A psychiatrist (Sciorra) is helping a neurotic art gallery owner who has a submissive and very satisfying sexual relationship with her new lover, a domineering man with a violent streak. An... See full summary »
Ellie DeWitt and Janis Zuckermann are admitted to the very strict FBI Training Academy. They get a hard course in which they learn to deal with guns and recognize crimes. They also get ... See full summary »
Rebecca De Mornay,
Sarah Taylor, a police psychologist, meets a mysterious and seductive man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when she begins to receive anonymous telephone calls.Written by
In one of the last scenes (1:22:30) Tony points a Beretta M9 at Susan, but when the shot changes from the front to side/back of Tony pointing the gun at her. On the front facing shots with the gun, the gun is in "Loaded Closed Receiver" form, but in the side/back shots the gun is in an "Empty Open Receiver" form. See more »
I think sex is overrated, Dr. Taylor. Don't you?
No, I guess not. You'd be out of a job, wouldn't you?
I love that little scar... on your mouth.
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An unrated version is available on laserdisc. See more »
A more or less typical thriller made special by Rebecca De Mornay's awesome performance. She is the executive producer of this picture and must have badly wanted to do this role -- I'm glad she did.
She plays a psychiatrist evaluating whether an accused serial killer is competent to stand trial. It becomes obvious early on that she was drawn to psychiatry because of her own severe emotional problems and difficult past. In the meantime, we are shown troubling relationships with men appearing in her personal life. An upstairs neighbor badly wants her, but she wants only to be friends. Her father shows up out of the blue seeking affection and assistance, but she resists him, and it is obvious that their relationship and her childhood were deeply troubled. A stranger (Banderas) she meets in a store ardently pursues her, and they begin an affair, but she has difficulty trusting him, both because he is something of a suspicious character and because, as she tells him, she has difficulty trusting anybody. Their relationship becomes volatile and angry, tinged with violent overtones. Then there is the issue of her ex-fiancé, who vanished abruptly and without explanation just before the scheduled wedding.
As happens in these kinds of films, she is sent a series of mysterious messages and packages with no return addresses. Then violent things start to occur. Someone is clearly trying to terrorize her, but who? So many suspects -- Banderas? The upstairs neighbor (who is of course jealous of Banderas)? The serial killer, acting through friends outside of prison? Her father? The ex-fiancée? I did not anticipate the answer to this question, revealed of course at the film's end, but it was not an especially unusual conclusion for films of this kind. What made this picture worthwhile was De Mornay's utterly believable portrayal of, let us say, a difficult character, reminiscent of what she did in "The Hand That Rocks The Cradle". She is simply great at this kind of thing, besides being classically gorgeous.
The other acting is fine, but no one stands out. Banderas is always good, but in this one he is mostly eye candy for the ladies. Harry Dean Stanton as the serial killer is suitably menacing and crazed, but this picture is really all De Mornay. I found it a bit slow at times, but the last 20 minutes or so made up for the weak spots. Definitely worth watching.
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