The Hard Word (2002)
4/10
"Different" and "good" are not synonymous
18 July 2003
This film, though it succeeds in digressing from the standard "Heist Movie" formula (worn down to an imperceptible nub of its once original splendor), makes no effort to be what one would term "good". It seems that Scott Roberts got so caught up in his efforts to avoid convention, that he forgot to give the plot any direction, or make the movie remotely entertaining. There were times when it was clear that he was going out of his way to disappoint expectations, but without results that were worth the effort. More than once a character was introduced that played an important part of the story, that would then disappear completely without apology. If this were to in some way improve the story or the point, I would understand; but instead it came off as a juvenile device. "Look at how unexpected that was. Did you see, nobody ever does that." Well, nobody (at least not anyone that produces a film for public consumption) has put a gerbil in a blender and filmed it, but I'm not gonna expect people to be impressed if I'm the first.

While I am tired of the same movie coming out over and over again under different titles, with different superstars playing the same role, I do think that there are conventions in writing that are necessary for all but the few geniuses who know how to break the rules (and usually, they follow others). Certain conventions (creating characters about whom we care and fleshing them out; creating a discernable and engaging plot; moving naturally from event to event) can be utilized in original screenplays. I know. I've seen it done.

There is nothing more wrong with convention than there is with originatily. It is only quality that matters. And it is there that this movie fell shorter than legless munchkin.
1 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed