6/10
Works better as a drama than a thriller, after second viewing
3 February 2007
I've been trying to think of a word to describe the main characters in this movie, and the best one is incongruity. A macho-looking Puerto Rican named Tony (Antonio Banderas) dressed in a leather jacket with big silver rings on most of his fingers turns out to be a wine expert and an ex-cop with a great sense of fun and takes his sex either kinky or romantic. An up-scale psychiatrist named Sarah (Rebecca DeMoray) is evaluating a murderer, Max Cheski (Harry Dean Stanton) for Multiple Personality Disorder while she goes through extreme moods shifts. She falls for Tony, who doesn't seem to be her type, yet ends up being the perfect guy to help her with her sexual repression and problems with trust.

This movie doesn't quite work as a thriller. It's poorly written and directed. Too many thriller clichés like the over-use of camera shots, quick cuts, and blaring, screeching music at "shocking" moments. There are a number of stalker suspects - is it Tony? Neighbor Cliff? Dad Henry? Cheski? Yet I never believed any of them to be credible suspects. At no point was I ever on the edge of my seat worried about her being with any of these so-called suspects.

The clues, at least, are nicely woven in. Although it makes a sartorial and editorial error when it gives us a clue about the real stalker - the film unwittingly rules out one of the suspects, yet keeps on trying to make us believe he's one of them. I had a sense of who it was by the end. Although I found things about it distasteful and not well presented. I was surprised a couple of things, so I didn't guess the entire ending beforehand.

I found DeMoray's acting go from passable to over the top at times. The only one who actually makes this movie watchable is Banderas, who manages to do some good things with the poor material he's given. When the film wants to be an erotic thriller, he's the one, not surprisingly, who gives it the eroticism it wants, not DeMoray. Not that they lack chemistry, but she's not as up to the job as he is. When the film wants light, fun romantic moments, he's the one brings them to the film. When the film wants serious dramatic tension, Banderas serves it up. Sometimes, DeMoray either seems to lag behind him or goes over the top in an effort to match him.

In spite of it's flaws as a thriller, once you know what's really going on and watch it again, it makes for a decent drama (as long as you ignore the annoying overdone "shocking moments.") Second time through lets you actually understand the whys about things. Unfortunately, most people aren't going to want to watch this thing a second time.
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