| Cast overview, first billed only: | |||
| Faye Dunaway | ... | Diana Christensen | |
| William Holden | ... | Max Schumacher | |
| Peter Finch | ... | Howard Beale | |
| Robert Duvall | ... | Frank Hackett | |
| Wesley Addy | ... | Nelson Chaney | |
| Ned Beatty | ... | Arthur Jensen | |
| Arthur Burghardt | ... | Great Ahmed Kahn | |
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Bill Burrows | ... | TV Director |
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John Carpenter | ... | George Bosch |
| Jordan Charney | ... | Harry Hunter | |
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Kathy Cronkite | ... | Mary Ann Gifford |
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Ed Crowley | ... | Joe Donnelly |
| Jerome Dempsey | ... | Walter C. Amundsen | |
| Conchata Ferrell | ... | Barbara Schlesinger | |
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Gene Gross | ... | Milton K. Steinman |
In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by Bruce Janson <bruce@cs.su.oz.au>
"Network" is a fantastic movie that illustrates just how the "mob" and the media can exploit even the best intentions for mutual profit.
Howard Beale (Peter Finch) is an on-air personality that, after finding he is not bankable anymore, snaps and starts to speak his own uncensored, and highly inflammable commentary about the hypocrisy of modern life.
In his mad-hatter routine, somehow he sparks his audience's interest, and in a twist of fame finds himself, the not bankable as prime market share for prime time television. And naturally, his bosses and those who stand to profit from his actions, use his fame to better their own cause.
Beale's rise to stardom is only one facet of this intricate story about how the mob influences media. Throughout "Network" we as the audience are constantly shown, to nausea, how ruthless popularity and trend mold what we see as consumers of entertainment. Most of the main characters are in fact trapped in their roles - and powerless to the bottom line, which is that media relies on advertisement and ratings to generate revenue.
In fact, I believe that is what the point of "Network" is - this movie shows us, that "news" is entertainment, and how we as viewers (whichever demographic you are) are willing to suspend all common sense, class, independence, honor, integrity for a few moments of triumph or more pragmatically, how we relish tragedy.
"Network" is too heavy for most people - it is meant for people who do not like TV, who think that product placement is ridiculous, and in general do not like to think of themselves as a "market". If you need your reality spoon fed to you, this movie is not for you.
However, if you have had enough, and wish to feel for a moment like you are an empowered free thinker, i would humbly suggest that this movie is for you.