Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and ...
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The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop ... See full summary »
Adrift in hostile waters, during the last vicious battles of the Triad societies after explusion from mainland China, The Captain, William, is ruined. He has a shady past, a drinking ... See full summary »
Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.Written by
Noel C. Bailey <firstname.lastname@example.org>
The films title 'The Hard Word' is a reference to the type of Aussie slang (Cant or Cryptolect language) the films main protagonists use when they would communicate with one another in prison or "on the job". This language is known as Retchab Klat (Rech-tub kay-lat) 'Butcher Talk'. Words spelt backwards with digraphs and plurals kept intact. It was developed as a form of communicating between butchers to either ogle or make fun of certain customers and not draw attention. It is an old time butchers language that is still used in some small country Australian towns to this day. See more »
[All goofs for this title are spoilers.]
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Listen to me, Dale. What are you doing? Will you just look at me, please?
It's too late, Carol. There's nothing left.
How can you say that? Dale, I love you. We fit together.
Right, well, I'll try to remember that when I'm thinking about your mouth wrapped around Frank's cock.
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Stellar performances from Guy Pierce (thankfully redeeming himself here after Time Machine) and Joel Edgerton - (best known for playing lovable Will on the TV show Secret Life of Us).
It's a smart, funny movie that keeps the action moving along at a satisfyingly snappy pace. However, the ending is somewhat disjointed and throughout the film you get the feeling that Scott Roberts had lots of good scenes in his head (and they ARE good) that he wanted to put on screen, but that they don't necessarily all work together.
Nonetheless it's a highly enjoyable movie in the Chopperesque genre of darkly funny gritty dramas that Australia is beginning to earn a well-deserved reputation for.
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