"I've spit in the eye of better men than you for saying less", boatswain John Garfield snarls at sadistic captain Edward G. Robinson in this gritty film noir, set in the open sea, but fenced in, very noir-like, by constant dense fog.
I believe Raoul Walsh would have made a more dynamic film over Jack London's novel than Michael Curtiz did, but it is still a pretty good watch any day of the week. Robert Rossen wrote the screenplay which is well-structured, but far too literal and talkative for the pacing of a dramatic work of art. The lighting of the set, basically just the ship 'The Ghost', is brilliant, Erich Wolfgang Korngold's score must count among his best, highly effective and evocative.
Acting is on a very high level, with Robinson grabbing a first prize for his portrayal of the complex sadist 'Wolf' Larson. John Garfield is his swarthy and sexy adversary, and Barry Fitzgerald turns his signature role of the Irish leprechaun on its head with his vicious, diabolical snitch of a sailor, truly scary, a virtuoso performance.
I believe Raoul Walsh would have made a more dynamic film over Jack London's novel than Michael Curtiz did, but it is still a pretty good watch any day of the week. Robert Rossen wrote the screenplay which is well-structured, but far too literal and talkative for the pacing of a dramatic work of art. The lighting of the set, basically just the ship 'The Ghost', is brilliant, Erich Wolfgang Korngold's score must count among his best, highly effective and evocative.
Acting is on a very high level, with Robinson grabbing a first prize for his portrayal of the complex sadist 'Wolf' Larson. John Garfield is his swarthy and sexy adversary, and Barry Fitzgerald turns his signature role of the Irish leprechaun on its head with his vicious, diabolical snitch of a sailor, truly scary, a virtuoso performance.