(Sorry for any misspellings or grammar problems, I wrote this fast.)
I saw this film last night on Turner Classics. I was very touched by the film's romantic sensibility. Yes, the film has a B movie feel. Yes, the performances are typically surface in a 1930s outdated style. Yes, at times it was obvious this was not Paris but a studio sound stage. But I forgive all of those things because that's what one does in film and theater: suspend disbelief to experience the characters' journey.
Here, the characters are all drama students who are either utterly disenchanted (Paulette Goddard) or romantically idealistic (Luise Rainer). All of the characters share the dreams of stardom and I find that element a universal and timeless trait: To be a successful STAR.
I was captivated by Rainer. She's no different than how Marilyn Monroe (or any great artist) must have felt on her way up. Rainer is magical, almost like a silent screen star with her exagerated facial expressions. And also like Garbo with her dark, European voice. I think that Rainer is the film's heroine in the traditional sense of Heroism. She overcomes poverty, social criticism, and artistic limitations by just living through her own perspective and by her own rules. Also, she's a very young woman, a student. And young people do make mistakes like the ones she makes in the films. Yes, I felt she was a real character.
In all fairness, I am not used to the exagerated style of her acting. I much more related to the fast talking Lana Turner or Paulette Goddard. But that's because they are very American and so am I: I like fast-talking broads. However, Rainer's romantic quality is rooted in her unknowable otherworldliness and I love her for that. I was swept off my feet into her idealistic heart. She took me there. Exactly like how I felt when I watched Audrey Hepburn in Sabrina. Pure fantasy, and I love this film because of that.
Not to sound elitist but a true gem for any closet sophisticate and old-school romantic.
I saw this film last night on Turner Classics. I was very touched by the film's romantic sensibility. Yes, the film has a B movie feel. Yes, the performances are typically surface in a 1930s outdated style. Yes, at times it was obvious this was not Paris but a studio sound stage. But I forgive all of those things because that's what one does in film and theater: suspend disbelief to experience the characters' journey.
Here, the characters are all drama students who are either utterly disenchanted (Paulette Goddard) or romantically idealistic (Luise Rainer). All of the characters share the dreams of stardom and I find that element a universal and timeless trait: To be a successful STAR.
I was captivated by Rainer. She's no different than how Marilyn Monroe (or any great artist) must have felt on her way up. Rainer is magical, almost like a silent screen star with her exagerated facial expressions. And also like Garbo with her dark, European voice. I think that Rainer is the film's heroine in the traditional sense of Heroism. She overcomes poverty, social criticism, and artistic limitations by just living through her own perspective and by her own rules. Also, she's a very young woman, a student. And young people do make mistakes like the ones she makes in the films. Yes, I felt she was a real character.
In all fairness, I am not used to the exagerated style of her acting. I much more related to the fast talking Lana Turner or Paulette Goddard. But that's because they are very American and so am I: I like fast-talking broads. However, Rainer's romantic quality is rooted in her unknowable otherworldliness and I love her for that. I was swept off my feet into her idealistic heart. She took me there. Exactly like how I felt when I watched Audrey Hepburn in Sabrina. Pure fantasy, and I love this film because of that.
Not to sound elitist but a true gem for any closet sophisticate and old-school romantic.