    'Network' | Anniversary Mashup
    Clip 1:09
    'Network' | Anniversary Mashup
    How Gallows Humor Helped Charlize Theron Make 'Bombshell' Feel Real
    Clip 2:45
    How Gallows Humor Helped Charlize Theron Make 'Bombshell' Feel Real
    Does 'Joker' Exist in a Scorsese-Verse of Films?
    Clip 2:53
    Does 'Joker' Exist in a Scorsese-Verse of Films?

    Photos121

    View Poster
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    + 115
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    Top cast57

    Edit
    Faye Dunaway
    Faye Dunaway
    • Diana Christensen
    William Holden
    William Holden
    • Max Schumacher
    Peter Finch
    Peter Finch
    • Howard Beale
    Robert Duvall
    Robert Duvall
    • Frank Hackett
    Wesley Addy
    Wesley Addy
    • Nelson Chaney
    Ned Beatty
    Ned Beatty
    • Arthur Jensen
    Arthur Burghardt
    Arthur Burghardt
    • Great Ahmed Kahn
    Bill Burrows
    Bill Burrows
    • TV Director
    John Carpenter
    John Carpenter
    • George Bosch
    Jordan Charney
    Jordan Charney
    • Harry Hunter
    Kathy Cronkite
    Kathy Cronkite
    • Mary Ann Gifford
    Ed Crowley
    Ed Crowley
    • Joe Donnelly
    Jerome Dempsey
    Jerome Dempsey
    • Walter C. Amundsen
    Conchata Ferrell
    Conchata Ferrell
    • Barbara Schlesinger
    Gene Gross
    • Milton K. Steinman
    Stanley Grover
    • Jack Snowden
    Cindy Grover
    Cindy Grover
    • Caroline Schumacher
    Darryl Hickman
    Darryl Hickman
    • Bill Herron
    • Director
      • Sidney Lumet
    • Writer
      • Paddy Chayefsky
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Peter Finch was desperate to win the role of Howard Beale once he had read the script. He even offered to pay his own airfare to New York City for the screentest. But Sidney Lumet was concerned about Finch's Australian accent. Finch won the part after sending Lumet a recording of himself reading the New York Times with a perfect American accent.
    • Goofs
      Every one of Howard Beale's shows has the same studio audience (note the man in the black vest, with long hair and a beard).
    • Quotes

      Howard Beale: I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!"

    • Crazy credits
      Paddy Chayefsky's credit in the opening credits says "by Paddy Chayefsky" (rather than "written by Paddy Chayefsky" or a variant thereof).
    • Connections
      Edited into Amérique, notre histoire (2006)

    User reviews468

    Review
    Review
    Featured review
    9/10

    Prescient...

    It is the only word I can come up with to describe this masterfully savage satire, and IMHO, it's the only word that need be used.

    Once I had seen ALTERED STATES and read the novel, I was hungry to find out more about the late novelist/playwright/screenwriter Paddy Chayefsky, and sought out this movie. It blew me away years ago, but I find it even more stunning now. Not just because of the writing, Sidney Lumet's taut direction or the Oscar-caliber performances by everyone involved, all of which are almost beyond being lauded with superlatives.

    But what knocks me out is how Chayefsky seemed less to be writing from the power of his imagination, than channeling Our Times Now. As if he was capable of some form of mental time travel; able to look into the Nineties and beyond to see the coming of SURVIVOR, or Maury Povich, Jerry Springer, Bill O'Reilly and Paris Hilton. Even HE probably didn't know how he knew, but he sure as hell felt it and wrote it down for us to marvel over today.

    Sure, there are political and cultural analogies throughout the picture that are dated. But the core of his vision remains startlingly clear and eerily prophetic. As for Howard Beale, there is not one single "celebrity" who mirrors that character today, but maybe he is a composite of several different personalities with whom we have become all too familiar in the world of "news-fo-tainment." Or maybe he simply hasn't materialized yet. Maybe that is just how far ahead of its time NETWORK really was.

    After all, being "mad as hell" nowadays has so many more layers of meaning than it did nearly thirty years ago...
    • cchase
    • Aug 27, 2005
    • Permalink

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    FAQ22

    • How long is Network?Powered by Alexa
    • Is "Network" based on a book?
    • How does "Network" end?
    • Any recommendations for a female character as annoying as Diana Christensen?

    Details

    Edit
    • Release date
      • April 1, 1977 (Finland)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Mannen i bildrutan
    • Filming locations
      • CTV Toronto Studios - 9 Channel Nine Court, Scarborough, Ontario, Canada(as CFTO-TV Studios, Control room and news studio scenes)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,800,000 (estimated)
    • Gross US & Canada
      • $23,689,877
    • Gross worldwide
      • $23,701,317
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 1 minute
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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