Aspiring actress Louise Muban attends the prestigious Paris School of Drama during the day and works at a dreary factory assembling gas meters at night. She daydreams and "acts" her way ...
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S. Sylvan Simon
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Aspiring actress Louise Muban attends the prestigious Paris School of Drama during the day and works at a dreary factory assembling gas meters at night. She daydreams and "acts" her way through life, and her fellow students at school begin to suspect her stories are just that - fabrications. After Louise begins to weave an actual meeting with a debonair playboy into a fantasy of club dates and romance, her co-student Nana discovers the lie when she too meets the playboy. Nana sets a trap for Louise, and the result is an end to one fantasy and the realization of another.Written by
This film was a failure at the box office, resulting in a loss to MGM of $206,000 ($3.58M in 2017) according to studio records. See more »
I loathe all this acting business. You can never be yourself.
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Opening card: Behind the enchantment of the footlights there is the hard reality of the long climb to success. Mere talent is not enough -- there must be, in the heart of the young player, a burning love of the stage which would sacrifice all else.
This is the story of Louise Mauban-- a dramatic student -- and her love for the theatre. See more »
Plush cast in what is basically a B-film from MGM...
DRAMATIC SCHOOL was obviously designed as a star vehicle for LUISE RAINER, the European actress whose career fizzled after winning two Oscars in the mid-'30s. Her acting here is even more mannered than usual, aside from seeming eccentric as compared to the more natural acting styles of others in the cast. And it's quite a cast--a whole bevy of up-and-coming young stars on the Metro lot.
PAULETTE GODDARD gets most of the footage as a glamorous and scheming bad girl while LANA TURNER, VIRGINIA GREY and ANN RUTHERFORD play more conventional types.
But oddly enough, in a film concentrating on its young female talent, the picture is stolen by ALAN MARSHAL in the film's only substantial male role--elegant, debonair, sophisticated and as handsome as any matinee idol. And the other scene stealer is none other than GALE SONDERGAARD as a drama instructor who lets jealousy get the upper hand in dealing with her students.
It's all formula stuff, interesting only for the cast and offering very little in the way of a credible plot. LUISE RAINER's "magic" as a performer eludes me. I never cared for her artificial poses and her Joan of Arc sequence is ludicrous.
Worth noting is RAND BROOKS (he was Charles Hamilton in GWTW) as a young actor who can't act. A clever bit of typecasting.
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